For Traditional (capital ‘T’) Italian with servers who will treat you and your bride like both royalty and family, I recommend Patsy’s. Sinatra used to eat there. It’s close to the theater district, about 10 blocks north of Times Square. However, it’s best to allow yourself plenty of time and linger over dinner and wine. It’s not for a quick bite before the show. I love (and rarely indulge in) restaurants that take care of your every need, and this one does. Or did, when I was there a few years ago.
As for the show [deep breath]:
The Big Obvious:
The Drowsy Chaperone: big Tony winner, sort of a meta-parody of cheesy musicals of the twenties and the cast is great. I saw a bit on the Tonys and it looked like a lot of fun.
Jersey Boys: the other big Tony winner. By all reports the (good) exception to the rule for "Jukebox Musicals."If you don’t mind the songs being sixties pop songs, and the (true) story being about Frankie Valli and the Four Seasons, this one’s a good bet.
Better Chance for Tickets:
Dirty Rotten Scoundrels: I’ve heard nothing but praise for this show since it opened. Often when the original cast leaves the show quality declines, but every follow-up I’ve heard has been nothing but love. That indicates strong story and songs. I don’t think you need to have seen the movie to enjoy it.
The Producers: Another one that doesn’t suffer from loss of its high-profile leads. A really enjoyable, big, splashy Broadway spectacular.
The Light In the Piazza: Romantic story, and really gorgeous music. But I believe it’s closing July 2?
Sweeney Todd: If you like Sondheim, you must see this superb stripped-down version. But if you want uplifting singy-dancey-kissy, this isn’t for you. Dark, dark, dark.
Wicked: None of the songs do anything for me, but apparently it’s wildly popular.
Not So Much:
Avenue Q: Basically a R-rated version of “Sesame Street,” complete with songs about porn, loud sex and racism, and includes plenty of profanity and “full puppet nudity.” In short: hilarious. I loved it, but it’s not for everyone.
Spamalot: Fun, but I felt the music was kind of blah, and not particularly interesting for the non-Python fan.
Don’t forget Off-Broadway! Many hit Broadway shows start there, and you might find some real gems in a smaller venue, for less money. Of necessity, these are usually more arty (Slava’s Snowshow, Blue Man Group), plays, or non-traditional musicals ([title of show] - yes, that’s the title), so perhaps not what you’re looking for. Check for reviews and take a chance, they could use the business.
Do not assume that tickets will be hard to get for any show. Competition for audience is fierce. If you’re willing to gamble a little, try the TKTS booth in Times Square (bring cash) for half-price tickets on the day of the show. If price really is not an issue, try buying direct from the show’s box office before you go to a ticket broker or hotel concierge. The box office will nearly always have the best selection of seats for the standard ticket price (they will not offer you discounts, don’t ask), and low - if any - service charges.
Sometimes great seats that are unused by VIPs are released for sale 24-48 hours before curtain time, so with good timing you could get something in the 7th row center when the day before it was only row ZZ. However, don’t ever ask the box office if “something better” will be released later. They don’t know, they won’t tell you, and the question will just upset them (can you tell I’m in the business?).