According to the Family Guy wiki, his full name is Jonathan Oppenheimer Herbert, which might be a reference to J. Robert Oppenheimer if you accept the similarity of the names Herbert and Robert.
Mr. Herbert is a parody of the name of the main character in Lolita , Humbert Humbert.
As a big fan of Nabokov and McFarlane, I don’t see this at all.
If they were going for this connection, I think he’d be named Herbert Herbert.
How the fuck is Rocky Balboa a heavyweight?? His bones must be made of steel.
Well, according to Google, he weighs 185 lbs. Heavyweights are 200+ , so it’s not unreasonable. He could have been a little heavier when shooting the film, or, they say, the camera adds a few pounds to your image.
Rocky Balboa is also a lot taller than Sylvester Stallone.
And he’s also not a real person.
Or are you just yankin’ my chain?
I think the point is that Balboa and Stallone have the same proportions, but Balboa is taller, and therefore larger in girth as well, and so would be heavier.
Whether they actually used any camera tricks to make him look taller, I don’t know.
Also according to Google, he only weighed 178 pounds while filming Rocky. He apparently did bulk up to 200 pounds for Rocky II, but was down to 163 pounds for Rocky III.
Multiple online sources put Carl Weathers’ weight at 220-225 pounds for Rocky and Rocky II, pretty much Apollo Creed’s in-universe weigh-in weight of 221 pounds.
I have no idea if they used any camera tricks to bulk up Rocky’s apparent weight, but the actors were clearly in different weight classes.
Of course, that also feeds into the whole “Rocky as hopeless underdog” trope…
In 1976, when the movie was made, the heavyweight division started at 175 pounds, so Stallone was three pounds over the minimum and fit into that weight class.
Note, too, that a boxer always was able to fight above his weight class. Henry Armstrong held world titles as a featherweight, welterweight, and lightweight simultaneously.
Rocky could compete as a heavyweight even if he was under the standard weight.
Hence the expression “punching above his weight,” n’est-ce pas?
A presumed typo by @Ann_Hedonia struck me with the similarity of Hooterville, the mythical setting of Green Acres and Petticoat Junction and Hooverville, a shantytown built by people left homeless by the Great Depression.
When Homer is on the phone and says “You’ll have to speak up, I’m wearing a towel” he is getting confused with women in old TV show’s answering the phone with a towel on their HEAD over their ears.
It’s not just some random comment.
Endless Love is a 1981 film which was part of a series of films loosely based upon Hollywood Producer’s desire to see Brooke Shields have sex before the age of 16.
It was a different age. Go see Pretty Baby if you don’t think this was a thing.
Anyway, EL is about obsessive relationships, the most obvious being between Brooke and her boyfriend, but Brooke’s mom had the hots for Brooke’s boyfriend (and, in one creepy scene, lovingly watches her 15yo daughter get railed by this guy), etc.
Weird movie.
Anyway, so there was a song. You may have heard it, same name as the movie, was a monster hit in the day, featuring Diana Ross and Lionel Richie in a duet. #1 for like 9 weeks, it only lost out on being the biggest song of the year because of Kim Carnes and Betty Davis Eyes.
Song begins, Lionel sings. Then Diana enters, her first three lines being:
My first love
You’re every breath that I take
Your every step I make
:record scratching to a halt noise:
Wait. That sounds fucking familiar. Let me research… 
So, two years later, another song about obsessive relationships comes out. It, too, shoots to #1, this time not having to fight off Kim Carnes ending up the #1 song of 1983. And the first two lines?
Every breath you take
Every move you make
Fucking Sting, stealing Lionel Richie lyrics. WTF?
If Sting stole them, then he stole them from a thief.
(lyrics by Carole King and Gerry Goffin)
In Raiders of the Lost Ark, after the Nazis stop Katanga’s ship and take the Ark, how do they get it on board their submarine? There’s a shot of them using a small hoist to lift it over the edge of the ship (presumably down to their rowboat), but then what? There’s no hoist on the submarine to lift the Ark out of the rowboat. And even if they could get it on to the deck of the submarine, the crate containing the Ark is bigger than any of the hatches in the submarine’s hull.
Oh, and the sailor who sees Indy climbing aboard the submarine and points him out to Katanga was also Chocolate Mousse in Top Secret.
Probably the same way the Venture brought King Kong back to New York.
Maybe they took it out of the crate? The Ark itself isn’t that big, can be lifted by two people, and the poles are detachable. Just tie it up to keep it from opening, manhandle it out of the rowboat and shove it down the hatch.
The crate had similar poles on it:
Between them lifting the ark out of the crate, and Indy palming the solid gold idol at the beginning of the film, it appears that gold in this universe weighs about as much as aluminum, so it wouldn’t be that hard to tie a rope around the crate and just brute-fore haul it up the side of the submarine.
Your image supports my theory - that’s not the same crate as the one on the freighter. The original crate had the swastika burned off.
Also, there’s such a thing as gold leaf.
I think it’s the same crate - the photo is from the dig site in Egypt, right after they found the Ark. The swastika burned off when the Ark was in the hold of the freighter.