Hey! They're running the film backwards!

Sometimes movies run portions of film backwards, apparently hoping we won’t notice.
Sometimes it’s actually legitimate. Akira Kurasawa opened one of his films (Dodeskaden, I think) with a shot of a train coming into a station, slowing down, and finally stopping with the window centered in the frame, with his subject seated in the seat, who gets up and walks out. It would’ve been practically impossible to arrange to get that perfectly framed shot if you actually filmed the train arriving, but it was relatively easy to do if you started at the stopped train and filmed it leaving the station, then ran the film in reverse. You just have to take great pains to assure that nothing looks out of kilter (such as the woman awkwardly getting up and walking out, since she had to act “backwards”)

The end of the James Bond film You Only Live Twice uses a backwards shot to achieve something impossible, too – the submarine comes up directly under the life raft carrying Bond and his companion. If you actually tried to film that, you’d have a hard time “aiming” the sub to the right position, and an even harder time trying to keep the raft from slipping off the hull as the water ran away. But it was easy to put the raft on the sub and then film it slowly diving. But the illusion is spoiled by the water – water running off the sub viewed in reverse just doesn’t look right.

Sometimes they know the “backwards masking” will be noticed and deliberately use that effect. In the Twin Peaks TV show, David Lynch used such backwards scenes for dream sequences, since it has a weird, otherworldly feel to it. And in the movie Top Secret!, Zucker, Zucker, and Abrahams used it for comic effect, piling gag upon gag, culminating in the lead characters going up a firepole.

But what I’m interested in are cases where they didn’t deliberately intend to shoot backwards, but had to because they needed the shot, or did things wrong, and it was a post-production correction.

They did this in the James Bond film From Russia with Love, in the scene where Rosa Klebb is talking with “Spectre Number One” on his yacht, and she gets up to go look at his tank of Siamese Fighting Fish. I actually never realized that this clip was run backwards until it was pointed out on the “making of…” documentary that came on the DVD of the film.

A more blatant example is in the movie Anaconda, where a waterfall in the background is clearly falling up, and it wasn’t intended as a comic effect. I first saw this film at a Rifftrax screening, where they gleefully pointed it out.

A related case, although not actually running the film backwards, is in another James Bond movie, Diamonds are Forever. Bond is being chased by the Las Vegas police, and comes to an alley too narrow for his car. So he runs the left side of his car up a ramp and balances the car on his two right wheels. Then in a later shot he emerges from the alley on two wheels and allow it to come back down – only the shot shows him on his two left wheels. Evidently nobody noticed that the two stunt scenes didn’t match. They could’ve printed the scenes switched left for right, but then the car would’ve been travelling in the “wrong” direction (going left to right going into the alley, then right to left coming out), which is actually legitimate, but confusing. Worse, all the marquees and street signs would’ve been telltale backwards. So they filmed a shot of the heads of Bond and Tiffany Case showing the car inexplicably rotating from one side to the other. Nobody complained, as far as I know. But then, the film was filled with missing scenes and non-sequiturs, so what was one more in the mix?

Woody Allen’s What’s up, Tiger Lily? has a brief clip where they reverse the film, the way people with 16mm movie projectors often would, for gross comic effect, but that’s pretty obvious and crude.
Got any others?

This one doesn’t qualify as unintended -

The adrenaline needle shot in Pulp Fiction was done in reverse. Violently punching a needle into someones chest is tough to film, so instead lets film someone violently pulling a syringe away and run it in reverse!

It’s an intentional, rather than an unintentional one, so it’s qualified. And thanks, I didn’t know about that one.

Similarly, but different, when Gary Cooper played Lou Gehrig in Pride of the Yankees, for some of the ball-playing sequences, they put Coop in a uniform where the writing on the uniform was backward, so he could play right-handed, then they flipped the film so he appeared to be a lefty like Gehrig.

StG

Memento’s opening scene may or may not satisfy the OP.

In Disney’s nature film The Living Desert, then used reverse printing while showing a scorpion battle – i.e., the same shot done forward then backward.

Cecil B. DeMille’s The Ten Commandments used it for the parting of the Red Sea: Two tanks of water were configured and the water was released to fill it. The film was then run backwards.

Candy (1968) has surgeon James Coburn slipping on gloves in reverse.

