For a long time I was unaware this flick existed. It seems like there are certain canonical Marx Brothers films, and this one sort of gets neglected.
That seems odd: It wasn’t a classic like “Duck Soup,” but it has some terrific moments. It has slow parts (they all do) the brothers’ music numbers are self indulgent (they always are) and that Tenement Symphony is unintentionally laughable. But Harpo on giant rollerskates was a stitch, and Virginia O’Brien’s lullabye – and her dancing – are hilarious. Not the best Marx Brothers, but definitley good Marx Brothers. Anyone else think so?
I liked the part where the snooty woman is trying to match material for her dress. Harpo is waiting on her, and keeps shaking his head in the negative to indicate the store doesn’t have that bolt of fabric. She get s bitchier and finally, when she turns around, he cuts a piece out of the back of her skirt and hands it to her “Well you do SO have this material”
I like the scene where Harpo is swinging across the store via the lights in the ceiling. It was my favorite Marx Bros. movie when I was a kid. With the toys and all. It no longer is my favorite, but it still has a place in my heart.
Of the 13 Marx Brothers films, The Big Store ranks no higher than twelfth. And that’s only if you consider Love Happy to be a true Marx Brothers film.
Joe Adamson spends pages eviscerating the movie in his Groucho, Harpo, Chico and Sometimes Zeppo, the best book ever on the Marxes, and I wish I could quote it all.
But the best one-liner on the movie comes from The Marx Brothers at the Movies by Paul D. Zimmerman and Burt Goldblatt.
That’s a good line, but I think it’s more funny than true. For all it’s many flaws, The Big Store is still a lot more entertaining than 90% of new comedies made.
Why did George S. Kaufman consider The Cocoanuts a musical comedy without music? There are six musical numbers in it, including Irving Berlin’s immortal “Monkey-Doodle-Do”.
The capper for The Big Store would have been if Grover (Douglas Dumbrille) had not stopped the photographer from snapping the shutter on the booby-trapped camera. Then the bastard would have received what he deserved, instead of the movie ending weakly with Groucho’s car being towed away.
And if Grover’s slut friend (Marion Martin) had been even more exposed when she snapped and whined for fabric she wanted, or at least walked away and was laughed at and jeered by other customers until she saw what had happened…
Like many one-liners from those days, whose mouth it originally came out of is lost to history.
From earlier in The Marx Brothers at the Movies (that’s right – the same book):
More seriously, from Simon Louvish’s Monkey Business:
And the movie version is even more so. The original preview running time was 140 minutes, so a huge amount was cut out, mostly musical numbers from the available evidence. But I couldn’t find a direct quote of exactly what in a quick search.