I, wanna rock and roll all night, and party every day.
I, wanna rock and roll all night, and party every day.
I, wanna rock and roll all night, and party every day.
I, wanna rock and roll all night, and party every day.
I, wanna rock and roll all night, and party every day.
I, wanna rock and roll all night, and party every day…
“Ain’t No Sunshine” is one of the best songs of all time, but what do people think about the “I know I know” part? It’s so bizarre because it commits so hard to phoning it in that it ends up owning it and it kind of works I think.
My biggest candidate is loving you is easy 'cause you’re beautiful
I guess I’ll have to join you although I would contend that “can’t” makes more sense.
I, wanna rock and roll all night, and party every day.
I, wanna rock and roll all night, and party every day.
I, wanna rock and roll all night, and party every day.
I, wanna rock and roll all night, and party every day.
I, wanna rock and roll all night, and party every day.
I, wanna rock and roll all night, and party every day…
They were applying the KISS principle to lyric writing.
Rock and roll
Rock and roll
Hey!!
Except the Moody Blues’ song, You and Me which, grammatically, should be You and I based on how the lyric is structured.
Except you’d have to have a tin ear for colloquial usage to render it as “you and I.” Imagine “Me and My Shadow” as “I and my Shadow” or “My Shadow and I.” Just sounds pretty stiff, doesn’t it? Good use of English includes knowing when to use different registers which may not be “grammatically” correct according to prescriptivism, in order to effect different tones/moods. Similarly something like “I Can’t Get Any Satisfaction” misses the streetwise grit of “I Can’t Get No Satisfaction.”
On the other hand, like you, I do get mildly irked by when people hypercorrect “you and me” into “you and I” in fear, I suppose, of making a school kid error, like in the Doors song “Touch Me”: “Til the stars fall from the sky/for you and I.” Just a boring rhyme, cliche image, and the “I” there is like nails on chalkboard to me.
“Songs she sang to me, songs she brang to me.”
Yes, brang.
Really, Neil? You couldn’t think of something to rhyme with “sang” so you just made up a word?
If you include various dialects of English, this is a perfectly cromulent use of ‘brang’.
http://www.dancingonmountaintops.com/mountaintalk.htm
…instead just sang “cello, cello, cello”. I always smile when I hear it.
Not bad poster/post combo.
Neil Young has written some of the best lyrics, and his “Cortez the Killer” is, yeah, a killer song.
I’m sure I’ve whined somehere before about “Downtown” and “Keep On Rockin In the Free World”.
As nonsensical as most Jon Anderson lyrics are, he got this one right.
…but you’d think just once someone would work out when to use “you and me” vs. “you and I”.
April Wine’s “Just Between You and Me” would like to have a word.
Tattoo by the Who, a fairly obscure song about two teen brothers getting tattooed to the consternation of their parents, ends on this…
Heh, dork Robert Christgau thought the song was “worth the price of admission” for the The Who Sell Out lp.
And only time will tell
If we stand the test of timeVan Halen, Why Can’t This Be Love
To borrow from my Worst Lyric Rhymes Thread:
“It’s got what it takes” - nothing like beer ad copy in a Van Hagar song.
Missed edit window:
In the otherwise (I think) quite likable number Good Morning Starshine, I always thought the scatting at the end was phoning it in.
Heh, dork Robert Christgau thought the song was “worth the price of admission” for the The Who Sell Out lp.
One of the best songs on the only good album they ever made.
Darn, I stand corrected. (Nope, not about about “Tattoo”, which I still feel has a bouquet of light green calf’s diarrhea) but with “Good Morning Starshine” - it wasn’t the scatting that was so bad as it was at the very end, with all the “sing, sing a song” puffery, sounding like a placeholder.