Mad-Men 3.11, The Gypsy & the Hobo (open spoilers)

On forgot versus didn’t forget (Suzanne in the car).

I think he was amazed in the root sense of that word. Everything changed in that second. And, yes, corkboard Betty became able to exert a kind of control she almost never has (“You don’t get to ask the questions!”).

His reflex–to give her the reckoning he knows she deserves rather than walk out the door (“I’m not going anywhere”)–showed him something that maybe he himself never fully realized: that he really doesn’t want to lose her and his children.

And so I think he didn’t forget that Suzanne was in the car: but a) there wasn’t much that he could do (persuade Betty that in the middle of this major life crisis he was really worried about his hat?) and, more important, b) the whole escapist fantasy of sex and romance with Suzanne, (yet another secret identity within his secret identity) had evaporated and he needed to focus on what he absolutely could not bear to lose.

The fantasy may well come back to haunt him (as in that brother with his business card). But for now (at any rate the now of this episode since who knows how far into the future we’ll spring next week) he is Betty’s unmasked husband. Knowing that Suzanne would end up walking home alone was just the inevitable complement to that–not absent-mindedness but karma catching up with him.

OTOH, the reemergence of Dick Whitman seems like a good thing; like a weight of guilt and repression lost and the ability to reflect on and accept the past.

I personally do not believe that this character can change or be happy. But Don looks more at peace with himself talking about and acknowledging the existence of Dick than he ever did working so hard to forget him.

I wonder if she find an excuse to keep working despite Greg’s enlistment (commisioning?). She’s already fallen for “You won’t have to work anymore” twice before, the 2nd time she ended working retail. Unless Christina Hendricks is leaving the show (it is coming back for a 4th season, right?) Joan has to find some way to rejoin the main cast. It’ll be weird if everyone else is off working at an ad agency and she’s just off on her own interacting with army wives and not anybody else.

Oh, I don’t know about that. On another board someone pointed out that the dog food lady and young-wife-Jane look an awful lot alike. I think Roger was scared being faced with a vision of aged-Jane and blew her off because she’s a reminder the clock is ticking for him, even if he does have a child bride now. I was, frankly, surprised one of the biggest most insecure man-hos on the show turned down a quickie.

Or here’s another thought. Maybe it’s less to do with him turning down a quickie and more to do with saying no (and kind of rubbing it in at that!) to the woman he blew him off years ago. Good as she looked there is no level playing field between a man and woman of that age, esp. not in 1963. He seemed pretty happy with himself…

I suspect the dog food plot is also another way of thinking about Don’s identity. In the dog food case the name was tainted even thought what’s inside the can was not. Is Don the reverse?

Speaking of the dog food lady, I didn’t quite catch her company name but it sounded close enough to Kal Kan that I thought that’s where they were going with it. According to this though, Kal Kan was originally Stirling Packing Company – most definitely not the dog food lady’s company.

It sounded like she was saying Caldecott Farms.

The name of the dog food company was Caldecott Farms. The first couple of pages of Google hits are mostly for Mad Men episode recaps, so I assume it is a fictional company.

Fantastic episode. Can it be that Don put his marriage on the road to something resembling normalcy by simply (mostly) telling the truth? Shock, horror!

Loved the kids’ costumes. Nobody dresses like a hobo anymore.

Nor do I. There was simply nothing to do about it that would not (most likely) make the already bad situation worse. The best he could do was to hope she’d not come in and make a scene, nor be scene getting out of his car.

And, as it turned out, his hopes were neither groundless nor unanswered. Suzanne could not expose him without risking her job, and, luckily for Don, was rational enough to understand that.

Ah, see I was hearing the “C” as a “K”… Cal… Kal… it all works if you’re in my head :stuck_out_tongue:

Great episode - until the last line. That was ham-fisted. We got the metaphor of all the masked kids on Halloween right away, and that last line was just unnecessary. And it didn’t make sense - why would anyone ask Don that, when he’s standing there dressed absolutely normal? It would have been better if the person at the door had said, “Who are you supposed to be?” to one of the kids, and the camera had just panned up to Don. As it was, it was an uncharacteristically overwritten line in an otherwise nuanced show.

