Sci-Fi Canonball

What constitutes the true canon of scifi writing? Not looking for the books you particularly like, but rather those that were important to the development of the genre or have become established as classics that everyone who reads scifi is expected to have read to be sci-fi “literate”. Please give both author and title.

To begin:
H.G.Wells-
The Time Machine
The Invisible Man
The Island of Dr. Moreau

Jules Verne-
20,000 Leagues Under The Sea
Journey To The Center of the Earth

George Orwell-
1984

Isaac Asimov-
The Foundation Trilogy
I, Robot

Frank Herbert-
Dune

Orson Scott Card-
Ender’s Game

Philip K. Dick
[There doesn’t seem to be a definitive novel for Dick, but he was an influential writer and needs to be included. Do Androids Dream of Electric Sheep was made into the movie Blade Runner, so it may serve.]

Douglas Adams-
The Hitchhiker’s Guide To the Galaxy [There should be some representative of humorous writing]
I leave the rest to you.

A bit hard really. Are you refering to Sci-Fi, Space Opera, Science Fiction (Soft), Science Fiction (Hard), or Fantasy? Speculative Fiction is a very varied genre, and each aspect of it has its important works. For instance, in Space Opera I’d say:

E.E.Doc Smith: Lensmen trilogy.
Robert A. Heinlein: Starship Troopers, Starman Jones etc. (Could also be SF Soft)
H. Beam Piper: Fuzzy Series.

and for SF (soft) you could say:
Alfred Bester: Demolished Man
Issac Asimov: Pebble in the Sky, Foundation.
Anne McCaffery: Dragonriders of Pern

There really isn’t a canon defined because the field is so wide and varied in nature. Hopefully, it will never become as stodgy as most english lit attitudes are, where you aren’t a lover of literature if you haven’t read Bronte, or Austen(sp). The true strength of SF is that it encompasses so many different attitudes that noones important books are everyones important books. For any SpecFict lover, the best thing to do is peruse the Hugo Awards, the Nebulas, and the fanzines and find the aspects of the Genre you love.

You seem to have covered nearly all of my suggestions. However I would have to add Star Wars to the list despite it being more a movie than a novel. It not only paritally defined a generation it popularised sc-fi again, giving it more credibility and mass-appeak than it had previously enjoyed. If you will, it was the point where sci-fi met mass media.

In that respect it has to be recognised as ‘significant to the cause.’ Even if you dislike it.
I’ll add Arthur C Clarke to the list before agreeing with Narile in her wish that sci-fi will never be laden with the officious nature of some literature purists too caught up in definitions and forms to notice the truth in the written word: emotions and imagination.

If any genre encapsulated the imagination, it would have to sci-fi and fantasy. Long may they live so long may we soar.

I have heard “A Cantilcle for Liebowitz” by Walter M. Miller, Jr. mentioned as a canon.

I personally think that Ursula LeGuin’s “Left Hand of Darkness” should be required reading. For any of you that haven’t read it, the premise is making first contact with a civilization that has no gender. Everyone is gender neutral, and the sexual role taken in reproduction is a matter of chance. The person who goes into “kemmer” first becomes either male or female for a time. Someone else will go into “kemmer” and become the complimentary sex. So a person can be father to several children, and mother to several more. It is an excellent study in gender roles.

Jeez. When the real SF fans come along they’re going to be dyspepsic.You’ve left out a LOT of important authors. And I note that many of them are only represented by short stories and novellas

You left out Stanley G. Weinbaum (particularly the short story “A Martian Odyssey”) and Cordwainer Smith (“Norstilia” and “Scanners Live in Vain” and a host of others), Fredric Brown (If he only wrote “Arena” he’d have a place in the list, but the man was prolofic), Murray Leinster, Jack Williamson,
Larry Niven!! (Ringworld, Protector, The World of Ptaavs)

Ursula K. leGuin (“The Dispossessed”, “The Left Hand of Darkness”)

Harlan Ellison!!!

