New Connie Willis novel: Blackout

I finished All Clear last week.

Overall, I liked it, though I was pretty damn confused in the first few chapters, as my memory of Blackout was dim even though I’d only read it a few months ago. Still, it wasn’t her greatest book.

First off:

Eileen staying behind just didn’t ring true to me. Sure, she wanted to take care of Binnie and Alf. But did she have NO loved ones in her own time? I know she wasn’t married, but no parents/siblings/boyfriends? And even if she didn’t, the whole decision to stay in the disease-ridden technology-challenged past, in a country recovering from a way where she knew it was going to be a challenge to make a living just seems unbelievable.

And a question:

How’d Sir Godfrey figure out they were time-travelers? I could sorta see Binnie and Alf figuring out that something was going on, but they were around Eileen and Polly and Mike WAY more than Sir Godfrey was. I have a feeling I missed something or am forgetting something here. Anyone?

But

[spoiler]He only started looking like Eileen when he got older? Because Eileen knew him in Oxford; people do change between 17 and 27 but not that much.

Also, wouldn’t Colin know the name of his ancestors? 120 years, that would be a great-grandparent. 50% odds that GGP would have the last name of one of his grandparents, and in 2060 you don’t know the name of your grandparents? A budding historian wouldn’t know who his GGPs were?[/spoiler]

None of the grad students seem to miss anybody in particular back in 2060, except that they worry about that student who was supposed to be sent to Singapore. It’s like they’re all orphans with no friends outside the Oxford history department.

He didn’t know she married the vicar. Eileen is a common name - she had a different last name as far as he knew her. Goode. I dunno, I didn’t think it was necessary. Some people do look a lot different as they lose their puppyfat, though. Plus, it’s not like the last time they saw him anybody knew she’d be having any kids back in the past - they weren’t looking for it.

Yeah, that really bugged me - come on, there are bombs falling all around you and you don’t miss your mom? You don’t think about your grandma’s stories of before they got matter replicators or whatever and they had to (fill in the blank)? None of you has a significant other, a sibling, a pet?

I just finished it last night. I’m still not clear on why Mary’s friends were calling her Douglas at Trafalgar square. Is that a motorcycle nickname?

Having two different barmaids named Daphne was confusing.

My turn to say I just finished it.

Willis has never written such flat-out stupid characters before.

Obviously, she didn’t know whether it was a tragedy or comedy, and the plot, the characters, and the story all suffer for it. Look, Connie, you can write a great tragedy (Doomsday Book) or a great comedy (To Say Nothing of the Dog), but these books didn’t know what the hell they were.

The library can keep this matched set of spider-squashers; I won’t be buying them.

P.S. Helena, yes, Douglas was a British manufacturer of motorcycles, and I also was waiting for the explication on how the second Daphne was the same person as the first.

Just finished All Clear last night. Overall, this wasn’t the best Connie Willis story I’ve ever read. Could have used some stern editing. I’d give it 3.5 out of 5 TARDISes (or DeLoreans, if you prefer). I liked the ideas she explored about her time travelers going back further than they have traveled before and coming up against “deadlines.” I’m a little less interested in the idea of the space-time continuum as a semi-sentient entity… maybe the characters are just anthropomorphizing it though.

I have to agree with the comments that Oxford’s history/time travel department seems to be incredibly poorly funded. While it’s sort of amusing that Wardrobe can’t produce good clothes, it’s not really believable, especially when anyone is time traveling to an era with good photos or paintings to use. Nor is the idea that there are only two people in the whole of Britain who can program drops. I do like the idea that they really don’t know everything about how the time travel works, but have been using the hell out of it anyway. That’s a pretty believable concept.

That was explored, in passing, in To Say Nothing of the Dog. The idea was that historians could not visit a time they had already been to. That would seem to me to automatically prevent a drop if they would not be recovered before the deadline of an earlier (historian)/ later (real time) visit. Which really adds to the stupidity quotient, in my opinion. If Polly was going to be in the same time twice, the drop wouldn’t have worked. Period.

In both of the earlier books, the technicians and wardrobe are harried and overworked. But so are the historians. This is the first of the three in which there are historians to spare, but there are still no more techs and wardrobe than when Dunworthy had a full head of hair.

