Neil Gaiman's Sandman

I know that there a at least a few Neil Gaiman fans on this board, like Mike G and booklover are, I know.
I started reading comics when I was 18, and I’ve read a lot of different series.
The best and most moving of all the comics that I have read in those ten years was the Sandman series, written by Gaiman, and drawn by several different people.
I missed them as they came out, unfortunately, and actually only heard of the series when my comics guy (and friend) was bemoaning that it was over.
In a way, that was good, because it meant that I could read them all together, without waiting a month or two between issues. But it was certainly a bad thing when I realized how powerful a series it was.
I jumped in right in the middle of the story with the TPB of the The Kindly Ones. It made me cry. Wonderful writing.

The TPBs have a place of honor on my bookshelf, with the refrence material.

Oh yes.

One of the things I really love about Vertigo (the DC Comics imprint that published Sandman) is that it’s the place in comics where creators can tell what I’ve dubbed serialized novels, Sandman being the prime example. Every month you get another chapter which has to work on its own and provide a cog in a story arc of 6 - 8 issues or so. All comics have to do that these days. But the great thing about Vertigo is that many of their titles also serve as finite stories of about 75 - 100 chapters in length which can be read not only monthly but which reward rereading once you’re at the end. This format more than any other is the most personal to the creators because it’s big enough for them to tell the most important story lying in their soul, but open enough that they can address smaller individual stories they’d like to tell on the way. (Again Sandman is the prime example; there are issues of teh series in which he doesn’t appear, and many in which he is not the focal character.) These two traits (big enough to tell your story but with room enough not to get bored) combine to make these the best examples of their creators’ work. I believe that Vertigo (with a few other series at other imprints and companies) is the only outfit currently publishing (finite) serialized fiction today. If Charles Dickens were alive today, he’d be doing a comic for Vertigo.

–Cliffy

P.S. Check out Grant Morrison’s The Invisibles and Garth Ennis’ Preacher for wildly different stories told in the same format.

I’ve never read the Sandman series, but if you like Neil Gaiman, I’ve recently read a couple books he’s written. One is called Neverwhere, a fantasy involving a different kind of London Underground and Good Omens, a comedy reminisent of Douglas Adams about the end of the world. I recommend both of them.

American Gods**, his latest, is also extremely good. It deals with the sort of story lien you’d expect from reading the Sandman comics.

The co-author for that was Terry Pratchett of Discworld fame. Crawly/Crowley is one of my favorite imaginary people ever.

And I just adore the Sandman series. Mmmmm… Morpheus…

I loved Gaiman’s Sandman. I never liked comic books -at all- until my husband (comic book fanatic that he is) got me reading that series, and I’m hooked enough that I kept on through ‘The Dreaming’ even though it wasn’t nearly as good as Sandman. I want to read the series on Lucifer, too – the better half is going to get onto that for me and see what he can get.

BTW, I’m in the middle of American Gods as we speak.

My favorite short story, Murder Mysteries, is by Gaiman. I’ve read Neverwhere, too, and also am in the middle (okay, beginning) of American Gods. Great stuff, all of it.

I’d like to express my love for Sandman as well. That’s what got me drawing comics.

I was never into comics until I read the Sandman series. Really great stuff. I love Neverwhere & American Gods too. (Pratchett is one of my favorites too.)

I was reading the Sandman when it first came out. About the time the Dolls House ended I moved out of the country and sadly sold all my near mint signed copies for face value. I’ll never forgive myself. Gaiman was in my opinion the most powerful comic writer of the '90s.

I have to jump in on this thread. Sandman was a great journey: magnificent stories, great literary references, wonderful art, insightful and even cathartic.

I had been into comics since about 10 years old when it started coming out, and the only thing that was even remotely like it was some of the Alan Moore and Frank Miller stuff from the 80’s.

He’s got a new one called American Gods about a war between traditional Gods (Odin, Thor) and modern American Gods (Media, Goddess of TV) that is utterly wonderful.

Fenris

I am following my fishie!

Wasn’t your fishie once the borgtahl Rantipol? A exceptionally concientious nightmare?

And have you found Barnabas yet?

Fenris, overworking the reference.

