Michael Stipe doing Tears for Fears?

He might, but in the meantime, I’ll fill in.

“Mad World” was indeed originally written by Tears For Fears’ frontman Roland Orzabal, and was actually the first song he composed on his own after seperating from Graduate in 1981. TFF released it as their third single, with Curt Smith providing the vocals…and here I shall stop, lest I regale you with far more about early Tears For Fears than you ever cared to know.

I’ve never seen the commercial you mention, but my first thought after reading your question was the Gary Jules version, and I see that the folks who beat me here tend to agree (the fact that it’s also the most popular version to date lends even more credence to this), but just in case we’d all gone crazy, I reviewed my collection of Mad World covers. Of the fourteen I have, Jules is the only one I’d at all compare to Stipe. The version you seek can be found on Jules’ Trading Snakeoil for Wolftickets.

It’s a little creepy to encounter someone besides myself with the particular odd trait of knowing way, way too much about Tears for Fears. At least my username isn’t Ian Stanley, though. :wink:

Also, I can’t stand that cover. I don’t mind the arrangement, but I think he sucks the life out of the song.

Hey Roland, long time no see. Did you say fourteen covers? Care to list those?

Yes, he sounds VERY much like Michael Stipe in that song. Very very much.

Such an odd coincidence; I only found out about the Gary Jules thing about 3 weeks ago, after assuming it was an REM cover all that time. I like this better than the TFF version.

Gary Jules’ career path has always been that of a songwriter, and his songwriting is quite good (a long-time favorite of KCRW’s Nic Harcourt). He thought of “Mad World” as basically just a hired job, and favor to friend, Michael Andrews.

He was quite surprised when it became a big hit (in the U.K.), years after he had recorded and nearly forgotten about it.

He ended up making quite a lot of money off that song- directly from the song itsself, and indirectly from a heavy tour schedule through the U.K., Europe, and Australia and thus added album sales of his own albums.

He has made enough money to acheive the victory of no longer needing to live in Los Angeles in order to advance his career, so he and his wife have moved to a small North Carolina town where they just had their first baby.

One of Gary Jules’ great acheivements was establishing the music scene at The Hotel Cafe. The owners wisely discovered soon after opening the place that they had absolutely no idea how to book a music venue, so they got Gary Jules to be completely in charge of booking for the first few months.

Gary created an environment that was very artist friendly, but at the same time he was a harsh arbiter of taste. The result was that all of the best songwriters in Los Angeles were drawn into the Hotel Cafe scene. In the begining, a music fan could head out to the Hotel Cafe having no idea what songwriters would be performing but still be 100% sure that there would be an amazing line-up for the night.

Among this first wave of songwriters (AM, Quincy Coleman, Jim Bianco, Tracy Spuehler, Shane Alexander, among many others) there developed a strong sense of artistic community. Songwriters went out to each others shows to show support and collaborated with each other on stage. Before Gary Jules got things going at the Hotel songwriters often viewed themselves in competition with each other rather than in community with each other.

The Hotel Cafe soon became “cool”, and as with most truly cool places that suddenly become “cool” it became a bit less cool. There was a small dip in quality control after Jules stepped out, there was another dip in quality control when they broke through a wall to expand the place last year. These dips in quality control, however, were small dips starting from extremely high standards. It’s been five years since Gary Jules founded the music scene there and the Hotel Cafe is still one of the best music venues in Los Angeles.

Sure. Tears For Fears Remix, Jules’ version, Mad World World Mix, Red Paintings 2005, Mad World Pulsedriver RMX, Nu Romantix, Alex Parks, Sara Hickman, Finch, Martin White (if you ever wondered how it would sound as an accordion solo, here’s your answer), Evergreen Terrace, DJ Lighthouse’s X-Cabs Mix, Brainclaw, and BLESTeNATION.

To be fair, only ten of those are proper covers; the other four are remixes, which I included because the remixers occasionally skew the vocals.

Then sit down, have a beer, and enjoy being the second person in existence who agrees with me on that.

Hey now, my name is Ian! What of it? :wink: If you’d care to discuss the intricacies of everything TFF – or Radiohead, for that matter – ever did, by all means drop me an email (it’s in my profile). It’s always nice to meet a fellow, er, enthusiast.

I really don’t like Gary Jules’s cover (I don’t think he sounds like Michael Stipe on it either). I like the original a lot better and I heard the cover first.
I guess TFF’s dance sound fits the song better; I find the Gary Jules version to be too whiney.

I have never heard the original. I very much enjoy the cover – it feels appropriately weary.

God, I love youtube, it’s given me a chance to relive the 80s and also find new music (Mylene Farmer - yum) - and get to see those vid I’ve missed in the past.* Mad World* and Pale Shelter being two such vids, as I only really saw the ones from Scenes from the Big Chair and after.

This song has always just fucking gutted me. The line “Children waiting for the day they feel good, happy birthday, happy birthday”…I could listen to this song a million times, and I think I would always want to sob when it got to that part.

I enjoy both versions, but I like the original more.