My theory on the arc of this show - The first season started with Don Draper absolutely in command of his company and himself. He could do no wrong. He was on top of the world. Then we slowly discovered cracks in the armor, and eventually that the whole thing was a charade. That set up the start of his downfall. This season, Don had come close to hitting bottom. Sterling Cooper is losing clients. Don isn’t very good at his job. His life was spiraling out of control, and all due to the inner tension of his being someone he’s not and the stress of hiding it.

But now the dam has broken. His wife knows his secrets. His company knows his secret - and everyone is pretty much okay with it. Maybe not happy about it, but his life isn’t falling down around him. And now he’ll realize that they don’t just want ‘Don Draper’, they want him.

My prediction is that we headed for a redemptive cycle in the arc. The next season is going to be about Don regaining his confidence, his wife’s love, and his mastery of his profession, except now on his terms.

And this being Mad Men, I wonder if the whole story of Don Draper isn’t a metaphor for the 1960’s - at the turn of the decade, everyone wore a mask. Society was buttoned down. There was plenty of discontent and plenty of social injustice, but we kept it hidden away. The outer facade was one of cool and calm. Housewives were supposed to be happy. The men stoic and loyal. But underneath the facade was alcohol and tobacco abuse, philandering husbands, unhappy, unfulfilled wives, etc.

Starting after Kennedy’s assassination, things started to change. The mask came off. Notice that this episode happened on Oct 31, 1963 - 22 days before Kennedy was shot. I suspect the season will end with Kennedy’s assassination.

Then there are the hanging threads - why are we still following Joan if she’s not part of SC any more? What of the news that the firm is up for sale? I think something dramatic is still going to happen around all this. I had thought that Don might head off and start his own agency, picking up Joan as office manager and taking Peggy and a couple of others with him, but now that he’s under contract that can’t really happen. Maybe Don will buy out the brits, using Conrad Hilton as a backer? That would be interesting.

When Roger turned down the dog food lady, and then had the conversation with her where he told her that she wasn’t “the one” for him… I don’t think he was talking about Jane. Notice that he was up late calling friends/contacts trying to help Joan get work, and said “she’s very important to me.”

I think that they’re telling us that Joan is Roger’s “one.”

Really? You’ve never taken little kids out trick-or-treating, and have other adults ask who you’re dressed up as, for a joke?

Gotta agree with Lightray. I’ve been asked similar things by neighbors when I’ve taken my kids out (and usually want to whack them for their corny-ness!).

Here’s something more subtle, Sam. Did you notice the song at the end. “Where is Love?” from the music Oliver Twist. Sung by little Oliver, a boy who doesn’t know his true identity and only gradually discovers it…

Sounds like a boring show.

:wink:

I really appreciated that costume. I dressed as a hobo… basically an identical costume to that little boy’s a couple of times when I was his age. This was the early 80s.
Amazing episode. Don looked smaller and weaker and Betty looked strong during his confession scene.
I really liked her aside about Don not understanding money.

I thought it was interesting that she knows divorce is impossible. Does he? Does he even realize in the far reaches of his mind that she’d be sooooo out of there if she could?

I laughed outloud at Joan’s line to Roger about figuring out something for himself. I bet Admins all over the country found that funny…

I agree. But if this storyline continues, Suzanne’s brother, with Don’s business card, might be more trouble for Don than anything Suzanne does.

Yeah. It’s unlikely that his appearance was a one-off.

Not a spoiler but I’ll box it anyway. On the Inside Mad Men video for this episode, January Jones explains that Betty was intending to leave Don. The lawyer talked her out of it. There are also comments from Jones, Weiner, and Hamm about whether or not Betty and Don really love each other. It’s worth a look.

Quite so.

Not likely (unfortunately) – he’ll be a surgeon, not a field medic.