Movies that wasted their premise by making the charecters into idiots

I read The Girl with the Dragon Tattoo a while ago, so I certainly don’t remember the character names, but as I recall, things are kicked off because Nice Old Uncle is getting a flower mailed to him every year, and thinks that he is being taunted by his niece’s killer, when in fact it turns out it’s his niece sending the flower every year.

But his niece is still in contact with another relative of her generation (maybe her sister?) who is a flight attendant, and has been doing the actual mailing. So really, the whole thing would have been resolved by that person saying to the niece “hey, you know how you’re sending packages to our nice uncle every year out of love on your birthday? well, he thinks that you’re dead and the killer is taunting him and it’s driving him miserably insane. Want me to let him know you’re still alive?”

Reality Chuck is probably ranting about Alien.
Again.
In spite of everyone telling him for two+ decades that he’s wrong, he still refuses to “get it.”

I thought he was the guy who hates GATTACA.

You’ve heard the phrase “a shot in the dark?” She took one and got lucky. Binaural hearing can give you a good idea where a sound came from, too.

S’ok. I’ll spend decades telling people the virus in ID4 is an homage and the water in Signs is also an homage AND the water has impurities in it (“It tastes funny”)

Of course, that would require a good director…

“Hello, you have reached F.B.I. headquarters. If this is a life-threatening emergency, hang up and dial 9-1-1. If you know the extension of the party to whom you wish to speak, you may dial that number at any time. To report oddly-acting people with Arabic surnames, dial 1. To report suspicious-looking individuals of other ethnic backgrounds, dial 2. To report sightings of Ten Most Wanted suspects, dial 3, leave a message and an agent will get back to you…”

Sayid starts to walk around the island a little over a week after the crash and immediately gets captured. And pretty much anytime they head into the jungle some gets attacked by the monster or the Others, so it’s pretty understandable why they stuck to their camp.

It’s not that someone going missing without a trace is “probably dead by now” it’s that in the real world people don’t successfully make themselves disappear, at least not for very long. So them not having heard a peep from someone over the decades pretty strongly suggests they died sometime around when they disappeared.

Another aspect of it (which I’m just now remembering) is that Dreamy Investigative Journalist also isn’t trying that hard to solve the mystery at first, but is rather just viewing the assignment as a free vacation to get him out of Dødge while the scandal at the beginning blows over.

Yeah, I don’t doubt that she could hear the click of a hammer being pulled back, and could tell which direction the sound came from. But Buffalo Bill’s gun was just a few inches from her head; either she is supercop and can spin around and get off a shot in the blink of an eye, or Bill is an idiot for hesitating (and therefore eligible for this thread).

And I thought of another good candidate for this thread, though I’ll be a little surprised if anyone remembers it, Juggernaut (1974). Someone has planted seven bombs, concealed in large drums, on a cruise ship in the North Atlantic. He now tries to extort money from the cruise ship line in return for information on how to disarm the bombs. The government sends a bomb disposal team to the ship, having them parachute into stormy waters and climb ladders to get on board.

The bomb crews have a rather ingenious system whereby they are each working on a different bomb, and are all wearing headsets and can talk to one another. The head bomb guy describes each step he is about to take, and if it doesn’t blow up the others can do the same to their bombs. Of course it comes down to the classic “cut the blue wire or cut the red wire” scenario (in this case, I think literally). The guy announces that he’s going to cut the blue wire, and for complicated reasons cuts the red wire instead. It’s subtle, I suppose, but that’s the stupid part. The system is designed so that one person’s mistake won’t be repeated by the others; the way he did it guaranteed that if he fucked up then everybody would be dead. If I was one of the guys working with him I’d go over and beat the crap out of him.

Bonus trivia question: What do these two movies have in common?

^ Anthony Hopkins.

That didn’t take long. Did you know, or have to look it up?

I remembered Hopkins name from Juggernaut, but looked it up to be sure.

