As a romance & erotica author, I can tell you how. ![]()
The biggest giveaway is overuse and misuse of cliches. Most romance authors use cliches at some point or another. That’s true of most authors of any genre - they’re kind of hard to get away from. But decent authors don’t use them every time their characters are thinking about each other, and they don’t tend to bungle them as much as a newbie. I did a critique of a fledgling author once and had to continuously convince her not to use the phrase, “Her heart was flying out of her chest.” I knew what she was trying to convey, but flying body parts were sending a message other than what she was trying to get across.
Also, most books require you to do some amount of research to write them or the story is a snooze-fest. But if you don’t have any related experience to wrap into the research, it usually shows unless you’re exceptionally good at setting the scene.
Building on that, you don’t have to actually do everything you write. But you can tell when an author is drawing on personal experience. Regardless of whether it’s a location, a culture or the feeling the author has had during an intimate encounter, it really shows when you write what you know. For example, I used to live in South America. Therefore, many of my novels and stories are staged there. It’s unique, which is a bonus, but more importantly I’ve lived there and had experiences there and I’ve been told it shows.
Yet another thing many new authors do is try to copy someone else’s voice. This is a problem in general with writing, but can fail pretty spectacularly in romance, especially because there are so many books within this genre. Plus, when you try to copy someone else’s voice, it usually comes out sounding really, really awkward, and that’s often when you get into the situation of misusing cliches.
Anyway, that’s what not to do. If you do want to write a book, just keep in mind, even with romance, it can be hard to get from Point A to Point B. Also, some publishing houses have a required amount of sex you’re supposed to get into the book, depending on the sub-genre, so working that in or directing the story so the sex doesn’t seem completely unnatural or non-sequitor is much, much harder than you might imagine. Particularly if you’re writing something really racy, it’s hard to think of new ways to get tab A into slot B. Or C or…well, you get the idea.
