Do you know what specific part of the 9th kubrick used for that scene? The scene I’m talking about is the one near the beginning when its just a montage of cut shots of things in Alex’s room, the dancing Jesi being one of them.
When the time finally arrives for me to snap, declare myself the Angel of Judgment (or Mercy or Death or something), and go all Ezekiel 25:17 on the sinners, The Emperor Suite will be playing, LOUD, as I haul ass toward Armageddon.
Speaking of the guy mentioned in the subject line, what is the piano piece that’s played at the beginning and the end of the eponymous dog movie? I’m sure it’s probably something famous (maybe even mentioned in the OP), but I’m ignorant of this sort of thing.
Try Martha Argerich’s recording of the First…the 1992 live perf with the Concertgebouw Orchestra of Amsterdam. She really rips shit in that third movement.
I find it amazing that that huge dog was also a classical composer.
V for Victory! dit dit dit DAH
Churchill knew what he was doing, didn’t he? Whether he introduced it or just promoted it, linking the Morse Code for V with Beethoven’s Fifth was pretty slick. (Was it the BBC that introduced it?) I have an old friend that was a child in the UK during WWII and she can’t hear that symphony without automatically linking it to that time. Powerful music for a dark time.
I memorized the Ode to Joy as a college freshman, even though I speak not a word of German, just so I could sing along. (I’m trying the same now with Wagner’s Pilgrim’s Chorus, 30 years later…finding it much harder).
I took a course in college on Beethoven Symphonies, and it was there that I was introduced to the 7th. The second movement is just…sublime.
I know no German either, and just make up my own words (feeling’ brave ‘n’ fire-drunken, heimliching mine heidy-ho…)*
*According to my lyrics, the Ode to Joy is a stirring song about a couple who go out to the Ratskeller and try some new and possibly dangerous “fire water”; when his date (who is a massive Cab Calloway fan) chokes on it, the gentleman saves her by performing the Heimlich manuever. Further adventures follow for the pair through an exciting and riotous evening on the town.
But then I also think that the chorus in the Fantasy for Piano is an ode to Motorcross.
It makes me all fuzzy inside to see a Beethoven thread!
I’ll toss in a recommendation for Symphony No. 8 - it’s one of the greatest examples of pure musical humor I’ve ever heard. Not jokey humor - just music that makes you want to laugh if it’s played right because it has such wit.