While not live-in-a-box poor, Clark Kent originally attempted to keep attention away from himself by living only on his reporter’s salary. For the first 30 or so years of Superman a five buck bonus was considered a cause for celebration among the Daily Planet reporters.
Then the editors decided to make Kent a TV reporter, and the whole “working class” theme disappeared.
All the X-Men appear to be rather well-off. They’re supposedly teachers at Xavier’s School for Gifted Youngsters, and I suppose Xavier has enough gobs of cash to give them sizeable paycheques.
According to at least one Morrison story, five of the X-Men are billionaires. Xavier, Emma Frost, Warren Worthington, M… Can’t ID the fifth. Did Jean Grey come from old money? Is Roberto daCosta back in the fold?
Matter-Eater Lad of the pre-boot Legion of Super-Heroes came from a poor family. His family depended on his Legion stipend, which his alcoholic father would consistently gamble away.
He does indeed. And it’s wet. Dark and wet. And it’s time for Cheers. He doesn’t have a TV now, but that’s ok, the shows in his mind are almost always better.
Cardboard box? Spawn would kill to have a cardboard box. All he has is the alley, and he has to share that with the non powered homeless, the psychotic killers, the renegade cyborgs, and the other hellspawn. Oh for the luxury of a cardboard box.
P.S. Iron Fist was rich during the PM/IF days; I don’t know if he kept it forever. Cloak & Dagger are supposedly still out on the streets of Manhattan, doin’ their thing. They appeared in an arc of Runaways last year.
Well Gypsy from the JLA was living on the street, stealing food to survive (easy when you could blend in with the background), but she came from a middle class suburban family that she returned to at the end of the series.
I know she came back later, but never read any of her appearances so I don’t know what her financial status was.
Despero actually slaughtered Gypsy’s family in Justice League America #38, one of the rare serious-as-a-heart-attack moments in the Giffen/DeMatteis/Hughes JL run.
Poverty and the inability to keep a job due to superhero duties was a recurring theme for the Shield, drawn by Jerry Siegel in a paperback called “High Camp Superheroes”.