I enjoyed Sandman a lot - so much that it has really annoyed me to see Vertigo hacking off bits of the corpse to make money off of. The last two major storylines, The Kindly Ones and Brief Lives I thought were not up to the usual standard - Brief Lives seemed to go on forever for the little that it ultimately accomplished. Same with the Kindly Ones, which took an excruciating long time to do something we all knew was going to happen by issue two. But that aside, nothing can touch Seasons of Mists or most of the short stories.

Great to know that there are many other Gaiman fans out there!
A Q: is his surname pronounced ‘Gay’ or ‘Guy’ - mun?

I’m personally hoping that it is the former as I’ve had it with people misinterpreting my enthusiasm for said author for a particular singer instead.

Has anyone else read a short story of his which was inspired by The Matrix? I’ve a print out of it but no title… anyone got a clue?

Where do I begin?

Like many others, I never paid much attention to comics once I became an adult. But back in the mid-1980s, a friend convinced me to read Mike Grell’s Jon Sable, Freelance. I was hooked on the art and the stories–these were unlike any comics I had read before. I made my way through the series, until Grell stopped illustrating.

I didn’t pick up any comics after that for a while. Nothing really interested me–far too many over-muscled superheroes in tights inhabiting convoluted “universes,” which weren’t exactly what I wanted. I’m sure there were interesting adventure stories or mysteries or suspense tales somewhere on the shelves, but I couldn’t find them. Maybe I didn’t look hard enough, and besides, I had far too many other things to read.

Not until the late 90s when a co-worker and I were discussing comics. (Only he called them graphic novels, a term I had only heard once or twice.) I was mentioning how much I enjoyed Sable and Grell’s art, and wishing that there was something good out there in comic–er, graphic novel–format.

The next day, he brought me a pile of Sandmans, and suggested I begin with “The Sound of Her Wings.” I did, and then started in on the “Doll’s House” story arc. From there, I went on to the other arcs that he loaned me, all in order.

For the next three weeks, except for going to work, I did nothing but read Sandman. I had never read–hell, I never experienced–anything like it before. Here were references to the myths and tales I had learned in life, here were references to everything from Shakespeare to the old DC comics I knew from my own childhood. And here was a family at the centre of the stories; a family of beings who are above gods, yet are so distinctly human that you cannot help but feel that you know them intimately. And you get caught up in the stories of their doings.

But equally impressive was the crafting of the stories and the tale that all of them tell together. Gaiman did beautifully here, bringing all the different elements from all the arcs together in “The Kindly Ones,” and leaving us with an ending that was at once both what we all knew would happen, yet was unexpected when it did.

I did manage to obtain the entire set of novels, most notably through the efforts of my wife, who, after hearing so much about them, made me a gift of the series. And now she is working her way through them herself, and discovering the magic that I did.

Ah, but I’ve gone on long enough. “We must speak of other matters…”

I’m not big on comic books, but I’ve made some exceptions for works like Watchmen and The Dark Knight Returns.

Gaiman is pure genius. I have all of the Sandman novels, and when I was reading them for the first time, I was enjoying them a great deal. But when I got to “The Kindly Ones”, I finally saw that I was reading a masterpiece. It was a mild understatement by Spoons when he said that Gaiman brought everything together in that book. Seldom have I felt so savagely jealous of another person’s writing ability.

Earlier posts have mentioned his prose novels Neverwhere and Good Omens (co-authored with Terry Pratchett), and they are definitely worth reading. But do try to get your hands on an anthology of his short stories called Smoke and Mirrors. Awesome, inventive stuff. After reading the piece called “Nicholas Was…”, I know I’ll never look at Santa Claus the same away again. And he does a similarly dark twist on the Snow White story in “Snow, Glass, Apples.” I highly recommend this anthology (which is available in paperback) if you’re into Gaiman.

Did you get the Neverwhere TV series over there in the USA?
Low budget 6-parter, quite enjoyable. Superb performance by Hywel Bennett as Mr Croup.

swish…rivet…splop!!! Bwahahaha!!!

Hey!!! just checked on the IMDB and there is a film listed as in production!!!

A couple of notes:

  1. Delerium’s fishy was not the bogiphal. The bogiphal was sent by the nemesis of Nuala’s brother (Tualan?)

  2. It’s Gay-mun, according to http://www.NeilGaiman.com, his official site (which is a real treat, with journal entries every few days).