I saw it yesterday as a double-feature with Take Shelter (now THERE’S a GREAT movie!) and pretty much agree with you, though I came out of it almost hating it. I’ve calmed down since and would be willing to see it again. I think. The acting was all excellent, beyond reproach. The direction, editing, music, cinematography, all top notch. That alone makes it worthwhile. But, all that talent and…
Yeah, no kidding.
(WARNING: this is a uberspoiler-filled rant, but rant I must.)
[spoiler]The scandal was…having sex with a dimbulb intern? Who then gets pregnant, has an abortion, and commits suicide? Are you fucking kidding me? That’s IT? I kept looking around for the real plot to reveal itself.
There are a lot of reasons I walked out almost angry.
In the first place, the movie is a right-winger’s dream. They’re gonna loooove this film. They won’t go see it because it’s a George Clooney film, but they should if they want to wallow and rejoice in liberal fuckups. I don’t like it when right-wingers are happy about anything, let alone a movie made by a well-known liberal. A movie that makes Democrats look bad. A movie that makes women look bad. A movie that makes blacks look bad.
Not that some or any of those things are off-limits in movies (you’re talking to someone whose favorite film of the year so far is Attack The Block, which starts with a group of inner city youths mugging a woman) but at least make the story and characters and situations interesting. [/irrational bias]
Second, speaking of, the scenario was boring as hell to me. The intern was boring, how the affair happened was boring. How she handled her situation was boring. How people reacted to it and her was boring. The setup, reveal and aftermath was boring. Jesus! I didn’t know anything about the storyline before going in and I was shocked to my socks at how boring the scandal was. It’s 2011, and the characters all acted as if it were 1998. Or 1908.
Not that we should be blase about horny politicians who abuse their power and think with their dicks, but it really did seem as if these people were living in the past. They’d never heard of condoms or birth control. They’d never heard of Bill Clinton and Monica Lewinsky. They’d never learned any kind of lesson from other politician’s past mistakes. I was just awestruck at how quaint and mundane the scandal was. That is, prior to her committing suicide, although that only added yet another layer of BORING CLICHE on the pile.
Third, there were only 3 female characters in the movie and they were all seriously underwritten: the dimbulb intern, the conniving reporter, and the loving and unsuspecting wife who stands by her man. Boring. I don’t have to have women in all my movies (I love Glenngarry Glen Ross for instance) but if there are women, please at least make them interesting and not a cliched type.
And not to mention the only major black character in the movie is an asshole, conniving politician who’s willing to give voting favors in exchange for the promise of a cabinet post. Not that it’s not a viable scenario, but a little balance, please. Any other blacks live in these people’s world? I guess not.
Oh I forgot the other big so-called “scandal” in the movie. Gosling’s character meets with the campaign manager of the opponent and that’s supposed to be a BIG SCANDAL too. WTF? Why? I’ll bet these people know each other and run in each other’s worlds all the time. They’re all Democrats and they’re all seasoned campaign workers. Plus it’s not a Presidential election they’re working on, it’s a frickin’ Primary!
So in the movie, they meet for a drink. Giamatti tries to talk Gosling into jumping ship and working for him, Gosling says no, and that’s it. So fucking what?? Both candidates are Democrats who are probably very close in policy views. Gosling is loyal to Clooney’s character, but it’s not like he’d have to get his brains sucked out if he did go to work for the other candidate. Anyway, it’s all talk. Boring talk. Come to work for us, we’re going to win. No. Ok. Yet, yet, later in the movie, the threat of the meeting becoming public is treated like a “IT’LL RUIN ME!!! IT’LL RUIN BOTH OF US!!!IF THIS GETS OUT!!!” crisis. What? Why? I definitely missed something somewhere. That one’s even more boring than the intern crisis.
If it weren’t for Clooney, and Gosling, Giamatti and Hoffman, and the interesting insights into how a campaign is run, I’d probably really hate this movie. Because of them, I can’t condemn it. I sure can roll my eyes a lot though. [/spoiler]
Anyway, everyone should go see Take Shelter after they’ve had their Clooney fix.