Hell in the Pacific (1968), starring Lee Marvin as a U.S. Marine pilot trapped on a Pacific island with a Japanese naval officer in World War II.
The Thin Red Line (1964), the first movie version of James Jones’s novel about Marines in the Battle of Guadalcanal.
55 Days at Peking (1963), about the U.S. Marines’ defense of the foreign legation at Peking during the Boxer Rebellion in 1900.
Hell to Eternity (1960), starring Jeffrey Hunter as Guy Gabaldon, the Marine who single-handedly captured 800 enemy soldiers and civilians on Saipan in 1944.
In Love and War (1958), from the novel The Big War by Anton Myrer, follows three Marines from last visits to their families to a battle on a Pacific island.
Pride of the Marines (1945), starring John Garfield as Al Schmid, a Marine who was blinded by a grenade on Guadalcanal.
The very beginning of Jarhead is Jake at bootcamp (the DI with a little mustache is yelling at “the recruit” for not being able to draw), then I think it cuts to training (this transition seems sort of weak, I doubt they’d train him to be a sniper at bootcamp), then he goes to the Middle East.
No marine movie could be complete without a boot camp scene. Its the crucial part of a soldiers life. Its where they break him down, destroy what he was, make him a soldier. Why would you want a movie without a scene like that?
But to answer the question at hand,
Black Hawk Down is a good one that meets your criteria.
LOL . cause I seen enough of them , I get it. But sometimes i get the idea its part of the marine package that the corps gives to film makers , we can give ya 72 hours of an MEU , you just have to add the boot camp scene, so we can enlist some more boots.
I am not sure BHD was a marine movie though , seemed more army.
As well, hate to nitpick , but some of the leathernecks might get a bit upset being called soldiers, almost as bad as some of the navial aviators being called pilots.