This is an excerpt from Saturday Night by Doug Hill and Jeff Weingrad. The story first talks about Lasser’s success on MHMH and how she was unable to handle the pressure of sudden fame.
…She’d been arrested for possession of cocaine in Los Angeles not long before she came to New York for the show. When she arrived she was self-obsessed to the point of “solipsism” (Chevy’s description); many on the show believed she was nearing a nervous breakdown. She rambled on incoherently in meetings, crawled around the hallways on her hands and knees, refused to do pieces that had been written for her, and insisted on doing her own strange ideas. She demanded that two films be shot; one in which she had a conversation with a dog, the other in which she say in a diner and babbled a meaningless monologue. Michael O’Donoghue, who finally walked off the show that week in disgust, described Lasser’s state of mind as “clinically berserk.” “She was a nice woman going through a few problems,” he said, “but I wanted to force her to eat her goddamn pigtails at gunpoint.”
On Saturday night, twenty minutes before the show began, Lasser decided she wasn’t going on and shut herself in the dressing room. Most people on the show were then happy to hear it. The cast members, as they would for Kris Kristofferson a week later, started dividing up her parts. Chevy planned to play some of her roles wearing a Mary Hartman wig. Bill Murray, who was not yet a member of the cast, happened to be in the studio that night, and he prepared himself to take Chevy’s part in these sketches.
Lorne, so anrgy he was swearing he’d kick her teeth in, was negotiating with Lasser through production assistants, who were running back and forth between his ninth-floor office and her dressing room on the eighth floor. Because of all the publicity surrounding the show, Lorne was not as sanguine about Lasser’s failing to appear as the others were, and he used the threat of scandal with her manager: “If she doesn’t go on,” he said, “America will want to know why.”
Lasser did go on, although it would probably have been a better show if she hadn’t. She appeared alongside a cast member only once, in a takeoff on Ingmar Bergman’s films in which she and Chevy stared soundlessly into each other’s eyes. Equally soundless was the the audience’s reactions to her films. … The worst came last, during Lasser’s closing monologue. She sat onstage, cross-legged, and launched into a sadly self-indulgent ramble about herself. It began with her musing that she was putting on her shoes in front of twenty-two million people. One line that made sense referred to the wages of stardom and recent bust in Los Angeles. “They made me rich, famous, and a known criminal,” she said.
…
Then the story talks about what a horrible show Milton Berle hosted, and ends with this:
There may be some poetic justice in the fact that Milton Berle will stand in perpetuity alongside Louise Lasser in the ranks of Saturday Night hosts whose shows Lorne never allowed to be seen in reruns.