In 1978, the official word was that The Residents had stated that [the album] Not Available could never be released. The group claimed that they had recorded the album in secrecy as a way of exercising their Theory of Obscurity to its fullest and, in strict accordance with the Theory, the work could never be released until its creators no longer recalled its existence.
Yeah, that’s sort of confusing. I mean, the object would be some sort of private property, in the sense of “this thing must have belonged to someone before being put here”, but I don’t see how that would preclude the BLM from removing an unauthorized structure and then trying to locate the owner to recover costs and assess penalties.
Cutting into the rocks to install a semipermanent structure (apparently there since at least 2016) almost certainly requires a permit.
Official statement: “Although we can’t comment on active investigations, we would like to remind public land visitors that using, occupying, or developing the public lands or their resources without a required authorization is illegal, no matter what planet you are from.”
And the excavation of the sandstone required to install the monolith is destruction of property.
No story I’ve seen on this has pointed out that, in Clarke’s original story “The SEntinel”, the alien artifact was more like a pyramid. They changed it to a monolith for the film to be more vuisually impressive. As Arthur C. Clarke himself said:
So apparently the jokers responsible for switching the obelisk that was there for a pyramid were hip to the backstory of 2001
It was embedded in solid sandstone. There were saw marks at the corners shown in one of the videos up-thread. Like, where you have to cut past the corner to get the full depth as far as you want.