Jackson Pollock

Oh, wait, you’re not hijacking your own thread, it’s someone else’s. I’m not sure why I made that mistake.

There’s something that needs saying in every Pollock thread, even if it isn’t always done…

…the O key is nowhere near the fucking A key. It’s Pollock, not Pollack.

It’s fun to talk about art and it’s fun to listen to people who know a lot about art talk about it.

There is no objective measure of art. It works for you or it doesn’t.

Why do you get to dictate to me how I engage with art?

Because the artist is proud of his accomplishment? I like my name to be associated with stuff I’ve worked on that turned out really well.

If someone is really good at making art that speaks to me, I’d like to know his name so I can seek out more of his stuff. I’m more likely to enjoy a Jeff Koons exhibit than a Julian Schnabel exhibit, so it’s nice to have a name to help me decide what to go see.

You’re welcome. If you ever travel to Toronto, Ottawa, Montreal or Quebec City, all of the art museums there have important examples of his work.

:stuck_out_tongue: (It’s a link, not just a raspberry.)

:confused: Why would you think that? Plenty of other consumer products are evaluated and described as art objects. Examples from off the top of my head include clothing, carpets, quilts, bowls and vases, furniture, clocks, books, watches, weapons, and jewelry.

Painting is just one particular form of art. If you don’t happen to like it, either because there are no quantitative criteria for assessing its merits or for whatever other reason, fine. But that doesn’t mean that the entire enterprise of creating and appreciating paintings is phony.

You’re being more condescending and snobbish here, with your sneering about “tat” and so forth, than any of the pro-painting posters who happen to like Jackson Pollock or other well-known painters.

Nobody said they shouldn’t, though the artistic quality of functional technology reached its peak with the design of the MOSFET, in my opinion. Everything after that is crap.

That’s not what art critics do.

But…but…it’s the same thing when you’re talking about the fish :D.

My main point was against the plainly false idea that “anyone can paint a Pollock.” People think that the simplicity of the technique means that there is no artistic vision or composition involved. They believe that Pollock was just randomly throwing paint on canvas, instead of actively creating the effects he wanted (even if he may not have been aware of their nature).

You may like or not like the drip paintings. (Personally, I love them.) That’s just a matter of personal taste. But as you say, the position that they are not art is not tenable. I don’t find either Rothko or Mondrian particularly appealing myself, but I can at least understand why others might like them.

I am actually going to be in both Montreal and Toronto in June, so if you have specific recommendations on museums, let me know (Toronto will probably just be a pit stop, but Montreal will be a couple of days.)

As to casdave don’t we have this same modern art discussion every couple of months? What’s to get? Do you like a Beethoven sonata or a Mozart symphony or a Bach cantata? What purpose do those serve and how do you judge those? Those are completely abstract non-representational pieces and serve no purpose other than being and inspiring an emotional response from others. Non-representational art (hell, all visual art for that matter) is just music for the eyes.

Happy to!

The Museum of Fine Arts in Montreal has this one and this one. I can’t find specific images, but the Contemporary Art Museum of Montreal has several.

In Toronto, the Art Gallery of Ontario has got a couple in its permanent collection, but they don’t have a very good search of images on their site (unless I’m missing something).

Enjoy your trip!

Couldn’t agree more. VERY well put.

You couldn’t GIVE away the same multi-million dollar painting, were it not for the Jackson provenance. It would suddenly lose all of its ‘magic’ and become very ordinary, wouldn’t even deserve a second look and would probably get a ‘Fail’ from the so-called art connoisseurs. THAT is what irks me to no end.

Different strokes indeed.

Seriously, how do you know this?

I think you’re completely wrong about that. Completely and utterly so. But how can we possibly prove or disprove it?

I don’t look at art as an investment, and I sure as shit am not going to shell out millions of dollars for a Pollock. But I’d pay up to maybe a thousand or two thousand dollars for something that I find beautiful, regardless of provenance. I like beautiful things, and Pollock happens to make art that I find indescribably beautiful.

And that Jean Paul Riopelle guy that got linked to earlier. I have no idea who he is, never heard of him before this thread. But when I saw samples of his work–wow. Just awesome stuff. Can’t wait to see it in person. Point being, put anyone’s name on that work and I’ll find it just as engaging.

If no one would ever buy a Pollock painting if Pollock weren’t famous, how the hell did he ever sell his first painting?

Cite or it’s bullshit.

It’s all a clever plot.

I’ll cite myself then.

It’s an OPINION.

It’s a claim about what other people like, think, or would do.

You may be entitled to assert your own opinion, but you’re not entitled to assert everybody else’s.

Yeah. All of these “arguments” they’re making just boil down to “you don’t really like what you like”. Which is such a childish thing to say that it’s hard to even respond to. Because, yeah, people actually do know what they like.