Please, VOTE!! in the SDMB Short Fiction Contest, October 2011 Edition - Anthology Thread!

Short Story Grades
Introduction 30 pts – Does the story grab you from the beginning and make you want to read more?
Body 30 pts – Does the story keep your interest? Is it descriptive? Do the characters come alive or grow? Is there continuity and structure?
Conclusion 30 pts – Does the story have a satisfying ending?
Rating scale 10 pts – On a scale of 1 to 10, how much did I like the story.
Total 100

T-Shirt Junction:
Intro 30 – nice descriptive scene of waking up after a long night out. You absolutely made the reader want to know “what happened?” and keep reading.
Body 25 – very good dialogue, but I think some more character development could have helped. You tell us they got to learn more about each other, but we didn’t get to learn much about therm. Even a couple throw away lines would have made them more 3 dimensional, “…she was the optimistic only child of wealthy divorced cynics; he was the adventurous son of timid Presbyterians.” By the end of the story, I still don’t feel I know them.
Conclusion 30 – you wrapped it up nicely, and the magic of cotton became apparent.
Rating 8 – a really nice story, but wish I got knew more about the characters.
Total: 93

The Halloween Kegger
Intro 30 – a truly great opening sentence! You jumped right into the story and I wanted to read more!
Body 20 – despite the great opening, parts of the story seemed to drag. I would have preferred to see you keep up the witty inner-dialogue of the narrator, commenting on the series of events happening around him. Let the others be so stupid as to steal a keg and forget the tap. Your narrator would have been a perfect voice of snarky, sarcastic reason amongst this group of half-wits.
Conclusion 20 – seemed a bit of a letdown to go to all that work and then just toss the damned keg in a river – at least drop it from a cliff and watch it blow up, or have some idiot hammer a nail in it or something more grand as the finale.
Rating 7 – a truly great start, but a missed opportunity to keep that narrator as a funny, witty, teenaged observer of teenage stupidity.
Total: 77

Playing The Stump
Introduction 15 – sort of ho-hum. Didn’t really grab me and tell me much to get interested in what was about to happen.
Body 27 – this is where you start to get really good at descriptive use of words and imagery. I could see the location and I got to know about the shy boy and his crush on the girl he thought didn’t know he liked her. It was a sweet story, and although some more flirting would have been fun, you did a good job of creating mood and opportunity.
Conclusion 30 – you wrapped the story up beautifully. Let the dance begin.
Rating 8 – slow start, but once you got going, it grew on me.
Total 80

Boys Night Out
Introduction – 29 – and I know that seems odd to drop one point, but you were so close to having a really great intro, but I think you have about 14 words too many in that opening paragraph. Just the slightest tweaking here and there could have made this far creepier and scary.
Body -20 –this is where you sort of lost me. Suddenly you add two more characters. If the story is about all three, then maybe the opening should have been about all three doing whatever they did to cause this chain of events and the revert back to the individual back stories. I never felt like I got to know the real story of any one of them.
Conclusion – 28 – you wrapped up the concept nicely by showing them as a trio on a mission, and then sent them back stronger. Short, sweet and to the point.
Rating 7 – I only wish I had an idea of what the three did together that caused them have to go out together to “fix” this. Maybe I missed something, but it seemed like a chunk of the story was missing.
Total 84

Sparks
Intro -20 – I liked the idea of just jumping into the actual work that was being done but a few more words describing the surroundings of bleak desolation would have set the mood better.
Body – 18 – while I appreciate brevity, this was a tad too short to convey all that was happening up to that point. You missed the chance to really throw in some perspective on the power and worth of doing something as mundane (insane) as rebuilding a bank instead of a hospital or school or art museum or memorial.
Conclusion – 25 – this was actually a nice, melancholy ending expressing the futile nature of their task.
Rating 7 – I think I was short changed with the brevity of this story, and didn’t get to feel much about the characters and their horrific situation. It was a good draft of what could have been a great story.
Total 70

