I’d be willing to bet that at least some of them are better than the big screen versions.
Wow! What a difference! No, really. I mean, what a difference.
For some reason, this reminds me of the upcoming comedy Be Kind, Rewind, which involves a video store who re-films every single movie they have themselves after all the tapes are accidentially demagnetized. (Granted, the kids comedy series The Amanda Show also had a recurring sketch with a very similar theme, but that didn’t have a trailer with Jack Black forgetting the words to the Ghostbusters theme. When I’m walking down the street, and I see a little ghost, whatcha gonna do about GHOSTBUSTERS!)
Look for all the great hits from Asylum Entertainment, including Transmorphers, Alien vs. Hunter, 30,000 Leagues Under The Sea, and more! (No, I didn’t make any of those up.)
I’ve actually seen Transmorphers. It was abysmal. Wannabe Borg/Predators who jumped around in trees making “phhhft” noises to sound fast, and a group of totally unlikeable grunts with the backstory of Bazooka Joe. Not even entertaingly bad. The only thing I remember wondering is how they got someone with this apparently impressive resume to run around jiggling as cannon fodder. Sad, really.
That’s some impressive looking cannon fodder. How was the jiggling?
Interesting. I was under the impression that these direct to video schlockfests were typically just relabeled to take advantage of the major release. I was unaware that they were films actually pushed through quickie development for that purpose. Yeah, they’re garbage but making exploitation films like that (and these are the modern equivalent sadly enough) sounds like a fun job…
Pretty well done. Granted, there was more than one person jiggling in this movie, but she did more of the heavy lifting, so to speak.
Weber’s work appears to be mostly jiggling around, with a minor in playing “cocktail waitress.” The name of the character (Nadir) seems unintentionally apt.
Weird. Isn’t this premise about a decade out of date already?