Here is the reading
Here is the work
I dig the tune and the multifaceted case study of “woman”. But I’m struggling with invoking Ophelia as the mannequin upon which everything is hung. What is Natalie playing at? The simple answer, the one that might earn a C grade on an essay in a college-level literature analysis class, looks like Ophelia had the potential to be (and so on some level actually “was”) any of these self-realizing women, but instead faded into sad madness by selling herself out to the men in her life. But I also suspect there’s more to it than that.