My ranking, and why:
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Kill Bill vol. 1 - The hyperobsessive attention to detail just astounds me. The ability to get a story about an 11yo girl who turned into a pre-teen prostitute so she could kill her parent’s murderer (while having sex with him) past American censors was astonishing. KB was a muscle flex like few films ever, and I was completely gobsmacked at the ending’s reveal. That, alone, made chopping this film in 2 perfectly fine with me.
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Pulp Fiction. Of course. Had not KB vol 1 hit me in that special zone, this is the obvious #1.
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Once Upon a Time in Hollywood. I was barely married when PF came out. I took my daughter to this one. A special memory which enhances this film every time I see it.
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Death Proof. By far, by far, the most enjoyable opening-night screening of any movie I have ever attended. The midnight crowd was drunk, in a great mood, and willing to go along for the ride. Yes, in many ways this can be seen as his worst movie, but fuck it - you had to be there.
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Kill Bill vol. 2. Funny and poignant, just going to say that the final shot of BB and Beatrice… as the then-father of a girl a little younger than that… fucking slayed me. I get that the KB films are noted for their visual acumen, but he really pinpointed some emotional nuance in these films.
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Jackie Brown. It’s a love letter to Pam Grier, done via an Elmore Leonard adaptation. Who has a problem with that? Also, Robert de Niro is actually funny in this movie, unlike 96% of his post-2000 ‘comedies’.
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Inglorious Basterds. I kinda feel like the king in Amadeus - too many notes (words). On the other hand, can rank fourth on days that I’m feeling it for this movie.
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Django Unchained. Saw it twice, it’s a fine movie with some great performances, just kinda doesn’t do it for me.
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Reservoir Dogs. Good film, just have seen it sooooooooooooo manyyyyy tiiiimes.
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The Hateful Eight. His only failure. You people ranking it #1 because he put a SuperCinemaScope (or whatever) camera inside a soundstage are freakin’ crazy. Bonkers script, revealing an entire cast of characters to whom I didn’t care if they lived or died. And when they died, I didn’t cheer. Well, you can’t win them all, Quentin.
(And I tried seeing the extended version of it, as well as the serialized version of H8, on Netflix. Nope, still a failure.)