No list of SF classics can be complete without hard-sf great Hal Clement (“Needle”, which was ripped off for the movie “The Hidden”, “Mission of Gravity”, “Ice World”)

The under-appreciated L. Sprague deCamp (“A Gun for Dinosaur”, “Lest Darkness Fall”, “The Glory that Was”)
Edgar Allen Poe, a big and acknowledge influence on Verne and Doyle, among others (“The Unparalleled Adventures of Hans Pfahll” and others)

A. Moore, virtually forgotten today but one of the greats in his day (“The Moon Pool”, “The Metal Monster”)

I could go on. But I’ve got to get back to work.

What? no Edgar Rice Burroughs(sp?)?“Warlord of Mars”, truly classic.

While they may not have been around long enough to entrench themselves as part of the foundation of Sci-Fi I still think they are/will be important.

The Hyperion Series by Dan Simmons

The Reality Dysfunction Series by Peter Hamilton

APB9999:

I would leave out Ender’s Game, as it’s far too recent to deserve inclusion. I see a “canon” as including books with proven quality and appeal through the generations, and Card’s book hasn’t done that yet. Not that it won’t, just that it hasn’t.

Otherwise I approve of your choices, but think you should also have included:

Rendezvous with Rama by Arthur C. Clarke
The Stars My Destination by Alfred Bester
Princess of Mars by Edgar Rice Burroughs, but none of the other Mars books and none of Burroughs’s other books
Ringworld by Larry Niven, but none of its sequels
Fahrenheit 451 by Ray Bradbury
The Moon Is a Harsh Mistress by Robert Heinlein
Stranger In a Strange Land also by Heinlein
Red Mars, Green Mars and Blue Mars by Kim Stanley Robinson

Yes, I know I discombobulate my own argument against Ender’s Game by including Robinson’s Mars trilogy, but rules usually have exceptions, and I know no one who can doubt Robinson has written the definitive terraforming novel with those three. Its influence will only grow in the next century, I have utter confidence.

Essential SF books:

Foundation Trilogy
Martian Chronicels
Stranger in a Strange Land
The Moon is a Harsh Mistress
Childhood’s End
The Left Hand of Darkness
Mission of Gravity
Dangerous Visions (Harlan Ellison, ed.)
The Science Fiction Hall of Fame (anthology)
Ender’s Game (Orson Scott Card)
Ringworld (Larry Niven)
Replay (Ken Grimwood) – what would you do if you could live your life over? Great variation on the theme.
The Man Who Folded Himself (David Gerrold) – the ultimate time travel novel
Dhalgren (Samuel R. Delany)
Davy (Edgar Pangborn) – the best after-the-bomb novel
The Stars My Destination (Alfred Bester)
The Dragonriders of Pern (Anne McCaffrey) – the first three novels are great, though it deteriorates after Moreta
Double Star (Heinlein) – often cited as his best
The Persistance of Vision (John Varley) – short story collection
The Island of Doctor Death and Other Stories and Other Stories (Gene Wolfe) – short story collection (the title is correct, BTW)
Blind Voices (Tom Reamy) – mysterious and wonderful, flawed only because Reamy died while writing it.
The Parable of the Sower & The Parable of the Talents (Octavia Butler)
Neuromancer (William Gibson)
Snow Crash (Neal Stephenson)
Flowers for Algernon (Daniel Keyes)
To really “get” SF, though, you need to read the short fiction. Some classics:

“Nightfall” by Asimov
“A Martian Odyssey” by Stanley G. Weinbaum
“I Have No Mouth and I Must Scream” by Harlan Ellison
“A Boy and His Dog” by Ellison
“‘Repent Harlequin,’ Said the Ticktockman” – Ellison again, if you hadn’t guessed. :slight_smile:
“The Blue Bottle” by Ray Bradbury – my favorite of his stories, though it’s hard to find.
“Passengers” by Robert Silverberg
“Coming Attraction” by Fritz Lieber
“The Last Flight of Dr. Ain” by James Tiptree, Jr.
“Houston, Houston, Do You Read?” by Tiptree
“The Screwfly Solution” by Raccoona Sheldon (Tiptree again, who, next to Ellison, was one of the genre’s best short story writers).
“Sandkings” by George R. R. Martin
“Press Enter ” by John Varley
“Ripples in the Dirac Sea” by Geoffrey Landis
“Understand” by Ted Chiang (the best new SF writer around)
“The Story of Your Life” by Ted Chiang
“Mother Hitton’s Littul Kittons” by Cordwainer Smith
“The Ballad of Lost C’Mell” by Cordwainer Smith
“The Game of Rat and Dragon” (Smith again – another great short story writer)
“The Pusher” by John Varley
“Speech Sounds” by Octavia Butler
“Bloodchild” by Octavia Butler
“It” by Theodore Sturgeon

