Orwell SUCKS!

I used to think George Orwell (Animal, 1984) was a genius. The further I get reading his stuff though, the more I come to think that his skill was absolute genius in the service of bitter obstinate obnoxious assininity.

He has this frightening tendency to wave his hands and condemn everyone equally. Which he does. A lot. he hates Capitalism, he hates Communism, he hates Religion, he hates Fascism. He hates Russia, he hates Germany, he hates the U.S.A. He hates the English language. Apparently he dislikes England too, but as he must live there confines this to a general distaste for everything. Seriously? What was this guy’s problem? Terminal depression? Just plain bad attitude? Supposedly, he was a Socialist (post Spanish Civil War when he left the COmmunists), but at no point have I ever heard him argue for it in any sensible fashion. Instead, he seems to just bitterly resent the fact that no one really gave a shit what he thought, and became increasingly cranky over it.

I particulary “enjoyed” (read: found annoying) his pathetic and ill-informed hack job on both politics and the English language in, well, “Politics and the English Language.” Making sweeping statements about what a terrible state the English language is (because it no previous term existed for what it talks about, or because it uses an expressive, emotional, but anachronistic word to convey meaning), he then goes on to blah blah blah about how this means every argument offered by any political party on anything is just a euphemistic lie.

Well fuck you with a rubber hose, too, bitch. I don’t think the Democrats are always wrong or lying. I think they are wrong, but hardly about everything, and as often as not it’s a matter of different values which I don’t share. Heck, I can’t even honestly say the Nazis or Soviets were always wrong or always lying. Just usually.

I wish this guy was still alive so I could send him an email asking whether he thought 1984’s Newspeak was a good idea, because that seems to be what he’s pushing here. :rolleyes:

Honestly, he strikes me as a wordsmith who stayed at his practice so long and became so bitter that he started focusing all his rage on the words themselves. He moronically attacks some metaphors (but not others, in a display or arbitraryiness rarely equalled in monarchical stupidity)… for not being expressive enough. I’m sorry Mr. Orwell, but the phrase toe the line is incredible expressive and amply puts its point across.

And yes, probably some speakers do use longer forms when they’re not necessary. Unfortunately, Orwell can’t even get this right. He harps on the cirumlocutions themselves (“exhibit a tendency to”) rather than bad usage thereof. Longer forms can mean something - or not. It’s all in the hands of of the writer. Would this cock-nogging limey verb-flayer honestly argue that, say, the entirey of the 19th century was a litary wasteland? Probably not. He’s just bitter because his stark style doesn’t appeal to everyone.

And he whines about “pretentious dictation,” somehow missing that what is pretentious in a bad writer’s hands is precisely what makes things great in a skilled writer’s. A great painter and a bad one use the same pallette of colors. The irony is that according to his standards, the “good” English (expressive and powerful) is quite atrocious. I think he fails to see this because he doesn’t want to see it. That is, he compares "I returned and saw under the sun, that the race is not to the swift, nor the battle to the strong, neither yet bread to the wise, nor yet riches to men of understanding, nor yet favour to men of skill; but time and chance happeneth to them all. " to a bad “translation.” Except that the anacronisms and phrasing are quite doubleplusungood according to the same fucking criteria he vomited over the page just above it!

He also fails to pass the “half-way” intelligent test when he, after having pushed strict accuracy, gets annoyed by people talking in long complicated words to be more accurate. Yes, “I think” does technically mean the same as “In my opinion it is not an unjustifiable assumption that”. Ecept that the latter is being definitively clear that this is an opinion, and emphisizing its tentative nature. Which is sometimes important.

And yes, this entire rant has been written in a style which, I should think, would utterly infuriate the rotten bastard. I wonder, (and this is not an attack, just speciulation) if part of him really did love the power of Totalitarianism. He would not have been the first literary type to admire regimes which were not half-ashamed of themselves as democracies always appear to be. Meanwhile, Hitler and Stalin quite unapologetically (but hypcritically) worked quasi-poetry into their messages. They had the great advantage of not having opposition.

You would do well to change this to:

Orwell’s writing is distasteful.

Never use a metaphor, simile, or other figure of speech which you are used to seeing in print.

I am going to work now so have not much time to reply.

“He’s just bitter because his stark style doesn’t appeal to everyone.”

