Okay, I’ve had about enough of this: music reviewers and others who want to refer to any high male singing voice as “falsetto”. Here’s the most recent example I’ve seen, from a review of the recent Rush concert near Seattle:
From the Seattle Post-Intelligencer
Look, you knuckleheads, the term “falsetto” refers to a certain singing technique, not a specific range of notes. Even though this particular reviewer says “near-falsetto”, he’s still using the term incorrectly. A singer is either singing falsetto, or he’s not. Here’s a definition:
From WordNet ® 2.0:
falsetto
adj : artificially high; above the normal voice range; “a falsetto
voice”
n : a male singing voice with artificially high tones in an
upper register
Notice the word “artificially”. And notice that the root of “falsetto” is “false”. The falsetto technique is used to sing notes that are above the normal voice range. Geddy Lee of Rush, and other singers like him, are not singing falsetto. They’re not even singing “near-falsetto”. Geddy is singing notes that are part of his “normal voice range”. Falsetto is used to reach notes that a singer can’t reach using is normal voice. To turn that definition around the other way, I could say that a singer’s “normal” range is marked by the highest note he can hit without resorting to falsetto.
Geddy Lee, and other high-singers like Rob Halford (Judas Priest), and Bruce Dickinson (Iron Maiden) sing “full voice”. Their singing voices start in the diaphragm. They are able to hit those high notes because they’ve worked to develop strong voices with good upper ranges. Falsetto, on the other hand, is all in the throat. Falsetto sounds airy and light. Full voice sounds powerful.
So what does falsetto sound like? Tiny Tim sang falsetto. David Gates of Bread sang falsetto. The Bee Gees sang falsetto on much of their disco material. For a more current example, the lead singer of The Darkness sings falsetto for the high notes, but uses his normal voice for the lower notes.
So I’ll say it again: “Falsetto” has nothing to do with a particular range of high notes. There is no certain note where you can say, “that guy’s singing falsetto”. “Falsetto” is a technique used to sing notes which are higher than a man can sing using his “normal” voice. And for the most part, falsetto usually sounds out of place in hard rock and heavy metal, because it doesn’t sound powerful. Falsetto is more suited to softer music. Falsetto is also useful when singing along with the radio when you don’t want to sing loudly and annoy the neighbors, because falsetto allows you to sing more quietly.
Oh, and Geddy Lee stopped being “shrill” a couple decades ago. I have to agree with the review on this, though: I was at that same show, and Geddy’s voice did indeed hold up very well. And kudos to Geddy - he’s 51 now, and can no longer hit all of the high notes he sang when he was in his 20s. So, when performing the band’s older material, Geddy has cleverly altered the melodies in certain places in order to avoid those notes. In my opinion, that is an excellent alternative to either a) straining to hit the notes and sounding like shit, or b) resorting to falsetto to hit the notes.