Movies where reality is in doubt

Now YMMV as always and I welcome discussion but I’d like to limit this to movies where the doubt about reality is explicit in the film and not fan theories(for example in The Matrix Neo is schizo and the whole film is a hallucination etc).

Return To Oz - This LOOSE adaptation of Frank Baum’s books takes a totally new perspective, Dorothy is in a brutal mental institution and we never learn if Oz is real or the fantasies of a troubled girl.

Existenz - Its unclear when the game started and when it ended, if it ended.

Total Recall - Its unclear whether the events are real or happening in Recall.

A Nightmare On Elm Street - Its unclear if the film happened or was a…nightmare on Elm Street :stuck_out_tongue:

Inception - This is heavily contested but the end is open ended and much dialogue is ambiguous.

Minority Report - there’s a good case to be made that the ending is all in Tom Cruise’s mind. I tend to agree.
Of course, the classic The Innocents, based on Henry James’ The Turn of the Screw - ghosts or insanity?

How about Dark City?

Shutter Island

The Sixth Sense

I think *American Psycho *qualifies.

Donnie Darko
Angel Heart
Rashomon
The Usual Suspects

Yes, I agree.
The Machinist is another that can be added to the list.

Memento, though the doubt mostly concerns past events.

This is often the issue in Virtual reality stories, and it’s one I don’t patrticularly care for. On the whole, I’m gladc that The Matrix mostly avboided it. Except for a few brief and well-circumscribed events (like the Training Program with the Woman in the Red Dress), you always knew if you were in Reality or a Virtual Reality.
But the point of the two VR movies that came out at the same time was the confusion between VR and Real Life (RL). David Cronenberg’s eXistenZ spends the whole film switching between different realities, as you try to figure out which one is Real.

I really liked The 13th Floor, which did a great job of the “Is it Live or is it VR?” theme. It’s based on what has been claijmed to be the first VR novel, Simulacron-3 by Daniel F. Galouye, which came out in 1964 (!).
The works of Philip K. Dick have been cited as cases of “Is this Reality?”, and Hollywood has made much more of this aspect than Dick himself did. The “Is it Reakl?” ending of Minority Report that needscoffee (and others) like is, for instance, wholly lacking in the original story. I, for one, don’t think Spielberg intended it in the film, either. In Total Recall, the “Am I in a Dream or Not?” theme that seems to be the core of the film isn’t at all the same as in the original story We Can Remember it for you Wholesale, where the point is that they implanted memories, not VVR experiences (although that would not have made for as exciting a film).

I didn’t particularly care for the rreality-shifting of Vanilla Sky. I think I may jusdt dislike ambiguos reality movies with Tom Cruise in them.

Then there are the movies with individuals whose minds seem to be slightly tipped, and who make their own rreality. Fight Club and Black Swan come to mind
And then there are the daydream/dream/imagination played out as reality, and then we’re yanked back to reality at the end. Ambrose Bierce’s An Occurrence at Owl Creek Bridge is the classic in this case. The recent episode of The Big Bang Theory that did this handled it extremely well, I thought. But the “It was Only a Dream” meme has been done to death in sitcoms, and has become a disliked cliche. Even ages ago, they played with the idea and had multiple levels of dreaming. I liked the riffs they played on this (at least twice) on the old Dick Van Dyke Show (especially the Kolak of Twilo episode).

Speaking of which, the whole “stories-within-stories-within-stories” meme is a pretty old one. as TVtropes says, it’s older than dirt. In the original Arabian Nights, there are places where the “stories-within-stories” goes at least seven levels deep. Douglas Hofstadter played with this (nefariously not emerging back up to the level of “reality”) in one of the “Fables of Achilles and the Tortoise” in his book Godel, Escher, Bach.

The Cabinet of Dr. Caligari (1919): Who is crazy? Who is the villain? Where is this even taking place?

Last Year at Marienbad, surrealist cinema at either its best or worst, depending on who you ask.

Jacob’s Ladder.

As I understand it, in the original script the whole It’s All a Dream/Madman’s Fantasy aspect was missing, and was imposed by the studio so that the surrealist film would have some sort of rational ground to it. Bourgeois audiences , they thought, can’t take their surrealism straight.

No, the change was imposed because it was disrespectful to authority, implying the leaders were madmen.

Mulholland Drive qualifies. Although it’s never stated explicitly, it’s hard to understand what the hell is going on if you don’t know that part of it is a dream.

Although it gets resolved relatively early in the movie, I would think The Matrix qualifies.

Not a movie, but the Buffy episode “Normal Again” threw everything in the series into doubt.

Some more I thought of in terms of “it was all a dream/in someone’s mind”:
Season 8 of Dallas.
The entire series of St. Elsewhere.
The entire series of Newhart.
High Tension is another movie where much of the “reality” we see on the screen takes place in the mind of a character.

That was my first thought too.

There was also A Beautiful Mind. I almost wanted the delusions to be real.

Time Bandits. Is it all an imaginative boy’s dream or did it really happen?

“Mom, dad, don’t touch it! It’s evil!”

Also the episode “Back to Reality” from Red Dwarf had some fun with this.