Animal Farm and 1984 are two of the most successful books of the 20th C in terms of sales and critical reaction.
Both books have sold over 10 million copies world-wide

That was kinda my point. His books are popular. His style, however, is not universal. Which seems to be what pissed him off. If he were going be annoyed by over-use of euphamism, it would be ones thing. But he winds up confusing a thing he doesn’t always do himself (talking straight) with some idealized Platonic language. We will never have the latter, and it’s often the mucky bits he claims to disdain that make a language interesting, or even usable.

I suggest moving this thread to CS. It is really a literary debate.

The tragic sense of life.

Consider that he was very much a realist and yet at bottom an optimist, in the sense of never giving up hope. From “Looking Back on the Spanish War”:

This was a man who knew much of bitterness, but not a bitter man.

More later. Orwell is my hero.

I was just discussing this the other day. While I can understand why some people enjoy/claim to enjoy his writing, I’ve disliked it from the first sentence. To me, it has about the same appeal as reading the diary of a depressed and angsty college student. Same basic points, but one has a plot.

Sorry if we were aiming for a more scholarly take on why Orwell is awful, but I’m trying to block out most Orwell-related memories.

IMHO, that sentence alone shows that Orwell was not terminally bitter, and was also a very good writer. And, furthermore, he was right. As in Correct, not Right.

I found him difficult to read - although I was pretty young when I read him - but his ideas were interesting.

Y’know Brainglutton, I just don’t think I can agree. He strikes me as a man who wanted to romanticize things but ultimately disliked humanity too much. He hated political coercion but seemed to hate the very human ability to choose itself. I found it amusing how he talked about all those who admired Fascism in that passage, glossing over his own support of its twin in Communism.

I recently re-read 1984. I found it shocking and not a little sickening that the most “human” character in it is O’Brien. Winston Smith is a degraded, sick little man, and comes to realize this himself toward the end of part 2. Julia is ultimately a shallow creature, and largely an object for Winston to lust over. O’Brien, however, is the man with no illusions - a man, if I may so say, a little like Orwell himself. Orwell in some ways put himself in the book as Smith. I think O’brien suits him better. O’Brien is after all, intelligent in an academic sense, far more clever in the human sense, tough, and with fewer illusions. He “believes” in Big Brother through the magic of Doublethink, while knowing there really isn’t even a man behind the curtain. He enjoys his power and position without shame. He is, in fact, the completly rational man in the story, who knows his own goals and interests and acts accordingly.

Orwell loved England, with full awareness of all its faults, which was unfashionable for a left-intellectual of the time. From “The Lion and the Unicorn: Socialism and the English Genius”:

Also from “TL&TUm” Part II, “Shopkeepers at War”:

This must have seemed a more persuasive argument in 1941 than now, but it is at any rate a sensible one.

What he actually meant by socialism can be discerned from Part III, “The English Revolution”:

Criticize the above as you will, you cannot say he is not arguing in a sensible fashion, and a very commonsensical fashion, too.

I think you and I hve a very different idea of “sensible.” I usually take it to mean, “not a wild flight of fancy that a the maddest schizophrenic would not, even with no conception of human reality or reason, leave it off as too silly to be contemplated within two paragraphs.”

Orwell’s views as expressed, and views far more extreme, were shared by a significant minority of British of his time, many of those highly educated. Few of them were mad schizophrenics. Orwell’s arguments are sensible even if you can find fault with his conclusions.

This started off as a Pitting of Orwell based on his general world-view and literary criticism, with no hint of politics as such. At this point, I’m am moved to doubt your intellectual honesty.

Hold on there – on the one hand, how Orwell interprets the facts he sees and what he deduces about the relative merit of “socialized” vs. “capitalistic” systems may have been wrong but they most certainly were not ideas “too silly even for a mad schizophrenic” in his historic context.

OTOH, in hindsight he DOES come off as embracing a naive romantic ideal, raging at how the world would rather do nothing about uplifting the downtrodden, and in a sense wondering if it is that language is being used to shape the debate so that the opposing ideas are not heard. He is specially vexed at the realization that the communists are just another bunch of power-seekers, who’d cynically use the true revolutionary workers as cannon fodder to gain power and then purge them. Even if it is not what he really feels, he can come across as frustrated that in the end there’s nobody he can follow.

Never had trouble with his writing style as such – in the case of his nonfiction, always bearing in mind the time and place, I felt it dated, very much of its time; but the novels worked.

