Why do you think he would have “no reason at all”? There were very serious feuds and power grabs going on in the Nazi government hierarchy (like most), with various branches trying hard to discredit the others and gain power (i.e., Hitler’s approval) over the others.
If this guy was in a branch of the Nazi government that was competing against the Bormann branch, he would certainly want to denigrate Bormann any way he could.
There are people who claim that the Holocaust was some sort of exaggeration of the ordinary conditions of war. They look for any common meme that can be debunked, and then claim that everything else must be a lie. Leaving stories in place that are not factual, provides an opportunity for these people to mislead others. Rational people understand that a single inaccuracy does not reflect on the overwhelming evidence of atrocities. But rational people did not commit these acts, or abide them. Those people may always be among us, looking for the reason to justify another reign of terror. As time goes by, the eyewitnesses to the Holocaust are passing away. The future will one day evaluate our present by the quality of the record we leave behind.
As for the OP’s personal witnessing of a neighbor’s skin lampshade: I’m friends with a German immigrant who tried to join the army (as a submariner) around 1944 when he was 14. They told him to come back next year.
Every week we play chess under a deteriorating floor lamp with a lampshade of translucent leather. He isn’t a kidder, and as a German he isn’t going to joke about war atrocities, but I can easily imagine a G.I. with a rascally streak feeding a 12 y.o boy horror stories about a lamp like that.
–And just to inject some politics into this forum, my friend was absolutely horrified when Bush/Cheney initiated the invasion of Iraq. He had no trouble Godwinizing their actions, and said it reminded him of the build-up to war in the 1930s.
You might not want to do that. It’s considered bad form. Check the rules. Keep politics to Great Debates and Election 2010 forums, or if you must, the BBQ Pit.
The now-grown children were gathered as part of group therapy for the relatives of these Nazis, to help them deal with what they experienced, and they graciously allowed Sereny to interview them. In the interview, the kid of Martin Bormann talks about visiting Himmler’s house. Himmler was out, but his long-term mistress was in, and she showed them in. At some point during the visit, she leads them up to the attic, after getting their promise not to tell anyone what they were about to see. Up in the attic is a copy of Mein Kampf, bound in human skin, as well as a small table and chairs made of human bones. The kids saw them, then claimed they were horrified, and ran out of the house.
Naturally, there aren’t any pictures, or other first hand accounts. No mention is later made of what happened to the atrocity evidence. If I could find my copy of “Masters” I’d give the page number. Google Books’ blank spots cover the quotes in question too, alas. It’s in the last chapter, right before he describes the death of Himmler.
For further confirmation on this issue please read the book THE LAMPSHADE by Mark Jacobson. Simon & Schuster copyrite 2010. Bestselling journalist Mark Jacobson tells the story of how he came into possession of a human skin lampshade and of his search to establish the origin, and larger meaning of what can only be described as an icon of terror. The lampshade was found just months after Hurricane Katrina in New Orleans at a rummage sale. DNA analysis proves it is human skin. Jacobson then traveled to Buchenwald concentration camp in Germany where further evidence was found to establish its authenticity.
I haven’t seen this book, which apparently won’t be officially published till late this month, but I did find the following quote from Publishers Weekly on Amazon:
So it seems no stretch of depravity to think they’d make lampshades out of stretched human skin… after all, they were into efficiency, they were throwing their country’s resources into a war, so it would have been hard to get parchment for lampshades.
But from what my searches turned up, the lampshade thing may not have been done in an assembly-line fashion, the way the fillings were removed and the hair was used.
I believe there’s a good reason for that-human skin tears pretty easily-so I’ve been told. Thus it would not lend itself well to machining or assembly-line practices of lampshade production.
Do y’all think I’m right on this? If not, feel free to correct me.
I’m guessing-JUST guessing-human lampshades were the work of individual guards or their command staff at the camps, handmade individually. So no records.
The preserving of tattooed skin removed from murdered inmates is not in dispute; samples were displayed at the Nuremberg trial and are held in the National Archive.
Bottom line seems to be: there’s proof some Nazis did skin prisoners, and used the skin for a variety of things (binding books, lining shelves, etc.), and some kept sections of skin alone, as gruesome standalone “mementos”, but that reliable evidence that they also specifically made lampshades, is hard to come by. This is just a detail, rather than some kind of proof that “at least they wouldn’t go THAT far”, since their proven “uses” of human skin–let alone the act itself of removing the skin–are every bit an atrocity as making lampshades out of that skin.