The History of a Tough Motherfucker (thank you Charles Bukowski)
Intro – 30 – nice job! You jumped right in there and we already learned about the characters and their surroundings and mental state. Not a wasted word in the first paragraph!
Body -25 – you kept the mood, and the characters became more real. I wish the philosophy student had been a bit more philosophical (as stoned people often get) and gone off on a more fanciful rant about money and capitalism and the evils of Twinkies or whatever. You got your point across but could have used his character to really turn this story psychedelic.
Conclusion -28 – a great throw- away line, showing your characters remained true to their character by not earning money to replace what was lost, but simply cheated their way through the rough patch! You might have added a line before or after it, just to solidify the characters – but not a deal breaker.
Rating 9 – this was a fun snapshot of two characters who were likeable, but not people I would want to have as neighbors. Still – I knew people like that when I was younger (although avoided them when possible).
Total 92

On My Way Home
Introduction – 20 – I can smell the sweat the cigar and that is good, but I don’t feel any urgency or get an idea what is in the head of the person relating the story. Nice descriptive use of words, but doesn’t make me lean forward to learn more yet.
Body – 28 – an excellent job of creating mood and describing the characters along this walk home. Not much happens, but the view along the way is quite vivid and keeps me interested as a first time observer of this neighborhood. I just wish there were perhaps a reason for the particular walk home – perhaps a lost job, or the beginning of a holiday season?
Conclusion – 30 – once again, great descriptive use of words and I could see her standing at the door. I too would have appreciated arriving home.
Rating 8 – and I would have given this a 10 if I only knew why this particular walk home was different from any others. Maybe it wasn’t and maybe that was the point. Still, by adding just a hint of importance to the day would have made this a special walk down memory lane.
Total 86

Bethlehem, Ontario
Introduction – 15 – this was really the only weak spot in the story. I think you should have started off in the “today” with the roaring flames or visual of the smoldering devastation. Get us to rush to the scene and want to learn more! This is a huge disaster, so give us the urgency!
Body – 30 – nice job of going from present to past, from science to lore, from practical to the unimaginable! Very much the core of a longer novel, and a great first chapter, should you decide to continue on with this.
Conclusion – 30 – you have let out the beast, and it is not a malevolent creature. This is a good example of an ending being a beginning.
Rating – 9 – great story, but again, that introduction just fell flat and it was like something kids were told in school, “keep reading, it gets better…”
Total 84

Redeeming Marzie Hennessey
Introduction -30 – nice job! Got the idea of a death and mixed reviews of the deceased in just a few words! I wanted to read more to find out the who and the why.
Body – 25 – good character development. We got to know the brothers pretty well just over breakfast, and by the time we got to the funeral, we knew a lot. The surprise encounter with the man and the story of wishing happiness made it a sad tale of missed opportunities and pointless grudges. It might have been nice to learn a bit more about the mother, but that might have been hard to do without sacrificing the characterization of the brothers. Still, a bit more info on her would have made this a more solid story.
Conclusion – 30 – neatly wrapped up, and a twinge of hope. Brief and to the point.
Rating – 9 – I really liked this story, and feel like I got to know two estranged brothers who might never become close again, but have moved on.
Total 94

A night in the woods
Introduction – 30 – excellent intro, and you most certainly made me want to continue to read to find out what in the hell you were doing out there with a hammer and a coin! Brief and to the point, but kept interest.
Body 25 – a terribly sad story of hopelessness in a time of tragedy. Not exactly chipper reading material, but you were able to keep it from becoming maudlin and kept the nature of the father true. You cared about him and his daughter. It might have been nice to include at least one happy memory – maybe the father and daughter going out to those woods, or some special moment between them? This would have made the story more poignant and yet given it more depth.
Conclusion 25 – I liked it but upon reflection, I think it was a bit unclear. My guess is that because he “walked” and didn’t “run” the news was not good. But then I wondered if I was reading too much into it.
Rating – 9 – a very sad story with very good character development of the father.
Total 89

