Help me understand why Fargo is so good....

Your comment points at why I’ve always found Fargo to be a very political movie. And the Coens to be very political filmmakers. A political sensibility nuanced with humanism and pragmatism. And, I think, a certain kind of feminism?

Contrast Marge’s attitude with that of Emmet Walsh’s character in Blood Simple:

There are people – and it’s not exclusively a left or right thing – who look at the world, and its history, and view it as a competition. Struggle between ideologies, clash of civilizations. Wars, with winners and losers.

But the history of the world is also people scratching out a living. Making bread, or tortillas, or whatever. Having kids, and feeding their kids, and watching their kids grow up. Not killing each other. Cooperating. Doing what they think is right to the extent they can.

That’s what Margie G. represents to me. Not a revolutionary, but someone who’s doing the quiet, noble, and oh-so-important work of keeping the human race moving forward – slowly – and preventing us killing each other off.

Were there so many? By George, you’re right.

No, wait a minute. You’re wrong. Here’s my count:

 The highway patrolman.
 The two people in the passing car who witnessed his murder.
 Wade.
 Mrs. Lundegard.
 Carl.

So that’s six, unless I missed someone.

There’s also the money collector at the parking garage, so it’s at least seven.

Carl also kills the parking garage attendant as he leaves after shooting Wade. So that’s seven. Five by Gaear, two by Carl.

List of deaths in Fargo

Spoiler warning for TV show: Don’t scroll down past the film since it lists the deaths on the show as well.

Ooh, Yaa? Ookay Then! You Becha!

I fill soory for him!

(I shouldn’t post drunk and angry. The movie is pretty good, but I wanted to shove an Ice Pick in my earholes after a few minutes.)

There was a time, long ago, I didn’t stop drinking until after noon.

Marge Gunderson says that she knows of five deaths. That’s because she doesn’t know about the parking lot attendant or Wade Gustafson. That may be why you thought there were only seven deaths:

Frances McDormand was great and I’d glad she got an Oscar, but Macy deserved one more. It’s a brilliant performance of a masterfully written character. Jerry Lundegaard is one of the great characters in modern film history.

Geez, can’t I get anything right? I meant to say “. . . That may be why you thought there were only five deaths . . .”

I disagree only with your first line. I think they were equally deserving of the Oscar. Macy was robbed.

The Coen Brothers have a particular way of writing that appeals to a lot of people, maybe because they reject many Hollywood conventions?

That being said, this impulse has steered them toward stereotype and caricature. I felt that way in both Fargo and No Country For Old Men.