In Star Wars: A New Hope, I believe the Millennium Falcon taking off from the Death Star was shot in reverse.
Related, but in a slightly different category, is Sleep My Love (1948):

Here we see Claudette Colbert overacting. Note the buttons on her blouse; in particular, the two stray ones on her left side.

From the same scene, this reaction shot of Ms. Colbert shows the buttons having magically moved to her right side. This is because the film has been flopped to accommodate Ms. Colbert’s well-known insistence on favoring the left side of her profile.

Good catch about Ten Commandments. They did something similar in deMille’s first, silent version of The Ten Commandments from 1923. For that they constructed the “walls” of the parted Red Sea from gelatin and put it in a tank and flooded water (possibly thickened with gelatin) into it. Then they ran that backwards to show the Red Sea parting. (A lot of places claim that they created the illusion by heating the gelatin with hot air heaters, but that’s clearly incorrect.)

The 1950s science fiction movie Kronos showed the titular alien robot absorbing the energy from an atomic bomb by running the explosion backwards.
Similarly, in Spaceballs, Mel Brooks showed them undoing the effect of the atmosphere-sucking MegaMaid by running the film of the devastating effects backwards. That was clearly for comic effect, though.

Jack Palance mounting his horse in a scene in Shane

In The Flintstones, where they recreated the opening sequence that showed Fred leaping into his car, the producers put a harness on John Goodman and pulled him from the car. They then ran the film in reverse and sped it up slightly

Flintstones open, cartoon/live action - YouTube.

Enter the Dragon: the first time Bruce Lee runs around Han’s compound at night, he leaps up into a tree to avoid detection. Clearly it’s a shot of him holding himself up as if on parallel bars, then dropping out of frame, run backwards. Supposedly one of the few times Lee ever resorted to camera tricks.

In The 13th Warrior, the final battle scene takes place during a rainstorm. There are several close-up shots of Antonio Banderas’ face. The director was not happy with one of them. He took the shot and ran it backwards. He used CGI to correct the motion of the raindrops on Banderas’ face. But if you have a good-quality recording, and you run it in slow motion, the raindrops in the background are falling upward.

It’s funny - I noticed the Beta fish scene in “From Russia with Love”, and never really understood why they did that.

Having seen MANY terrible kung-fu movies from Hong Kong, I was well used to the backward trick for tall leaps (all those “6 Million Dollar Man” jumps) and such.
So I was a bit disappointed with the one blatant backward-run stunt in Bruce Lee’s “Enter the Dragon” - to evade these guards, he leaps up around 10 feet into a tree. Except for that one scene, there were no other backward-run tricks in that movie.

The Big Boss (released in the USA as Fists of Fury) uses lots of trick shots, with the fighters leaping tall buildings in a single bound.

Starting with Fists of Fury, (released in the USA as The Chinese Connection), Lee tried to get his directors to go for a more realistic style. (Although “realism” is relative. As Lee was fond of saying, "In real life, Kung Fu can’t stop a bullet.)

Another one from the original Star Wars, the Tusken Raider pumping his staff-weapon in the air as he’s attacking Luke is actually the same few frames rolled forward and backward multiple times.

And here I was thinking you were talking about a realty late night in the projection booth building up prints, but that would be upside down AND backwards. I don’t think I could miss lining up the soundtracks on the film…

I was at the 1st regular screening of the movie Big Fish, which was a bit odd. About 20 minutes in, Steve Buscemi appears on screen and things start moving backwards.

Turns out that when the put the movie together from the studio reels, the second reel had already been run through and it was spliced in backwards.

They refunded our money so they could fix it for the next show.

I had to think about that a bit.

Indeed, if one reel out of six came in from the distributor tails-out, then the sound track would be on the opposite side from the other five reels and would be caught by an alert projectionist–when making the splice and matching up the sound tracks, there would be a twist in the film coming off of the problem reel.

I seem to recall occasionally finding one reel tails-out in the bunch, and it was just a momentary grumble as we rewound it on the other bench and then went about our business.

I see on television, too, with decorative water fountains running backwards or campfire flames flickering backwards. I presume it’s because the editors wanted a shot that zoomed in instead of out, or pans left instead of right, and they think we won’t notice. But after the first time I noticed, I started looking for it.

Lots of stuff in those Esther Williams films were backwards shots.

You see Esther rising out of the water, completely dry with burning sparklers sticking out of her head. That wasn’t filmed in forward motion, folks.

So in homages/parodies of that you see similar stuff. Like Scarlett Johansson in Hail Caesar!