A night in the woods
Introduction – 28 – I hate werewolf and zombie stories, so when I started reading it I cringed – but was quite happy to see your narrator quickly snap the book shut! Yeah!
Body – 30 – a very nice tale of teenage love and love lost and revenge! You captured the urgency of youth – the fact that everything is so damned important and needs to be taken care of immediately, regardless of the consequences. You kept the pace up quite nicely.
Conclusion – 28 – very good, but you really didn’t need to put “The End” in there.
Rating – 9 – all in all, a great story of teenage revenge gone to the extremes.
Total 95

Collecting a coin in time
Introduction – 25 – you got my attention, but there was no real sense of urgency as the horse approached.
Body – 15 – this story really confused me and I had to read it several times to figure out what was going on. Some of the ancient dialogue was a bit off – I don’t think people back then would say “…did the coin thing…”, plus you spelled Paul McCartney wrong (Beatles fan here). I appreciate the concept of time travel and changing history, but think there was maybe a bit too much jumping going on for me to follow. Perhaps I need more coffee this morning, but it seemed all a bit jumbled to me.
Conclusion -15 – didn’t wrap up the story so much as set up the start of a new story.
Rating 7 – it was ok for what it was, as a time travelers’ tale, but it just seemed to be jumping around too much. Maybe set up the first story first, have one jump in time and then back to the first story to wrap that one up before hinting of the next.
Total 62

As Luck Would Have It
Introduction 28 – you might not have given us a hint of what is to follow, but it was a fun start and we got to know the character right off the bat! Kept me wanting to read more.
Body 30 – a fun, breezy story that could be the plot for a filmed romantic comedy (and I mean that as a serious compliment!) . The characters really grew in this story, the narrator stayed true to his character and the story was really nice. I was glad he didn’t win the lottery, and it was fun to imagine if the tree brought him luck or it was just fate.
Conclusion 25 – was sweet, but there could have been something more of a twist – like maybe Janice had heard that rumor as well and hammered in a coin on recent trip to Wales? Or show her crazy aunt hammering in a coin in a stump somewhere?
Rating – 9 – a solid story, fun to read and moved along at a good clip. You kept the dialogue and characters true and held my interest to the end, which was the only sort of soft part of the story that could have used a punch of some kind to wrap it up.
Total 92

These were all some very good stories this time! I think the fact that the photo was so specific and special it made the stories more special and specific.
At any rate, I really had a good time reading these and the quality was excellent. I look forward to the next time!

I like the scoring system…I might steal that from you next time we do this.

And, I think this one was referring to The Judas Tree.

Ok, here’s the rest of them.

The Judas Tree

This story started out really, really, really well. Then suddenly broke off and a new story started. I have to say I preferred the first one. The second story has redeeming value though. The intrusion of an unpleasant memory during an otherwise enjoyable activity is an excellent introduction. There are several stages to the story, related concisely. I liked the backstory of the tree, and the coincidence of the J cut on the tree and the narrator’s hand. I was actually disappointed by the final line and it’s abruptness telling me there was no more to this story.
Collecting a coin in time.

Time travel is a bitch. This story attempts to weave the events of past, present, and neverwas together, and does a fairly good job. Obviously I enjoyed the sexual undertow beneath the main plot. I wish there was more descriptive detail, not just of Agnes in her wet uniform, but what everything else in the 24th century looked like. This could have been the basis for a much more complex story and the effects of changing the past from the future.
As Luck Would Have It

The introduction of this drew me in through the strength of the simple yet realistic dialogue. This made it easy to listen to the narrator tell the rest of the story, and the rest of the dialogue had this quality also. The story returns to the charming kind also seen in T-shirt Junction. The gimmick of a girl dragging a boy to wedding to get him interested was also a slice of reality. I saw this pulled off just this weekend, and my wife did it to me 33 years ago (I got married when I was 9). The realism of this entire story was impressive. Even the supernatural ability of the coin in the tree showed the common concept of a good luck charm for which no specific incident of luck can be attributed. If this story lacked anything, it was the night of explicit sexual activity that followed the insertion of another coin into the tree.

