Your comment points at why I’ve always found Fargo to be a very political movie. And the Coens to be very political filmmakers. A political sensibility nuanced with humanism and pragmatism. And, I think, a certain kind of feminism?
Contrast Marge’s attitude with that of Emmet Walsh’s character in Blood Simple:
There are people – and it’s not exclusively a left or right thing – who look at the world, and its history, and view it as a competition. Struggle between ideologies, clash of civilizations. Wars, with winners and losers.
But the history of the world is also people scratching out a living. Making bread, or tortillas, or whatever. Having kids, and feeding their kids, and watching their kids grow up. Not killing each other. Cooperating. Doing what they think is right to the extent they can.
That’s what Margie G. represents to me. Not a revolutionary, but someone who’s doing the quiet, noble, and oh-so-important work of keeping the human race moving forward – slowly – and preventing us killing each other off.
Marge Gunderson says that she knows of five deaths. That’s because she doesn’t know about the parking lot attendant or Wade Gustafson. That may be why you thought there were only seven deaths:
Frances McDormand was great and I’d glad she got an Oscar, but Macy deserved one more. It’s a brilliant performance of a masterfully written character. Jerry Lundegaard is one of the great characters in modern film history.