No one is disputing this general point. The question is whether the Nazis made household goods out of their victims, such as lampshades, soap, etc. These macabre details are what captured the public imagination following the liberation of the camps and came to epitomize Nazi barbarism. So far as is now known, these details are largely a myth. I’m not aware of any instances of Nazis using human skin to bind books or line shelves - I think you’re reading too much into that book excerpt. (If you have information to the contrary please cite; the Master may wish to to pursue this further.) This is not in any way an attempt to excuse atrocities, but rather to understand exactly what occurred. For example, the fact that a Nazi judge found the commandant of a death camp guilty of the frivolous murder of two inmates - surely this tells us something about the bizarre bureaucratic mindset at work here: murder had to be done by the book.
I just read an article in New York magazine (last week’s issue, I think) about an alleged Nazi-made human-skin lampshade. The author had the shade DNA-tested, and it is indisputably human skin.
That said, the shade was bought at a garage sale from someone who looted it post-Katrina from a house in New Orleans. So there’s really nothing other the aforementioned rumors to tie it to the Nazi regime.
Interesting. So it’s reasonably certain to be a lampshade made of human skin.
We have no history to connect it to Germany or the NAZIs. We have no confirmation of the identity, ethnicity, etc of the victim.
We’re left with speculation of whether it is an authentic NAZI artifact, somehow smuggled to the US and kept in secret until Katrina ravaged New Orleans and caused it to turn up. Or whether it was some later artifact created by a Dahmer with a flair of whimsy, or someone inspired by the NAZI lampshade tale.
The craftsmanship is suggestive of a historical source, but not conclusive. Perhaps further investigation could be performed.
Presumably a reference to the Sereny article published in Vanity Fair in July 1990 and reprinted in her excellent collection The German Trauma (2000). The relevant passage is on p299 of the UK Penguin paperback. Grey Ghost’s version above is essentially correct. Under other circumstances one might wonder about the reliabilty of childhood testimony, but Sereny is - both famously and notoriously - sensitive to childhood trauma, so one more or less has to acknowledge what she recorded as Martin Bormann Jr.s experience.
The interesting aspect of the account, in terms of the broader question, however seems to me the issue of shame. These are hidden objects, secreted in the attic of Himmler’s mistress and only shown by her to supposedly trusted members of the inner circle.
This is actually evidence that even hardened Nazis with access to the highest levels of the party recognised this as weird shit. Ideologically acceptable certainly. but not mainstream behaviour.
There’s another excellent article about Mark Jacobsen’s The Lampshade, including a discussion about the DNA analysis and the (apparently) age / European origin of the frame in the Independent.
On the other hand, the person who allegedly stole the lampshade, Dave Dominici, has some questionable provenance himself:
I have to say though that I find the attitude of the Holocaust Museum head of collections very odd. (Note: I’m Jewish myself.) She seems determined that it’s fake and doesn’t want it in the Museum:
Italics are mine. While I understand her reasoning that since lampshades have often been debunked, Deniers use this claim as proof of widespread fakery, an actually true appearance of a lampshade would be an important discovery. And that last line in particular makes no sense to me. Unless she’s talking from the deniers’ POV. But honestly, I don’t think historians should give a rat’s ass that deniers will continually deny truth and evidence; if something exists that could be of historical value – and it seems to me this certainly counts – it should be researched and, if its origins are uncovered and turns out to be a genuine object, displayed in public.
Anyway, Ed, have you had a chance to read the book yet? I’m curious to know your thoughts or whether this is worth including in an update to the original column?
The way I read that, she is saying that even if it is proven to be human skin, there is still no proof that it is skin from a Holocaust victim. Therefore they don’t want it in the museum. Seems a reasonable position for a curator.
Especially as the whole theme of a very few purported human skin lampshades, book bindings, shelf liners, etc. seems a distraction from the major point – that the Nazi government systematically killed 12 million people (about 6,000 per day, every day of the war). That is the point to remember.
The way I read that, she is saying that even if it is proven to be human skin, there is still no proof that it is skin from a Holocaust victim. Therefore they don’t want it in the museum. Seems a reasonable position for a curator.
Especially as the whole theme of a very few purported human skin lampshades, book bindings, shelf liners, etc. seems a distraction from the major point – that the Nazi government systematically killed 12 million people (about 6,000 per day, every day of the war). That is the point to remember.