I’m waiting until both books are out in paperback, so I’ve been avoiding spoilers. However, I seem to remember that time travelers couldn’t wear modern clothing designed to be period correct. They had to wear actual old clothing.

Thank you for clearing this up…for some reason, I thought they were the same Daphne and was very confused.

Interested to see where Willis goes with this theory of the time-space continuum disintegrating/being affected by travelers.

I just finished it, and I also found the end too subtle for me - although I’m sure others are quicker on the uptake. Colin is Eileen’s descendant? And he must be looking more like Eileen as he ages? I guess I understand why no one caught it in Oxford. Even with time travel I wouldn’t think the person I was talking to could be my great-great grandson or something. I do like her books!

I just finished the pair of books. I really enjoyed the great period details about what it was like to be in England during WWII. It felt like Willis got so many things about that era right.

However, I found the sections (and the interior thinking) about 2060 to be woefully under-detailed. I did not believe that any of the historians had liven in any time except the 1940s and possibly our own era. Obviously they also had no other friends, family, or memories of 2060, either.

Also, why was technology totally absent from the future, except for the time machine?

[spoiler]No one could get a hold of Mr. Dunworthy because he was off at a meeting? Seriously? What are that chances that would happen in 2011, even? I was expecting his unhelpful assistant to end up being a computer avatar - but no - it was just another inept difficult human. Apparently humans become pretty passive and skittish by 2060.

And technology plays no part in their future lives, except for teeny tiny fact implants that must be 500K or less. Even the language implants wear off, as it did for Mike. If I was going to be transported back to the middle of a warzone, I would want to know every bomb hit for the entire war, have a complete map, and an internal compass/location device. Imagine the amount of plot points that would have cleared up. They could have just implanted it to look like shrapnel on an xray.[/spoiler]

Yeah, Connie Willis’s comedy, and much of her plotting, depends on confusion and lack of communication. (Also a frustrating administration.) Therefore she had to ban cellphones specifically, and apparently a lot of other technology, from her future.

I really, really enjoyed her evocative picture of life in Britain at the time, but her plot… There were at least three points where Character A hides information from Character B ‘to spare them’ only, of course, to have Character B not knowing that info create major difficulties.

I’m sorry, falling back on the same tired trope three time was lame.

The 2011 Hugo Award nominations have been announced, and Blackout/All Clear have been nominated for Best Novel - apparently as a single book. It’s also up for a Nebula Award.

The only other nominee I’ve read is Lois McMaster Bujold’s novel, Cryoburn. I liked it pretty well, but I didn’t think it was one of her best.

I don’t want to hijack the thread, but The Dervish House by Ian McDonald is excellent - probably my favourite of the year. And it’s just won the BSFA (British SF Association) best novel award.

Hmm, maybe the competition will be stiff. I’ve heard good things about The Hundred Thousand Kingdoms, too.

loved the books. there were some times i wanted to knock some heads together, but all in all, almost on par with doomsday book. one thing that i haven’t been able to get, though, even in rereading some areas of the book…

SPOILER:

how did colin figure out where to find mike? does it ever explain that? or are we just to assume that he found out something in the course of studying fortitude south?

Oh, her.

I am still pissed that I wasted good money on “The Doomsday Book,” which I bought in an airport when I was bored, because of all the awards it won.

Here’s the angry review I wrote for Amazon a few years ago. Please tell me where I’m wrong.

Spoilers, I guess, but it was spoiled when I found it.


I grew up loving science fiction, but I haven’t read much for years. When I was casting around looking for a book, I saw that this had won the Hugo and Nebula. I immediately thought of Heinlein, Asimov, or Bujold, and settled down for an enjoyable read. What a huge disappointment.

How could this book have won second prize at a local aspiring authors’ club? There is barely enough action for a short story, and it is wretchedly handled. To give an obvious example, the basis of the story is that they have time travel. TIME TRAVEL, for God’s sake! What could be more exciting?

According to this book, watching paint dry could be more exciting. Nobody cares about it, other than incompetent administrators fighting turf battles at universities.

