[QUOTE=Cisco]
No, not at all. I think it would help if I understood it, though. Could you please explain?
I still can’t figure out what a key is. Or a scale. A lot of books say stuff like “Draw 1 through blow 6 is the blues scale. Put any notes on this scale together and you’re playing the blues!” Uh-uh, not me. It just sounds like I’m noodling cluelessly (which is exactly what I’m doing.)
[/QUOTE]
It’s hard to explain something like this over a bulletin board–it would be better if we were in the same room and I could play some music illustrating what I’m saying. Pointing you to music clips online won’t suffice, because I need to be able to hum and otherwise point out particular aspects of the music.
But let me see what I can say:
Hum the first line of “Mary had a little lamb” to yourself–just up to the word “lamb.”
Now think about the third note you hummed (hum the tune again up to the word “had” if you need to to focus in on that note). To yourself, sort of “mentally hum” that note while humming out loud “Mary had a little lamb” again.
Do this a few times, and you should start to be able to understand what I mean when I say the following: the “had” note (the note you hum when you hum “had” in “mary had a little lamb”) sort of “feels” like it is the “main” or “foundational” note of the rest of the phrase you’re humming. That note is thought of as the one that the song sort of “begins” and “ends” on. (In this case, the song actually doesn’t begin on that note, but notice it ends on it! As a rule of thumb, with simple melodies, the last note of the melody is the note which has the role I’m describing.)
That note–the “had” note–is what we call the “tonic” of the “key” that the song is in. Once you’ve discovered which note has the role I’ve described in whatever song you’re looking at, then by naming that note, you thereby name the key the song is in. (You also have to add “major” or “minor” after the name of that note but let’s not go there right now.)
Try it with some simple tunes. Do it with “Mary had a little lamb” a few times til you think you have a feel for what I’m talking about. Then try some other tunes. See if you can tell me which note (identify the note by naming the word) in “Row Row Row your boat,” “Twinkle Twinkle Little Star,” and “The Itsy Bitsy Spider” (sorry for the childish songs but they’re the only tunes I can think of off the top of my head which I know to be simple enough to present no complications) is the “tonic” of the “keys” you hum these songs in. I also don’t know which other songs
I’ll stop there, just to see if I’ve explained things clearly enough so far.
I hope it’s somewhat comprehensible. Like I said, it’s hard to do this without being there with you able to demonstrate what I’m talking about.
I’ll say this, though: Once you get a feel for what I’m trying to explain, it should be pretty easy for you to get a feel for how to play a bluesy sound on a harmonica. It’s just a matter of realizing which note that you’re playing is the tonic of your key. That will give you the feeling of a “foundational note” for your tune–a note to start and end on, anyway, for starters–and that should lead to an epiphany after some playing around.
-FrL-