I think a lot of why this movie was so “Woodishly” panned was the incredible expense. I’ve watched it a number of times, and while I thought it was kinda dumb, I never thought it was that bad–and I know I’ve seen worse movies that didn’t attract nearly the ridicule. But, again, it was one expensive MF. Don’t know why, unless it was the salaries. A lot was set in the sand, so there shouldn’t have been much of an expense for sets.
I’d also like to watch “Heaven’s Gate” sometime. Wonder if the “badness” is more of a reflection on the cost and return.
Yes, Ishtar deserves reconsideration; I’ve commented on that many times here on the SDMB. (There was a very good critical article about the film somewhere on the Internet, but I can’t seem to find it right now; the gist was that the first twenty minutes were brilliant, the next hour or so somewhat dull, and the final part back to very funny). It’s not a great film (though there are some great moments), but does not deserve the critical reception it got.
I liked the film when it first came out. The big problem of Ishtar was the price tag; it was very expensive (for its time), went on the shelf for editing and reediting, and didn’t really show where the money went. Most reviewers looked at the price tag, and not the film (there were some exceptions – Newsday on Long Island gave it a good review).
Most of the people on the SFRT bulletin board on GEnie at the time also thought it was pretty good.
Hoffman and Beatty were just fine portraying dimwitted losers. The scene where they meet and think each one’s absolutely awful songs are great music is just plain hilarious. (There’s a great moment where Beatty comes up with one incredibly trite and stupid lyric and Hoffman says, “When you’re hot, you’re hot.”)
The arms auction scene is just plain classic comedy. And the songs (by Paul Williams) are hilarious examples of third-rate songwriting. We’re always quoting from “Dangerous Business” and cracking up. And the scene of Hoffman singing “I’m Sending You Some Love in my Will” – and having no clue as to how inappropriate the song is – is delightful.
There are certainly problems with the film. But there are too many places where you find yourself laughing to make it a failure.
lissner, you didn’t bother to mention the overall IMDB rating, which is a less-than-stellar 3.7. The similar-but-dumber Spies Like Us from two years earlier manages a 5.6.
It’s not a terrible movie, mind you, just a thoroughly mediocre one. But face it, “it’s not as bad as they say” isn’t enough to save its reputation at this point.
My biggest objection was that I got the distinct impression from Beatty and Hoffman that they were slumming in their parts. “Look at us,” they seemed to be saying, “Great Actors pretending to be idiots! Isn’t it hilarious?” Which is the kiss of death for comedy.