Dolly Parton’s cover of both ‘Shine’ and ‘Stairway to Heaven’ are astonishingly good.
I prefer Parton’s StH as she almost turns it into a gospel song. This gives it greater meaning than the half-assed mysticalness of the Led Zeppelin version.
Avril Levigne’s “Fuel”…?? I was under the coffee table with fingers in my ears when she performed that one. (Of course, Metallica’s original elicits the same reaction…)
Speaking of Depeche Mode, In Flames did a fantastic cover of “Everything Counts” – doubly impressive due to the fact that nobody knows how to cover Depeche Mode properly.
And call me crazy, but I actually liked Dolly Parton’s version of “Stairway to Heaven”…
U2 did a cover of Unchained Melody as a b-side for one of their singles. They took a song whose definitive version by the Righteous Brothers is a hopeful ballad of maintaining love despite separation and turned it into a raw, desperate plea for forgiveness. I like it.
Johnny Cash’s Hurt deserves all the mentions it can get. Hell, I haven’t run across a Johnny Cash cover I didn’t like. Including Personal Jesus. The piano riff gets my attention - and I never was that impressed with the original.
The Chieftains and Roger Daltrey did a kickass cover of Behind Blue Eyes as an Irish folk song that works in a twisted “ballad that occasionally turns into a reel” sort of way.
Along similar lines, I like U2’s cover of Cole Porter’s Night and Day – a song I usually associate with Fred Astaire in top hat and tails, sighing languidly over thoughts of Ginger Rogers. The U2 version has a raw edge to it, and sounds as if Bono really has been up day and night, night and day, over this obsessive love.