Off the top of my head, I can think of three musicals where the main male characters are sailors – Fred and Ginger’s Follow the Fleet and two films with Gene Kelly, On the Town and Anchors Aweigh. I can only think of one musical with soldiers, and they’re not actually in the service for the bulk of the movie – White Christmas.
Why are sailors so much more musical-worthy than soldiers? And why are the Air Force, Marines, and Coast Guard completely neglected by the genre?
Well, sailors themselves tend to sing more than infantry. There’s thousands of sea chantys out there. Aside from cadence songs, which are pretty much just used in basic training (AFAIK) there’s no real world equivalent in other branches of the military. That might have something to do with it.
As for the Coast Guard: I can’t think of any film or stage musicals centered around them, but Vernon Duke wrote the show Tars and Spars as a recruiting device for the Coast Guard. (Click this and scroll down slightly.)
The musical number “Shanghai Lil” in Footlight Parade has Jimmy Cagney as a sailor who jumped ship.
Abbott and Costello’s Buck Privates had some musical numbers, most notably “Boogie Woogie Bugle Boy.” Some were sung by Abbot and Costello while in uniform.
Similarly, Martin and Lewis’s At War with the Army had Dino doing some singing.
Isn’t he in the army in “Passion”? (It’s been a while - I used to love that show.)
And to add some more
“South Pacific,” I think has a sailor or two here or there
“Sound of Music” he’s ex-Navy
“Bye Bye Birdie” is future Army
Maybe the Navy comes across as more musical (more romantic, maybe) than the other branches.
The Navy has always had a better artistic agent (we did a thread on that before). Also, I get the feeling that the crackerjack jumpers can be better adapted by wardrobe to be a good outfit to dance in, than combat boots or flightsuits.
A hint of what it’s like, featuring that very masterpiece, courtesy of the Institute of Official Cheer at Jim Lilek’s site.
As is this one. It reminds me that Hair has some military scenes, after Burger ends up in the Army. All of them are played as background footage in musical montages, IIRC. (Haven’t seen it in a couple of years – hm, I’m about due. I do like that movie.)
And I’d argue that Sound of Music doesn’t really count, despite the backstory of one of the characters – none of the musical scenes feature soldiers or sailors in uniform. (The part where the Nazis are chasing them at night has no music, right?)
The West Point Story with James Cagney, Doris Day, Virginia Mayo, Gene Nelson, and Gordon MacRae was set at . . . you guessed it. Many tap-dancing cadets.
We obviously saw Uncle Sam’s Masculinity Cult a little differently back in 1937, when Dick Powell played The Singing Marine. (The poster suggests dress blues and battleships, not drill fields and psychic abuse.)
Dick Powell also starred as a sailor in Shipmates Forever. He’s a singer who goes through Annapolis to please his father, the admiral, but he really just wants to keep his career and romance Ruby Keeler, who teaches dance to the offspring of Navy officers. It’s really more of a drama with some numbers than a musical, but IMDB calls it a musical.
I saw it on TCM for the first time a couple of weeks ago. Never heard of it, and I’m pretty rabid.
Well, there’s no reason a surface sailor can’t sing during combat, or drills. I shudder to think what would happen if an infantry platoon were in combat and someone started singing - can you say sniper check?
FTM, I think it’s interesting that I can only think of one scene where bubbleheads sang in the movies. It’s when the Red October goes to the caterpillar drive, and everyone aboard starts singing the Soviet National Anthem. And they got heard! :eek: