Billy Zane as the Collector was a great villain in Tales From The Crypt: Demon Knight. I was familiar with Zane from earlier movies but I thought that he really stepped up in this role. Plus he got to be a big ham as a demon trying to retrieve the blood of Jesus contained in an artifact.
Death from Bill and Ted’s Bogus Journey is great as well. Nothing is taken seriously in this movie, of course, but William Sadler gets his chance to have a little fun as a rapping, melvined, embodiment of death.
From TV, I really can’t stand Jimmy Pesto in Bob’s Burgers and I want him to get his comeuppance every time he interacts with Bob, so I’d say that character is successful. Pesto, incidentally, has a new voice actor after the original was arrested for participating in the January 6 riot.
Pretty sure that was season 5–not the strongest season. You can watch Season 6 without knowing much about 5. It’s the Boyd and Givens showdown season, and it’s excellent.
Trivia time: Neil Flynn was a guest star in season one, and the janitor character was originally supposed to be an imaginary character in JD’s mind, which was going to be a big reveal at the end of S.1- he only interacts with JD that entire season. But the show, and the character, turned out to have legs, so it was decided to make his character both real, and a permanent cast addition.
Barry was full of charaacters like that. Stephen Root was great and often hilarious, but Anthony Carrigan (“Noho Hank”) was equally vicious and hilarious, and stole most scenes he was in, in a cast full of scene-stealers.
But my favorite comedic bad guy has got to be Stanley Tucci as “Muerte” in Undercover Blues.
“Hi, Morty!”
“Muerte! My name is Muerte! It means death!”
"Whatever you say, Morty.’
Dabney Coleman - great comedic actor, played versions of the same malevolent, petty, spiteful, evil, evil man in a number of movies - including 9 to 5, Meet the Applegates and Tootsie.
Andrew Scott’s version of super-villain Moriarty in the Sherlock series is superficially over-the-top and tongue-in-cheek, in keeping with the whole tone of the Sherlock idea, but with a genuinely disturbing and unsettling edge when he chooses to let rip.