I found a copy of Curt Siodmak’s “Donovan’s Brain” in a little free library box the other day. It’s one of those science fiction books that’s probably more referenced than actually read, so I figured I’d give it a try. It’s…somewhat oddly written. It’s like a cross of Citizen Kane and a gothic novel with a “there are things man was not meant to know” subtext.
For those not familiar with this light romp, it’s the story of a scientist who is obsessed with studying the processes of the brain. By happenstance, he is called to the scene of a horrific plane crash where he attempts unsuccessfully to save the life of Donovan, an extremely wealthy (and, as it turns out, unpleasant) businessman. Failing to save the man’s life and figuring “waste not, want not”, the protagonist removes Donovan’s brain and preserves it in a flask, keeping it alive. In trying to figure out how to communicate with the brain, he decides on telepathy and ups the brain’s power supply by feeding it multi-vitamins and stuff. The side-effect being that the brain now starts taking over his mind and forcing him to carry out Donovan’s evil agenda. So far, all pretty straightforward and believable in a 1940’s SF sort of way.
Despite this solid foundation, there are some strange things about the novel. Obviously the 1940’s science is pretty dated and the doctor seems to have less idea of how a brain works than I do an iPhone. But the real problem are the characters who come straight from B movie casting. None are even slightly believable. At best, they are caricatures. The protagonist is a sociopath – a man interested only in his science, to whom other human beings are of complete insignificance. Donovan is, or was, a monster of a human being who brooked no interference or lack of control. The protagonist’s wife (a saint, who he barely acknowledges) and his assistant appear as ciphers; they act to serve as foils for the protagonist’s philosophy of science and fulfill needful roles in the plot, but their motivations are a mystery. Why do they stay and help such an unlikable man with such a dubious enterprise?
Anyway, the plot grinds on and Donovan attempts to fulfill his dying goal (oh yeah, he was dying before the plane crash, so you figure he’d be grateful to be living in a flask). It turns out to be a really stupid goal – this heartless monster of a man is trying to rectify the one wrong he will admit committing by doing some good for the family of a man he drove to suicide. If doing that requires, say, murder, bribery, or corruption, that’s not really a problem. And disembodied telepathic brains don’t really have to worry about the po-po, so it’s all good.
So the brain controls the protagonist with his attitude vacillating from “eh, you have to make some sacrifices for science” to “well, I appear to be inhabiting a living hell. That sucks.” The protagonist’s scientific detachment makes it hard to feel any real gothic horror. A ruthless, cruel monster has taken over your brain and is controlling your actions? How can you tell? Cause you weren’t doing so hot even before that.
Then, for no reason, five months go by. It’s now May. Things come to a head (ha), the brain is defeated, and there are signs that our protagonist has learned a valuable lesson about Messing With Things Best Left to God. Another five months go by and it’s now June. The reader begins to wonder who edited this thing. The protagonist has now reconciled with his wife and admitted that he has discovered a scientific truth which is apparently that you shouldn’t preserve human brains and turn them into telepathic monsters until humans have evolved to be good. The lesson that maybe if you start with monsters than you end up with monsters seems to have escaped him.
Anyway – brain in a jar. Bad idea. Don’t try this at home kids.
Coolest and cleverest thing about the book is the recurrent phrase “Amidst the mists and coldest frosts, he thrusts his fists against the posts and still insists he sees the ghosts.”