Dick Hyman looks like Larry David with a bald(er) wig. I’ll pick that one up. Thanks.
I don’t know Qs education. I just thought he probably understands what 12 tone is but did not ever make it himself, and might use it for an idea rather than a technical definition. 12 tone was a big intimidating deal for the music students of the first half of the 20th century, like miles etc. Maybe it was ripe for use as an epithet.
Like Sonny Rollins hanging out on the Williamsburg Bridge for hours at a time, constantly practicing. Like Jack Sheldon, still working in his elder years “trying to get good.” (This includes teaching himself how to play trumpet with his left hand after he had a stroke.) Like Clark Terry, who worked every day to be a better trumpet player and then when he couldn’t play trumpet any more due to his physical limitations, being the best teacher he could be … the commitment to make this music manifest by these great artists is awe inspiring.
Truly. There is a book, I think (:search: found it) called Practicing by Glenn Kurtz: https://www.amazon.com/dp/B001LOEG36/ref=dp-kindle-redirect?_encoding=UTF8&btkr=1 it is a memoir of his experience trying to make it as a classical guitarist. His description of a warmup and practice session is a wonderful meditation on commitment to craft.
I do wish they would rename the Williamsburg Bridge after Sonny Rollins. Perfect for the Saxophone Colossus!
I have a friend who is a delusional guitar owner, who won’t “study”. He said to me “But Jerry Garcia just plays what he wants!” I said that had to be the worst example ever. Jerry used to play scales for 7 hours a day.