I said it’s been a while since I’ve read sci fi, but I do remember that the point of it is to imagine how new technology would affect society. Well, what if we had a time machine? OBVIOUSLY, it would be the biggest thing in the world. It would be controlled by the government, to prevent sabotage from the past. It would be guarded like Fort Knox. The general public would be fascinated by the possibilities, historians would be lined up for miles trying to get a slot, and religious people would do anything to get a chance to prove their faith to be true. Criminals would want to escape into the past, or maybe dominate it with their superior scientific knowledge. Lots of people would want to go back and tell their fathers to buy IBM in 1960, or to sell everything in 2007.

Nothing like this happens. The machine is apparently just a device in a lab, without a single guard. The “security” is provided by the guy who watches the front gate for the entire campus. The technicians are few, incompetent, and avoid answering their phone when needed (and there are apparently no cell phones or answering machines in the future). Although there is no mention of any technical reason why trips couldn’t be made every day, they apparently go weeks without any activity, and one of the characters spends the first third of the book complaining that even that was too rushed. When they finally do send someone back, NOBODY BOTHERS TO FIND OUT IF IT WORKED. They just send her back and leave one tech with the machine, and when he suddenly gets ill, that’s the end of the follow-up. Only one other person even tries to ask him what happened with the, you know, TIME TRAVEL. The man in charge of the machine is so incompetent that he refuses to check on it, and finally simply unplugs it just to get the other guy out of his hair, not realizing that he has stranded the traveler. Oh yeah, and the person who was sent back is just an eager student, who apparently had no competition for the honor.

The action takes place at Christmas time, and there are all sorts of religious people around, from horrible Bible thumpers, to well-meaning bell ringers. You would think that one of them would have some interest in going back to see the birth or death of Jesus, or even a period church. Nope - the time machine doesn’t interest them at all. In fact, the only notice the general public takes is a few kooks who want to shut it down.

Even the hero, such as he is, is a boob. When he finally tries to rescue the first traveler, he decides to go back himself, even though he just left the hospital against medical orders, and can barely walk. A strong young man offers to go back with him to help him, and he refuses the help — he doesn’t want to endanger him. Well, OK, but are you telling me that the only two possibilities were sending a semi-invalid by himself, and sending a semi-invalid with an untrained minor? Are you telling me that there was nobody else on campus who was healthy and intelligent and wanted to travel in time? Are you telling me that the beautiful, intelligent Kirvin didn’t have a boyfriend? Are you telling me that they couldn’t call somebody, somewhere, and say we have an emergency with our, you know, TIME MACHINE, can you please give me a cop or a soldier or SOMEBODY that will help ensure that as soon as we send this doddering old fool back to the dead of winter in the 14th century with no tools or weapons or transportation or even warm clothes, he doesn’t just stumble a couple hundred yards and then freeze to death???

The book is very light on the technical aspects of time travel, but what little there is makes no sense. The (single) tech does his calculations, making careful measurements and placement of the traveler, but then a second person jumps into the field without warning, just as the machine is activated, and the transfer works perfectly.

We are told that the machine magically prevents anything from going through that could change the past. How this can be done without the travelers losing Free Will is beyond me, but OK, presumably that is why they have to make sure there are no zippers on their clothes and the like. Except that the guy that jumped into the field without warning brought his flashlight back to the 14th century, and it worked just fine. So did his GPS locator, which the boob of a hero never thought to bring on his rescue mission. He OBVIOUSLY would have stumbled around the woods and froze to death if he had gone alone, as he wanted to.

You think I’m spoiling it? There is nothing to spoil. What little good there is about this book all takes place in the 14th century, so I won’t say much about that, except that I hope you like Waiting For Godot. Some people write about the painstaking research, although the author apparently doesn’t know which century Joan of Arc lived in. Some people say they cried. How hard is it to make you cry when writing about cute little girls (with puppies, no less) in the time of the Black Death?

In short, I don’t really think there is anything to recommend about this book, but if there were, it would be as historical fiction, not science fiction. If the entire modern story were eliminated, and the 14th-century story were chopped by about 80%, it might have made a decent short story.

Can modern sci fi really be so bad that this book won the Hugo and Nebula? God save me from whatever finished second.

Well, there was a perfectly good reason he could travel back with all that modern stuff to rescue Kivrin. But mostly all I have to say is that it wasn’t about all that.