I had a bet with myself to see which of three things would bug readers more: a. there is little dialogue b. the narrator has no name c. it’s really unlikely that a Judas tree would be found anywhere around here.

I want to thank everyone for their comments. Especially the nice ones. Yes, there is no story, or plot, except for the observations of a man walking home. I’ve never known how to form plots. If I did I might have attempted to write fiction since my last high school English class. And emotion is a complication in life I strive, generally unsuccessfully, to avoid. So I’m more oriented toward repressing it than expressing it. I’m making a mental note for next time to try and add plot and emotion though.

If anyone is interested, the setting is Peekskill NY in the early 1900s, on the banks of the Hudson river. The city’s industry was located on the riverfront where the railway still runs. The downtown and most homes are located up the steep hill that rises on the east side of the river.

With no other approach to use, I picked a location I knew, and just let the image of the tree stump echo around in my head, and somewhere the stream of conciousness style of Faulkner took over, along with some sort of cadence that came from something I can’t identify.

Again, thank you all for your comments, and your stories, which I enjoyed reading.

Yes - thank you. I was cutting and pasting title names and I guess I must have pasted when I should have cut. At any rate, yes - I meant to put in the title of Judas Tree.

Just want to thank everybody for their detailed comments, especially on my story–I wish I had time to go into detail myself on all the stories, but unfortunately, internet access for me right now is sporadic (I’m travelling).

I will say that I agree with the “Stephen King-ishness” of “The Judas Tree” and “Bethlehem, Ontario.” Nice work!

For you, and all the other authors, I’d be very interested in hearing about your ‘process’ in coming up with your stories.

I’ll add my thanks for all the great stories and thoughtful/weird/humorous comments.

My process was to come up with the idea and opening paragraph in the first 10 minutes, simmer for 48 hours, write a middle scene, stew for 10 hours, remove & discard transitions, transfer to oven and half bake until time has run out. Add random seasonings, plate and serve.

Damn, I’m hungry.

I get the e-mail containing the words and the photo link, and think about them for a while. This “while” can take anywhere from a couple of hours to a couple of days; which is why I’m thankful that the writing window is 60 hours. I will admit that the photo is usually my biggest inspiration, though not always; and “Homeward by Polaris” is a good example of one of the three words inspiring the story.

Because the time window is finite, I find it best to stick with a genre I know well and in which I can write a story fairly quickly. In my case, that would be “character studies,” for lack of a better term–two or more ordinary people in an ordinary setting, who have some sort of ordinary situation to resolve. This “ordinariness” is important, as I simply fall back on my experience observing how real people would reasonably react and behave. This might be seen as another limitation, perhaps–the fact that I require myself in most cases to stay within the bounds of what is reasonably realistic and tangible in our own world–but I find that requiring real-world familiarity helps with speed, especially if I’ve spent (say) 48 of my 60 hours thinking about the words and photo.

At any rate, something plausibly realistic based on the words and photo eventually coalesces into an idea, and I start to write.

Rereading my post on preview, I’m not sure if my answer to your question is exactly what you’re looking for, but I hope it hits some of what you are seeking.

Heh. Process sounds so…dignified. I got the prompts, thought about them for half an hour or so, and wrote the story over the next two hours.

My experience with these stories is the longer I allow myself to stew over them, the less I like the finished product: for example, it took me the whole 60 hours to write “Spring Break” and I don’t like it as much as most of the others, while "Straight Through the Heart" took me just over an hour and it’s one of my favorites.

It does. So far the processes given are not much different than mine. Mine just never results in this plot thing that seems to be so important. I’ve often thought of great concepts to use in a story, situations, locations, characters, etc., but no plot. Aside from whodunnits, I’m not sure I really understand or appreciate plots. And a mystery is not a plot by itself anyway. I feel like just asking “How do you form a plot?”

That’s a hard question, though. Part of it comes from asking yourself two questions, “what would happen if…?” followed by “and then what?” until you get to the end, but I know that’s not the answer you’re looking for. It’s too simplistic.

