I guess they are limiting themselves to the EON productions, as there is no mention of Never Say Never Again and the spoof verion of Casino Royale
Here’s my list:
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From Russia With Love (1963)
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Goldfinger (1964)
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Casino Royale (2006)
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On Her Majesty’s Secret Service (1969)
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The Spy Who Loved Me (1977)
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GoldenEye (1995)
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You Only Live Twice (1968)
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For Your Eyes Only (1981)
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The Living Daylights (1987)
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Dr. No (1963)
11-21: all the rest. If I were to choose the worst of all, it would have to be The Man With the Golden Gun for its five-and-dime story and effects (1979) or Tomorrow Never Dies (1997) for its complete waste of what must have been a very large budget indeed.
As one might tell from the order on my list, I much prefer at least a little reality with my Bond. Connery remains the best embodiment of Bond in my book, although Daniel Craig in the most recent film has unquestionably nailed the character and I can’t wait to seem him do another one. But it’s not just Connery that makes the early films; the majority of the '60s efforts had an amoral wildness about them that wasn’t so common at the time, were fairly well-directed and, for the most part, contemplated the character of Bond and the implications of his chosen career path, rather than simply having him swan around as a tux-wearing action figure. Nevertheless, none of the series, except perhaps parts of Russia, OHMSS and most effectively, Casino Royale, show the sort of Bond I’m most interested in: one who makes mistakes, suffers for them but eventually triumphs through a combination of thuggish guile and cleverness.
While I thought Roger Moore was at least adequate for the role in his early films, time has not been kind to his efforts. He had the manifold problems of being, frankly, far too old in most of them, of having fallen into a time when the producers were clearly making live-action cartoons for as broad an unsophisticated worldwide audience as possible, and of several of them being directed by the absolutely god-awful Jon Glen.
Dalton was not bad in TLD, but I’ve never quite gotten the attraction the fanboys have for this one as being near the top of the list, and Licence to Kill similarly to most of Moore’s efforts, had horrible production design, lighting and direction. Brosnan’s first outing (directed by Martin Campbell of Casino Royale) remains his best effort; the rest, unfortunately, simply seem tired despite their generally good supporting casts and production values.
That leaves us with the odd Bond out, Lazenby in On Her Majesty’s Secret Service. I’m glad to see that it has gained something of a cult reputation, as I’ve always thought it had one of the strongest stories and most emotional cores of the series, and Diana Rigg still and likely will forever remain my favorite Bond Girl evah…