Most of us are probably familiar with the childhood taunting melody used by unpleasant children everywhere for delivering such messages as “nanny nanny nanny!” or “Kevin’s i-in trou-ble!” or the like.
Two notes, then a third down, then a fourth up, then down to the original note (most strongly emphasized), then a third down again.
Has there been any research into the geographical/social extent of this melody’s use for taunting purposes and where it might have originally come from?
Yes, I suppose it is. :smack: Oddly, though, when I look at the Wikipedia article about Ring Around the Rosie, the 1898 score they display has four variants, none of which are the Ring around the Rosie/taunting song I’m familiar with. So I suppose that variant must have emerged at some point.
And it’s really fun to play on trumpet with each trumpet playing it a half step off. Or better yet, a off by a tritone (which I just played on my keyboard.)
Nanny, nanny, nanny-goat!
Cannot catch a billy-goat!
I’ll venture to say that a billy-goat was seen as stronger/more powerful than a nanny-goat, so tha ‘Nanny, nanny, nanny!’ is calling someone a weakling.
My brilliant musical husband has pointed out that the minor third interval found in this chant is very common in children’s music / chant; it seems to resonate with the wee brains.
There are several songs that use it: ‘Ring Around the Rosie’, as mentioned; there’s a play-song call-and-response that includes the line “Wolf, are you there?” that some may be familiar with; ‘This Old Man’; I’m sure there are more.
Another vote for “Nya nya” with the /ah/ sounding like in “ant”. It weirds me out to hear people say it with an r. It’s irritating because they’re saying it wrong!
It’s like there’s a whole hidden world out there. Other than “neener neener” (and never with a third neener or any differentiation in the how the two are pronounced) I’ve never heard any of the things mentioned in this thread.
I remember that Leonard Bernstein dealt with this question in one of his lectures on music. Unfortunately, it’s been a good 30 years since I saw that lecture, so my grasp of the detail of his explanation is somewhat spotty. But what I do recall seems to follow drpepper’s brilliant musical husband’s idea, that minor descending thirds is so basic in some way that it is appealing to small children.
Roddy