TriPolar - once you’ve invented characters, given them attitudes and motivations and placed them in various situations at various locations, ask yourself “if this character was trying to achieve [something he or she is motivated toward], how would he or she accomplish that?” Ask that of one or several characters and imagine them in each others’ way as they get on with it.

IMO, the resulting conflicts and conclusions will closely resemble a plot.

You could also imagine a particular set of resolutions to the situations you’ve set up, and work your characters towards those endings and see what happens.

A few of these stories, inclucing my own, feature the oldest plot in the world: boy tries to get girl. Ta da! Plot is formed. You just fill in the rest with magic t-shirts, beer keg theft, tree hauling party, etcetera, etcetera. Somewhere along the way there has to be some kind of conflict, something to overcome.

I absolutely adored T-Shirt Junction and Buona Fortuna.

All of the stories were very good.

Great job, all of you. I’m so envious. I wish I could write like you guys. I have a few stories in my head. I even have about 4 chapters of my first novel, but I know I’ll never finish it.

DMARK, JackDavinci (I hope my memory is not failing me here), really well done.

Those are interesting questions, TriPolar - I got the photo, words and auto-reply set up by 9 AM and then went off on my day. I wouldn’t get a chance to sit down and write until about 8 PM, but throughout driving to a lesson, shopping at Home Depot, buying dog food, buying new guitar strings, buying birthday presents for 3 of my son’s friends who were having parties that weekend, I was churning around what to write.

I started out with the notion from Neil Gaiman and Guy Gavriel Kay that faeries loathe ‘cold iron’. What if that applies to all metals? Originally, it was going to be a Terry Pratchett-esque story about some sort of leprechaun that lived in the stump who hated that people were hammering those coins in, only he was a slob and his attempts at giving people bad luck inadvertently gave them good luck. Everything he did just led to more and more people driving coins into his stump. It was in sitting down and writing it that the leprechaun morphed into something much more malicious…

The forest fire idea came from the way some of the coins in the photo were bent, almost as if they had melted. The line about the baked soil around where the roots of the trees had burnt actually comes from my sister’s ranch. In 2009, a forest fire came to within a kilometre of their place, and the last time I visited, we hiked up past the fire-break and saw some of the devastation. Part of that forest was so dry, and the fire so hot, that the fire was spreading by the roots as much as in the treetops. It’s a visual image that stays with you.

The thing I enjoy most about these Short Fiction contests (and Poetry Sweatshops, too) is the way they take me away from waiting for inspiration and getting into creating inspiration as I write.

As far as plot goes, I see it as being the bare bones of the story. Think of telling someone about something that happened to you in real life - the ‘plot’ is the moment to moment chain of events. How you order the links in that chain will affect how the story is understood and believed. The difference in fiction is that you get to decide what will happen to your character(s), and the reader gets to judge how you succeded in terms of plausibility.

So what happened to the traditional one paragraph entry we usually get?

I’m not sure I know what you mean - do you mean Boyo Jim and foolsguinea, who have submitted stories of 100 words or less in the past? If so, I’m fairly sure they would have got a PM about the contest and were just too busy.

Thanks for the advice everybody. I think it’s a little late in life for me to learn how to write fiction. But I’ll consider entering again next year and see if I can apply these tips. I expect I’ll lose the creative component if I actually think about what I’m doing. I tried to expand my piece here initially and just made it worse. What I sent in was shorter than what I started with.

I’d like to offer a comment about several of the pieces, please don’t take this as criticism; Not everybody on earth is named Trevor, or has a name that begins with G or J.

I really enjoyed all your stories. I’m jealous of the ability of some of you to write dialogue. I think dialogue has been difficult for some of the best writers. And where I praised it in my comments, I was sincere (and** Barkis**, I didn’t mean to sound critical of yours, it was an inartful attempt at a compliment). I don’t think I’ll ever be able to do that (believe it or not, I talk a lot like the way I post, so I don’t have much to work with). Aside from the parts about coffee and explicit sex, my comments on your pieces were real (well include most of the sex, I always like that in a story, great work with yours chrisk. And** Elfkin**, you really should finish the first part of your story:))