Red, blue, and yellow are the shorthand primary colors for art students, but they’re not exactly correct.
First of all, when you think about color, you have to think about whether you’re talking about LIGHT, or PIGMENTS. (Yes, nitpickers, I know it’s all light in the end …)
From our art class days, we’ve been used to dealing with PIGMENTS–subtractive colors. What pigments do is absorb light, and reflect only a tiny portion of the spectrum. Thus, when you have a blank white page, with no pigments, it absorbs nothing, and reflects all of the visible spectrum. On the other end of things, when you mix together every color of paint you have, you lay down pigments that absorb all of the visible wavelengths of light and reflect none (effectively … naturally, some light still bounces back … it’s not a black hole).
Now, when you talk about LIGHT–additive colors–, everything’s backwards. The easiest way to think of this is when a stage hand at a play throws different color spotlights onto the dark stage, where they overlap, a mixed color is created. If you have no lights on at all, you have black. If you turn all the colors onto on espot, you’ll get white.
Handily, this (light/additive) method is what your computer display uses … which brings us to the primaries themselves.
The additive primaries are Red, Green, and Blue–hence the RGB monitor. By mixing together different amounts of red, green, and blue light, you can create all of the colors (or white, if you mix all equally).
ADDITIVE:
Red + Green = Yellow
Red + Blue = Magenta
Blue + Green = Cyan
When you talk about the Subtractive primaries, you go to those three products, Yellow, Magenta, and Cyan; this is why some computer image files and color printer inks bear the CMYK label (Cyan Magenta Yellow blacK; a darker black is added for printing purposes, since the mix of the other three is never perfect, end usu. ends up as a muddy brown rather than a proper black).
In brief, Red Yellow Blue is a good enough shorthand for most art students, but it’s really just approximating the true effects of Magenta Yellow Cyan, the proper subtractive/pigment primaries.
Why do we do that? Because Magenta and Cyan aren’t in our day-to-day vocabulary. Red and blue are close enough.