And that is yet another turn of self-conflict: a man who aspires to the ideal of a socialized system AND opposes totalitarianism, comes out and writes two famous novels (1984 and Animal Farm) where the collectivized society degenerates into totalitarianism.
On the political side:

Orwell hates/fears totalitarianism, but apparently he fears that it’ll come because (a) democracies will fail to deliver the expected quality of life to the masses, and the masses will submit to a ruler who says if they can’t have a piece nobody will; or (b) because the masses will bow to a ruler that promises opression and meager rations rather than take chances on freedom but no guarantee of food. Yet, in his desire that the underclass be lifted up to appreciate freedom with dignity, he perceives that the man who has to scrape for his very subsistence is in no position to enjoy that uplift, and that those in the circles of political, economic and social power indeed have a stake in heeping the underclass down, so his plan is enforcing a social uniformity so as to smash the overclass/underclass divide, that happens to result in fewer degrees of freedom for the individual. In historic context it does not surprise me: many people who lived through the Depression and World Wars felt that way.

If you think he’s critical in 1984 and Animal Farm I suggest you don’t read The Road to Wigan Pier.

Or, Down and Out in Paris and London.

Or, Everyone in the World Sucks Balls. Talk about bitter.

Which, by coincidence, I happen to be reading right now.

It’s quite interesting, knowing the thinker and writer into which he developed, to read material from so early in his career (it’s the first thing Blair published under the Orwell name, I believe). The style is quite stark, matter-of-fact, coldly observational, but with an intelligence and perspective just barely perceptible in the background, a careful, focused mind making deliberate choices about detail and consciously sculpting his scenes. There is true art in that, real talent; he makes it look easy but it absolutely, absolutely is not. It reads as reportage, as simply relating what he sees, the shapes of objects and the smells of places and the behavior of people, but it’s all so beautifully, beautifully done that the artistry almost disappears.

His sky-high reputation is not an accident. The man was a giant.

Errr, Sorry…I was looking for the BBQ pit. I seem to have stumbled in here by mistake !

Wow, that’s very big of you. You claim to understand, while at the same time implying that people who say they like Orwell might just be liars who only claim to enjoy it. Do you seriously think that people say they like Orwell merely to be contrary, or to impress you, or something?

Anyway.

I love Orwell. I find him, by turns, exhilarating, infuriating, inspiring, depressing, cogent, confused, brilliant, obtuse. And i love him despite, and because of, his multitude of contradictions.

For me, one of his two most famous works, Animal Farm is actually his least interesting and enjoyable. Despite its popularity, especially among Cold Warriors seeking every possible weapon in their ideological battle against the Soviet Union, i think Animal Farm is actually a rather simplistic and trite political satire.

Orwell’s other famous work, 1984, is excellent, but i think that many people in western societies have tended to see it as primarily a critique of totalitarian societies. Even while cultural references to Big Brother and Newspeak proliferate, many people still don’t really appreciate that Orwell was offering a critique of the way that thought control operates is our ostensibly free, democratic societies.

But leaving those two well-known works behind, i think that Orwell’s non-fiction works and his essays were really his greatest strength, even while demonstrating many of the contradictions that make him so frustrating at times.

Road to Wigan Pier and Down and Out in Paris and London are really interesting examples of investigative journalism-cum-anthropology, and display some of the best and worst characteristics of both. Orwell himself was, i think, eminently aware of his internal struggles about portraying the homeless and the working classes. He constantly displays empathy and egalitarianism, only to turn around a few pages later and unleash a stream of resolutely middle-class value judgment about his subjects. Despite the fact that it’s often overlooked or dismissed as literature, i think the novel Keep the Aspidistra Flying is a really nice little revelation of Orwell’s conflicted feelings about what it means to be middle class in England.

Similarly, he had much sympathy for socialist causes, while often having little time for socialists, deriding them as sandal-wearing vegetarians. And his appreciation for the variety and the idealism of the left was tempered by his frustration and hostility to its sectarianism and what he perceived as its self-righteousness. Homage to Catalonia really demonstrates some of his frustrations in these areas.

Whether you like his writing style is, obviously, as much an aesthetic matter as anything else. Personally, i think he was a writer best suited to the essay format. Some of his essays are masterworks of English prose. As with many overtly political writers, i think it’s probably easier to appreciate Orwell, and to forgive his inconsistencies and his excesses, if you agree with his politics. I completely understand why some people can’t stand him, but i remain convinced that he was one of the best and most important writers of the twentieth century.