My real intro to PF was DSotM, and it blew me away on first listening. I’d heard Another Brick in the Wall on the radio years before, kind of liked it, and then of course I’d heard some of the single tracks from DSotM (Money is the only one the readily springs to mind, and, as a standalone, is underwhelming, IMO) and WYWH.
No, it was DSotM that I listened to beginning-to-end and said, “WTF?! Where has this been all my life?” I was 15. From there, it was on to The Wall, and then Wish You Were Here, and Animals. It’s taken me a while to warm to * Animals*, but I eventually did, and it sees regular play in my music rotation.
The Final Cut was just around the corner but not out yet; when I got around to it, I thought it was fine, but more like an afterthought of The Wall. Looking back, I think that was unfair; considering the Falklands Conflict and Waters’ issues with war and such, it was an understandable effort that I was too young and callow to understand. I get it now. Still, Two Suns in the Sunset resonated powerfully with me, what with The Day After and Threads haunting my dreams.
So then we backtracked to some pre-DSotM stuff, and again, I was, “WTF?! Is this even the same band?! Someone get me some acid so I can even begin to understand this stuff!”
A Momentary Lapse of Reason and The Division Bell…don’t get me wrong, I love 'em to death, play 'em lots, but there’s something lacking in them. They’re fine (excellent!) Gilmour vehicles, but they’re just not quite PF.
Which is kind of odd, because Delicate Sound of Thunder is, to me PF. Maybe it’s the live sound.
But the pre-DSotM stuff still doesn’t appeal to me.