Gay Subtexts I Probably Missed In Films

I read it as longing, too. You’re totally right about the younger brother, though.

Bolding mine—Cite on Wyler’s homosexuality? :dubious:

Batman is asexual, except every couple of years, when the DC editors let him have a dalliance to complicate his life further. It’s like Pon Farr, but for vigilantes.

Re : The Tick and Arthur. The cartoon version. Arthur’s straight. Carmelita is not a “beard” - he really, really loves her. The Tick - I think of him as essentially asexual. Sure, he can be petty and jealous, especially where “his” sidekick is concerned - but that’s because the Tick is emotionally a child, and children are possessive.

YMMV.

Ripley wasn’t the only woman on the ship, though… there was also Lambert (Veronica Cartwright).

I’m not the person you asked, and true he was married a couple of times and had kids, but in 1934-35 he produced Glamour, The Good Fairy and The Gay Divorcee all back-to-back… Hell-ooooo! :slight_smile:

Round about the time X-Men 2 came out, I read a review of it in one of our weekly papers suggesting that the scene where Magneto is trying to get Pyro on his side is played as a seduction. The author of the article even went so far as to call it “homophobic” (which I didn’t see at all).

The dialogue from that movie, though, was stolen right out of coming out stories and those Now That You Know-type books you’re supposed to give your parents when you come out. But that’s more metaphor than subtext.

:smiley:
(Insert comment about needing a new keyboard here…)

Yeah, the “gay=mutant” metaphor was played pretty strongly, what with the “Have you ever tried… not being a mutant?” line the mother delivers and other similar lines. But that’s just common sense, I think. Given the X-Men world, it would have been difficult not to draw similarities to homosexuality.

You were saying about the Tick?

Rebel Without a Cause was an original screenplay by Stewart Stern. As to whether Plato’s crush on Jim was intentional: Sal Mineo was bisexual, James Dean was bisexual, and director Nicholas Ray was bisexual.

supervenusfreak, you’ve got your Ben-Hur story wrong. Gore Vidal, not the hetero William Wyler, told Stephen Boyd to play the scene as it he were in love with Charlton Heston.

Ok, so I gotta ask… what about Bert and Ernie? I know it’s not in a film and I know nobody probably missed it, but it’s got to be the longest running and funniest (and sweetest) gay subtext ever hasn’t it?

mm

LOL. That’s right! I got the two confused.

The way I remember the story from the movie The Celluloid Closet, Vidal was hired as a script doctor and he came up with the idea, but Wyler handled the communications with the actors, because he wanted to make sure that Heston didn’t hear about it.

I’m still waiting for an explication of the Smurfs.

Just saw “Strangers On a Train” this past weekend… Wow Bruno was G-A-Y.

Maybe at the time he was just seeing as an oddball lunatic… but now… He reads as blatantly homosexual.

Hitchcock intended he be considered homosexual, but I doubt most audiences at the time realized it.

Lowering the tone significantly, here, but I saw again Killer Klowns from Outer Space the other day. There’s a scene in which the asshole chief of police from a small town near a college campus has hauled a couple of clearly non-intoxicated kids into the station for “public drunkeness” after catching them in the park with a bottle of wine. I’d seen the movie several times as a kid, but this was the first time I realized, “Two guys, with a bottle of wine, alone at night in a public park… shit, he wasn’t hassling them because of the wine!”

Now that I think about it, this also casts a different light on the inevitable demise of the asshole police chief: one of the killer klowns turns him into a hand-puppet.

Interestingly, the gay character in Strangers on a Train was played by a straight actor, and the straight character was played by a gay actor. That Hitchcock!

Something that y’all probably won’t see stateside, but the Chinese novels Outlaws of the Marsh and Red Chamber Dreams both have a whole lot of Subtext.

I was watching a TV adaptation of Marsh and I remember having a discussion with my mom about how gay a lot of the characters seemed. (Of course, for a story that emphasized brotherhood and portrayed women as either evil or very tomboyish would exude a lot of wonky vibes.)