If you want bad guys winning, you really need to stick to the Film Noire category. Previous posters mentioned several movies - especially Body Heat and Chinatown - that fall into the category.
Look at the black and white films of the late thirties and early forties, especially the detective/cop genre. The Killers is quintessential film noire, as is Sunset Boulevard (hey, the hero of the film is dead in the beginning).
If Uke or Eve drop by, I’m sure they’ll have some suggestions.
How about any horror flick? Sure, maybe they did not win at the end but they took 8 teenagers with 'em! Or you argue that some really did not lose at the end… Friday the 13th parts 1 through 8.
I know… smart-ass answer.
“Wow! Spider-Man! Are you really friends with the X-men?” "Not since Cyclops tried to use my viewmaster."
(Marvel Team Up #1)
Thank you, phouka…and your suggestion of film noir is right on the money.
Let me recommend PITFALL (1948), with Dick Powell and Lizabeth Scott, and Raymond Burr playing the coolest, sleaziest private eye ever!
DOA (1950) is loads of fun…the hero, played by Edmond O’Brien, is already “dead” as the film opens, having ingested an antidote-proof lethal poison which leaves him with 48 hours to live.
DETOUR (1945) is infamous for its portrayal of sleazebags on a downward spiral.
ACE IN THE HOLE (1951), aka THE BIG CARNIVAL, has always been a personal favorite. Protagonist Kirk Douglas dies onscreen, lurching face-first into the camera, for the big finale!
Sure enough, Coldfire, even available in video form at large chains like Blockbuster. Did you ever see the american version (Kiefer Sutherland, Jeff Daniels?) The ending was totally altered to make it “happy.”
I can’t believe that nobody has mentioned The Grifters.
“He love people, all of them, washed and unwashed; he loves his wretched pack of sponging relatives. He shoots people, arrests people, but he doesn’t like it.”