Per this story what are the legal or moral obligations of Ms. Taylor to give the art back to the descendants even if it was sold “uder acute political pressure and economic duress”? In looking at the timelines Hitler came to power in 1933, so I can imagine worried Jewish citizens were converting valuables to cash in getting ready to leave, or possibly trying to weather the political storm. If it was taken/stolen by the German government I could understand the demand for return, but selling it to dealer seems to put it into a somewaht different category.
IANAL of course, but I don’t think Liz has any legal or moral obligation to give (or even sell) the painting back. I’m not sure what the lawyer is referring to with “U.S. policy and law immediately after World War II have been consistent and clear: European Jews sold property during the Holocaust era under acute political pressure and economic duress and it must be returned to them.”, but if the painting was purchased at a legitimate auction from a legitimate dealer, then the seller has no claim to it. It’s not stolen property–people sell their assets all the time to rescue themselves from dire straits. That’s the breaks.
You know, after it changes hands a few times, and the dudes it was taken from are all now dead- does it really have a “rightful” owner? I mean, the US took most of the Indian land and most of the Mexican land “under duress & pressure”(if not plain out & out force) and I don’t see us offering that back any time soon.
Look at the line “Her descendants are now demanding…”. Eh. They didn’t buy it or own it.
There isn’t a square inch of land in Europe or the Middle East that hasn’t been taken & retaken under force or “duress & pressure”. :rolleyes:
An interesting question to the “rightful owners” would be, if this art is so important and valuable and part of the cultural patrimony of Europe, how did it come to be the private property of you (assuming you’re not the artist or his family member)?
An especially interesting question when you consider all the impecunious artists whose paintings may never have sold during their lifetimes, or were peddled for a few sous to buy bread to keep the guy from starving. Should we be looking up the heirs of the artists, who sold under the “economic duress” of being poor as churchmice? I don’t see any of the Austrian or German families lining up to make such an offer . . . .