I’m mulling over the possibility of devoting some time this weekend to the preparation of a reality show (the on-camera side, not the technical side). Some of my co-workers are also invited to participate in this.
One of them tells me that her uncle works in the television field, and that, according to him, work rules require that we be remunerated by the production company. Other scuttlebutt around the office has tended to suggest that reality shows are not necessarily bound by the same requirements and regulations that apply to more conventional productions (if it’s proper in this day to speak of a reality show somehow not being a conventional production).
Are there any Dopers in the field, who can shed some light on what are the fixed expenses of a television production company, and what portion of those might be mandated to go to a non-showbiz schlub who gives up his weekend for the opportunity to be on TV?
If I want to be on television and not get paid for it, I can move across the street from a creepy loner and tell the cameras how quiet he always seemed while the cops are digging up unspeakable horrors from his back yard.
Thanks for any responses. If this post seems too coy to elicit a reliable answer, please say so, and I’ll see what other information I can provide.
Careful what you wish for, Otto. If they think I’m going to do this for a box lunch and a two-day all-access pass to the craft services table, my report might look like:
Saturday: Napped, surfed the internet, played Inspector Parker on line. High score, 185,003.
Sunday: Attended church. Swept up the meeting hall. Came home and did laundry. Grilled cheeseburgers.
I guess I’ll use this post to bump the thread back to page one, and also provide an update of sorts.
First, it appears that our participation will be requested for something other than this Saturday and Sunday. Tentatively, we’re being rescheduled for May 2 and 3 (although how they think our bosses are going to respond to losing us on a Friday has not been addressed).
I have also taken some time today to obtain a hard copy of the Appearance Release, which everyone who applied for this event filled in and signed. It looks kind of boilerplate. Here are some of the salient portions:
Okay, I was naive to sign all that without fully understanding it. That’s water under the bridge. Perusing it more carefully, I confess to some concerns, to wit: Paragraph One. Can I be said to have actually received good and valuable consideration from (Producer) and (Company), merely by having acknowledged its receipt? Because the only thing I got that could be construed as good and valuable consideration is my soul stolen, in return for a vague promise that I might get to be on the teevee.
In the final paragraph, the Value Received clause, the first sentence is clearly conditional. The last sentence does not appear to be so; however I have not yet been presented with an IRS Form W-9.
Am I likely to be presented with an IRS Form W-9 when (if) I turn up for the next phase of the production? If so, I am considering asking for something to sign that more explicitly spells out what I’m getting in return for my time and effort, beyond the chance to come within cologne-sniffing distance of an honest-to-Og celebrity. Is this more likely to be good, assertive strategy, or a request for a one-way ticket to Home-Viewer Land?
Okay the proofread looks okay; I’ll post this. Any answers will be deeply appreciated. I’d also value any opinions to the effect of whether this might be a better-responded to thread in CS.
Your description sounds like your place of business is being set up to be a venue for an event that will take place in a reality show, not that you’re going to participate in the show itself as a contestant. Like one of the local greeters from The Amazing Race, or the clerk at the store where the designers buy last-minute supplies on Trading Spaces. I doubt you’ll get anything in the way of compensation and if so it wouldn’t be any more than scale for a day of extra work. But that’s just my WAG.
Actually, I and four of my co-workers were selected by audition to attend a crash-course two-day session wherein we would be taught a song-and dance routine, to be performed before a studio audience, in competition against a similarly-selected team from a different company. Our team would be representing one of the two celebrity hosts on the show.
As it happens, I spoke with one of my fellow selectees this morning, who reported that she brought up the question of compensation yesterday with a representative of the (Producer). Evidently, our compensation is to be measured in units of “Fun.” I expect to be talking with him today, myself, and if he confirms that rate of pay, I’ll be declining to continue in the production.
Well, there will be payment (significantly less than scale, as it’s a non-union production), so I guess I’m in after all. However, the dates of the preparatory event have been changed again. Last week they notified us that they had lost the space for May 2 and 3, and that they have re-scheduled us for this weekend, April 26 and 27. Considering that three people had originally said that wouldn’t work, it’s surprising that the HR manager told me this morning that it’s a go.
I’m not sure what the time frame is for Sunday, but with any luck, we’ll be out in time for me to catch the tag end of the DopeFest in Costa Mesa.
BTW, if anyone wants to report this post to a mod and notify them that a switch to Cafe Society would be welcome, I’d be grateful.
Can you spill any details about the show? The name? The network? The celebrity hosts? Is one of them David Hasselhoff? Because if it’s David Hasselhoff I am so there.
I wonder how much the survivors make. So far they have given up 30 days of their lives in this competition. They must get something. Plus do they pay all the way down to the first out?
