Well, the three standards rules of writing are:
- Don’t “tell” - SHOW
Try and avoid raw mechanical descriptions; instead of telling “what went where” always describe the characters feelings and reactions to their activities. Your character’s personalities, situations and intent should all not onlly lead up to the “event” but should meld with their intentions and activities.
Bad: She grabbed his pulsing man root in her hand
Good: He sighed with pleasure as her soft palm squeezed him
Better: The feel of her hand slowly encricling the fleshy proof of his passion made him hungry for her; for all of her.
Best: “Whack-a-doodie!” thought Dave, “This is the best $50 I ever spent!”, as she snatched his giant sausage in her pudgy grubby paws!" (Huge grin - sorry I couldn’t resist!)
- WRITE WHAT YOU KNOW
In writing Erotic fiction, this can be especially challenging, as describing the feelings of the opposite gender can be a real challenge. Sinc e you are working with friends, hopefully there will be mixed genders to critique and comment on the “alien” viewpoint. Please excuse my assumption(s) that your characters are of the opposite gender, if this is not the case.
Additionally, if you are having your characters engage in sexual activities which you may be unfamiliar with, do your research. Nothing makes erotica ring “false” or amaturish as an inaccurate description of the activities involved. One thing that separates erotica from pornography, in my humble opinion, is that there is little description of the after effects of the character’s “union” in pornography. Your characters did what they did for a reason. How did they feel/react afterwards?
- WRITE, EDIT, REWRITE, EDIT (Repeat)
Once in a long while, the “muse” will grab your pen (if you are lucky indeed) and words will spill from it in a torrent of scintilation brilliance. Most of the time, however, good prose is a result of sweat, labour and love. This means reworking and tweaking and reworking your writing until you have beaten it into shape.
Then put it away for a while. Leave it alone for a few days, weeks and even longer, so that it can be “forgotten”. When you reread it, the great parts will stand out, but so will the weak points. Get in there with your blue pencil and edit mercelessly.
Additionally, try reading your work aloud. What looks good on paper will often sound stilted or forced if read aloud. This is especially true in actual dialogue.
If you find that your dialogue doesn’t sound like something your character would say naturally, then rework it so it seems true.
4) KILLER ROBOTS WITH FRIKKEN LASERS
I just thought of this, and it seems to me that more erotic fiction could be signifigantly improved with the addition of KRWFL!.. Imagine the “EROTIC AWAKENING OF O” with the addition of killer robots. Am I right or am I right?
Best of luck, and keep us posted!
Regards
FML