DJs played it. That simple. Chart positions weren’t just sales figures - they also included airplay. If the “B” side got more airplay, it would chart and get the sales figures as opposed to the “A” side.
As for the double-sided part - same same. If the Beatles released “She Loves You” as an “A” side and “Please Please Me” as a “B” side, both will chart and both will get played in the juke boxes.
Ever hear the Beatles’ “the Inner Light” on the radio? Neither did anyone else, really. It hit #96 for one week, but the other side, “Lady Madonna”, hit #1 for two weeks.
Hey! that’s pretty cool. I’m a musician (or used to be) and I was stumped. In my type of music we don’t see the charts too much so I guess I never learned much about how they ARE ranked…let alone how they USED to be ranked.
Its just a scam isn’t.
What if a single was at #1 due to plays and sales.
BUT actually the radio was playing side A, but people were buying it for side B.
The single then gets in the charts, and the sales were attributed to side A, So the radio kept playing side A, since side A is in the charts !
Sometimes the B track was then released as an A side, in order to get it charting.
Charts are not accountable… they are as accurate as horrorscopes and mall polls
“We Will Rock You” was the B to “We are the Champions” in the UK, but for the USA they called it the AA side.
To make sure DJ’s would play the song the band or record company wanted to be a hit there often were “radio copies” provided. The 45’s sent to stations would have the same song was on both sides.
Is it not the case that in the 1950s and 1960s, when “sales” was a relatively more important component of a song’s chart ranking, that instead of tracking actual numbers of sales it was a matter of record retailers submitting a list of their best-sellers and then Billboard or Cashbox collating all of these lists to make their charts?
Because then, retailers could list whichever side they thought people were buying the record for, and so a b-side could thus become the hit.
Yesterday on SiriusXM, I heard a story I hadn’t heard before. Apparently KISS knew the song Beth would become a hit, but it didn’t match the hard rock style the band’s fans were used to. They released it as the B-side of* Detroit Rock City*, so they could act surprised that DJs were playing the B-Side. I don’t know if that’s true, but it’s a good story.
I was DJ in the 80s and remember when SoundScan started to track record sales nationwide. I thought that, before that, charts were based solely on airplay, or at least, additions to stations’ playlists. Of course, that’s before I ever did any programming, so I’m no expert on what happened before the early 80s. (Even then, I never followed the playlists anyways)
In 1975 Jasper Carrott had a chart success with the undistinguished song “Funky Moped”, but it was the scurrilous “Magic Roundabout” parody on the B-side that was making it a cult hit.