Greatest Film Performance Ever?

Greetings, everyone,
Here is my nominee for the greatest film performance of all time:

**Frank Faylen ** in *The Lost Weekend * (1945)

Frank Faylen was one of Hollywood’s most versatile and dependable character actors. Prolific, too. In 1939 (Hollywood’s “Platinum Year”), he appeared in 18 films, then beat that in 1943 with 24 films.

He is best known for his role as Herbert T. Gillis, the father of the title character on the TV show “The Many Loves of Dobie Gillis” (1959-1963).

But in 1945 he burned up the screen in *The Lost Weekend * as “Bim” Nolan, a sadistic male nurse who can barely disguise his contempt for the patients in a drunk tank. In a mesmerizing (and disturbing) performance he cruelly taunts Ray Milland’s character for his alcoholism. He also pulls off what is arguably the most difficult acting trick of all - he subtly hints at Bim’s homosexuality without ever being “swishy.”

On a minute-per-minute basis, this is easily the greatest film performance ever.
I also want to call attention to two other great performances:
**Isabell Jewell ** in *A Tale of Two Cities * (1935)

Isabell Jewell is best known for her role as Emmy Slattery in *Gone With The Wind * (1939).

In *A Tale of Two Cities * she plays an unfortunate seamstress who accompanies Sidney Carton (Ronald Colman) to the guillotine. Her character is a sweet, simple soul, innocent of politics, who has no idea why she has been condemned. It is a beautiful, heartbreaking performance.
**George Sanders ** in *Samson and Delilah * (1949)

Born to play cynical cads, George Sanders won Best Supporting Actor for All About Eve (1950).

Sanders was also a notorious ham. So when he appeared as the Saran of Gaza in Samson and Delilah, directed by Cecile B. DeMille (not known for his subtle technique) one could be forgiven for expecting some real scenery-chewing. Instead, Sanders surprised everyone by delivering a beautifully understated performance. Although the Saran is the “villain” of the piece, Sanders makes him intelligent, sympathetic and utterly believable.
Who is your nominee? I love to watch truly great acting.

Respectfully,

Roseworm234@yahoo.com

Just off the top of my head . . .

Lillian Gish in The Wind
Mae Marsh in Intolerance
Constance Talmadge in Intolerance
Clara Bow in It
Rudolph Valentino in Four Horsemen of the Apocalypse
Henry B. Walthall in Birth of a Nation
Geo. O’Brien in Sunrise
Max Linder in Max Doesn’t Speak English
Maria Falconetti La Passion de Jeanne d’Arc
Mary Pickford in Stella Maris
Marion Davies in Show People

Lemme think, now, the talkies . . .

Jack Lemmon in Some Like It Hot

Marlon Brando in The Godfather

Tom Berenger in Sniper (j/k)

Steve Martin in All of Me.

He had me believing Lily Tomlin was inside of him for real.

Humphy Bogart in Treaure of the Sierra Madre. Totally tight, controlled, subtle performance, against type. You can’t help but root for Fred C. Dobbs, even after it’s clear that he’s a sociopathic asshole. Walter Huston’s turn as Howard in the same movie is also one of the greatest supporting performances in movie history.

I’ll also nominate Billy Bob Thornton in Slingblade, John Hurt in The Elephant Man, Katherine Hepburn in The African Queen, and Jack Nicholson in One Flew Over the Cucoo’s Nest, and Steve Martin in Pennies from Heaven.

See, I thought Tim Curry really gave the standout performance in this one.
Daniel

I’m gonna have to go with Robert Downey, Jr. in Chaplin.

Uma Thurman in Hysterical Blindness comes in at a close second.

Yeah, but Charlie Chaplin was pretty good in Downey, too.

Anthony Hopkins in The Silence of the Lambs

Oh, that’s simple. Vivien Leigh in A Streetcar Named Desire.

Thank you for asking.

Al Pacino in The Merchant of Venice and Scent of a Woman
Tom Hanks in Philadelphia and Forrest Gump (perhaps an unpopular choice but I stand by it)
Jack Nicholson in One Flew over the cuckoos next
Marlon Brando in Godfather
Sean Penn, Naomi Watts, Benicio Del Toro in 21 Grams

I don’t know about picking one performance above all others but these are what came to my mind.

It’s in my top five at least. Damn, I knew he was an actor, that it was just a movie, and that even if it was true he was either strapped down or behind inch thick glass. But Hopkins scared the crap out of me in that movie, before there was even a drop of blood.

Hear, hear. His performance seemed to cross the line from horror (where someone you care about is in danger), to terror, where you’re in danger.

Another great scary performance: Alan Arkin as Hal Roach, Jr. in Wait Until Dark. Creepy, creepy creepy!

Come to think of it, Alan Arkin also gave one of the funniest film performances I’ve ever seen in the vastly underrated The In-Laws.

Geoffrey Rush in Quills.

Orson Welles in Compulsion.

Charlize Theron in Monster.

Dah.

Alan Arkin played a character named Roat.

Hal Roach, Jr. was a movie producer.

The ones that always stand out for me are the supporting performances where someone’s on screen for a small part of the movie but just steals the show.

Anthony Hopkins in “The Silence of the Lambs” is an obvious choice - yes, I know he won the Best Actor award, but he really was a supporting actor. But man, he was something, wasn’t he?

Robert Shaw in “Jaws” was wonderful, just wonderful.

Meryl Streep in Sophie’s Choice
Massimo Troisi in Il Postino

Paul Newman in The Hustler

George C. Scott, Patton

Charlize Theron, Monster

Robert DeNiro, Raging Bull

Robert DeNiro, Taxi Driver

Kenneth Branagh, Henry V

Al Pacino, The Godfather, I and II

And just to throw a wildcard out there…

Max Shrek, Nosferatu

I’ll second all of Eve’s nominations and add:

Mary Pickford: My Best Girl
Emily Watson: Breaking The Waves
John Murray: The Crowd
Orson Welles: Touch Of Evil
Dana Andrews: The Ox-Bow Incident
Virginia Cherill: City Lights

Possibles:

Janet Gaynor: Sunrise & A Star Is Born
Rita Hayworth: The Lady From Shanghai
Zazu Pitts: Greed
Lillian Gish: La Boheme
James Dean: East Of Eden & Rebel Without A Cause
Bette Davis: Whatever Happened To Baby Jane?