It’s worse for me if I’m really enjoying the movie, and then the character does something stupid. A great example is Pan’s Labyrinth, which I loved. But oh man was I screaming at Ophelia during this scene:

The faun tells her that whatever she does, do not eat from the banquet table of the Pale Man. She goes into his world, sees this gruesome terrifying creature sleeping. Sees a bunch of clearly devoured kid’s shoes, paintings of him eating kids, etc. Sneaks around and gets what she came for, and is about to leave. Time is critical here. Then she stops to eat a grape. The little fairies are trying desperately to prevent this, but she shoos them off and eats one anyway. Aaargh!

Dude, it’s a fairy tale. If little girls told not to do things didn’t do them anyway all fairy tales would be very short.

(also, if it’s all in her head, this is all a hunger dream.)

The lack of a corpse pretty strongly suggests she didn’t die around the time she disappeared (there was an organized search for her), and she had in fact been heard from – the old man just didn’t get that the flowers were from her. Beyond that, the central assumption was not “She probably died sometime around when she disappeared.” It was “She was murdered on the day she disappeared.”

This would be fine as one potential explanation to be considered, but there was nothing in the novel to support the characters’ eagerness to accept this as the only possible explanation. It was idiotic, and you are wasting your time trying to defend it to me.

I will repost my criticism of Rise of the Planet of the Apes, as it is appropriate. My pet peeve in movies is scientists not behaving like scientists.

Instead we got the world’s worst romance scene. I still cringe when I think of it, like an actual physical cringe.

RealityChuck is not 100% wrong in his comments about Alien. He makes a lot of good points about how dumb the crew is, and dumb they are, breaking quarantine and just being general jacknuggets. Except Ripley.

Where I, and many people disagree with him, is that just because a movie’s characters are dumb, doesn’t necessarily mean the movie is dumb, too. I have a much bigger problem with the end of Alien, where Ripley runs to destroy the ship (4 minutes) then runs to the escape pod (4 minutes) then runs back to disarm the self destruct (4 minutes) then runs back to the fucking escape pod again (4 minutes). It reminds me of the old Final Fantasy games when I could see the fucking exit, RIGHT THERE, but I had to follow this stupid weaving path just to get there.

Ahem. Got sidetracked. But Alien is still a scary movie. I just like Aliens better.

Rise of the Planet of the Apes is a great one, especially since it had promise. All of **Typo Negative’s **complaints stand, but no one knew she was pregnant? Ptooey!

I know everyone excuses Ophelia from Pan’s Labryinth but I don’t. I think she was a dumb bitch for eating the food. The one thing she was forbidden to do! And don’t tell me it’s a fairy tale or that she was a little girl! She should have listened! It would have been better if they had established some reason for her to be so freakin dumb but a girl that seemed fairly bright up until now just lost all her common sense. Eat it!

I never got past the opening of Lost. So they all crash on this stupid island. And the white guy runs around fixing everyone’s problems. Meanwhile the women are all screaming hysterically, totally useless decorative props. I have no idea if it got better, but I just can’t stand that characterization of women. Women have been through some amazing shit. Do not attempt to tell me that while everyone is screaming ONE white dude manages to get their shit together and take charge. Fuck that noise!

Horror movies do this a lot: make all of their characters into complete freakin idiots. It’s actually why I love American: Horror Story so; sometimes the characters are stupid, but mostly they are just people, complicated and messed up. But in lots of horror movies, by the time the killing comes, you are rooting for the monster to remove these assholes from the gene pool!

ETA: Did I miss it, or did no one mention Prometheus?

Bolding mine.

RC is still wrong on this point. Does everyone forget that Ash’s one and only job was to bring back an alien - “all other priorities rescinded”? He wasn’t really part of the crew - his bosses had a different agenda than bringing in cargo. He was a spy, a double-naught, as it were.

If Ripley held firm and wouldn’t let them in, I suspect he would have killed* her where she stood. And everyone else on the ship, as necessary.

*Well, at least tried. He wasn’t the greatest at killing. A magazine?? Srsly?

Wait, stop. Ash’s priorities are one thing, but the captain doesn’t know anything about it. The Captain was the one most pushing to break quarantine.

And you know what? Maybe if Ripley had stood firm we might have avoided the entire plot. We’d have a different plot, for sure, but the captain was an asshole.

And yes, the magazine was stupid. I know it’s supposed to be rape symbolism, but dammit, you’re an android, punch her in the freakin head!