Of course, there is the famous example of Agatha Christie’s The Mousetrap. It’s been filmed in Bengali and in Russian, but we will probably have to wait until the copyright lapses before anyone can film it in English.
Richard Brinsley Sheridan’s The Rivals. It’s been done on TV twice (once as an episode of Maverick). I want to see a big-budget, big-screen version. Mrs Malaprop is one of the great characters of literature.
Greater Tuna by Jaston Williams, Joe Sears, and Ed Howard. It’s been done on TV, but not on the big screen.
It’s a little early (or a lot early; the play premiered just recently), but Harry Potter and the Cursed Child is on the stage in London, and I’m really unlikely to see it there. So I would like it if they were to do a film version. (I may buy the script, scheduled to be published next month.)
My first thought was, “What do you mean Mousetrap has never been filmed! There was a very good film of it with Michael Caine and Christopher Reeve!” Then I remembered that was Deathtrap. Never mind!!
I saw a play called The Pillowman by Martin McDonagh (probably best known for In Bruges) years ago, and it has stayed with me ever since. I think it would make a good, if somewhat messed up, movie.
Sent from my iPhone using Tapatalk
A few years ago when there was a revival in stage musicals being filmed (Chicago, Les Misarables) I was crossing my fingers that someone would finally make one of Big River. I’ve seen it on stage three times, I think, and it’s incredibly fun - not to mention based on one of the best American novels of all time.
Some plays resist filming because they don’t translate well. Often they are designed for one or two sets, which is hard to make work. Something like The 39 Steps (the one with only four [counting] four actors) only works on stage.
If you look at the Tony nominees from 1990-2010 (plays since then wouldn’t have had enough time to set up a movie), only ten nominees out of 84 had films made, and few of those were big hits. None were blockbusters.
At one point, adapted plays were Hollywood’s lifeblood. Now, they’re usually side projects and labors of love.
The Tony list is full of excellent plays that have never been made into movies.
Yeah, but some of the plays you’d think this would be true of have made fairly successful movies. (I’m thinking of Twelve Angry Men as an example; I hope the fact that it was first written as a teleplay doesn’t disqualify it.)