I would love to see the show remade, and done well. I think Zac Efron would make an excellent James West, and Peter Dinklage would make an excellent Dr. Loveless. (My recollection is that Loveless was only in the occasional episode, not the constant villain. It seems like Professor Moriarty was similar in the original Holmes stories – a driven man of genius to not only threaten our hero when things are slow otherwise, but someone having the potential to actually come out on top of any conflict. It would be important to not be a constant battle because if our hero beats him 22 times a year in a broadcast season, or even ten times a year in a cable network season – he will become something like Hamilton Burger from Perry Mason, an opponent not worthy of the hero.) Of course, things have changed since the original and every episode does not have to stand alone, West could combat several one-off threats to the nation for a few episodes and then have a three episode arc toward the middle or end of the season (but not a season spanning cliffhanger!!). Hell, Loveless can even sort of be successful for a portion of the arc and even once he is eventually defeated he might perhaps be effective enough to change something fundamental about the manner of proceeding (e.g.: perhaps a fulltime cast member will die, or the train will be ruined, or an established protocol will be changed), so that Loveless, when he does enter the show is genuinely dreaded by the audience because he did actually score partial victories and does not have to rely upon reputation and/or intensity to make the episode.
Typing that reminded me of who might be the best Loveless possible, the guy who played Adelai Niska on FIREFLY: Michael Fairman - IMDb As long as Nathan Fillian does not play West, he can almost just recreate his role from THAT show. He can certainly convey ruthless and driven madman; instead of “Shan Yu”, he can quote Carl Von Clausewitz Carl von Clausewitz - Wikipedia His character from FIREFLY was already somewhat Steam Punk, and rather than a space station he could have his own plush train car travelling headquarters as well as many business buildings which are all fronts for evil enterprises.
As for Artemis Gordon, we need to find someone like Vincent D’Onofrio – but born around 1980 or so, someone enough older to be wiser but still something of a contemporary. Actually, Chris Pratt might be an excellent agent Gordon. Not as physical or rash as West, but close enough to believably want to double date with West and whatever babes they rescue that week after the danger has been resolved. Gordon should have more street smarts and rely on being clever more than being a science nerd (as Kevin Kline played him in the movie); using disguises, ambushes, confidence schemes, etc. to rescue West when he goes into a situation without proper intel or preparation and counts on his personality, looks, and a killer right cross to be successful. In fact, it would be nice to see Pratt be the wiser older brother rather than the lovable goofball for a change and with good writing, he must have the range to pull it off. He would have to down play his own physicality, and play the character the way Seth Rogan would most of the time. He would be badass enough to be useful in a brawl, but clever enough to avoid one in most cases. Like all second banana’s, he will have to improvise a plan – a clever ruse to rescue West once the bad guys seize him, tie him up, and rip off his shirt (as will happen in most episodes). Not exactly Spock to Efron’s Kirk – but informed by that dynamic (with less logic and more scamming cons). Perhaps Rusty to Danny Ocean is a better comparison; someone good enough to succeed on his own, but at his best when teamed up with his best friend. (And by-the-way, none of this is what I came into this thread to mention – just shit that occurred to me as I was getting to my point, which is: )
I loved hearing Kevin Smith talk about working on a Superman movie long ago and meeting Jon Peters. He mentions the Barry Sonnenfeld movie, but hearing him talk about working with Warner Brothers in general, and Jon Peters in particular was funnier than the whole Will Smith, Kevin Kline movie in my opinion:
the rest of the story….
The punch line is at the end of the entire two segments, the rest is almost twenty minutes of set-up.