You can look up where these stories appeared in the Locus Books Received Database. Look me up (Chuck Rothman) while you’re there. :slight_smile:

That said. Now onto the OP and my earlier response, which was writen while half asleep.
What I was trying to get at is that because SF is such a wide and encompassing genre, to point to any book and say that is ‘canon’ is to restrict the genre. That said, it can be said that some books were more important in SF history as a whole than others, but none can be called required for the genre as a whole. Some might be considered the defining work for a specific sub-genre, Doc Smiths Lensmen Trilogy is very much one of the defining novels of Space Opera, and as much as I dislike it, Neuromancer is the defining work of the cyberpunk movement.

Another way however, to ask this question, is to consider what your reply would be if someone walked up to you and asked you about SF. What are the books that you would consider to be the examples that best help a person understand what SF is? This is not a canon, because it is purely subjective and personal. If that is the question, then my answer would be:

H.Beam Piper: Federation and his short OmniLingual
Larry Niven: Ringworld
Arthur C. Clarke: Rendevous with Rama, Childhoods End and his short The Star
Orson Scott Card: Enders Game and Speaker for the Dead
Alfred Bester: Demolished Man and The Stars My Destination
Robert A. Heinlein: Starship Troopers, Starman Jones, and the Lazerus Long novels.
Ray Bradbury: Farienheit 451
J.R.R.Tolkien: The entire Lord of the Rings Trilogy (I consider SF to be Speculative Fiction, and thus inclusive.)
Ursla K. LeGuin: Left Hand of Darkness and Wizard of EarthSea
Richard Garret(sp): Lord Darcy series.

And these are just a few of them (I have to work to.) But I would never say that an SF fan has to have read all or even any of these. I am sure that Japanese and Russian SF fans would have a completely different list.

I agree with RealityChuck on a few things though. Much of the SF history is tied up in the shorts, and the database id a good place to look. Also, don’t ignore the Hugos and Nebulas, most of those works won for a reason.
Oh, and Cal, I consider myself to be very much of the fen. Considering the OP, it is understandable that you looked for an inclusive list, but my point is that such a list is a) unrealistic for SF because of its nature, and b) unwanted. :slight_smile:

Hm. I guess I’m the only Zelazny Fan. Let me include one or two.

Lord of Light: Super Advanced Humans as Hindu Gods.
The Amber Series: For something that he started writing off the cuff, its awesome.

I’d also include

Gibson’s Neuromancer
Walter Jon Williams: Hardwired

and so on…

OK – it’s buggin me. For some reason I have to keep posting what I consider "canonical’ works
Philip Jose Farmer – “The Lovers”. I think I’d also consider the “Riverworld” series

Frederick Pohl and C.M. Kornbluth – “The Space Merchants”

Frederick Pohl – “Gateway” and its sequels
there are a number of anthologies that I would include as canonical:

“Adventures in Time and Space” – the first major sf anthology, only available in hardcover before 1975, when it came out in paperback. A good representation of SF writers. Three movies from the '50’s are based on stories from this anthology.

“The Scence Fiction Hall of Fame” – Three volumes (in at least five physical books) – THE definitive anthology of SF short stories, novellas, and novels, chosen by the SFWA.

The “Dangerous Visions” anthologies – edited by Harlan Ellison. Need I say more?

I highly recommend the “The Best of…” series put out by Ballantine/Del Rey between 1975 and 1980. Excelent stories by the best of the under-anthologized SF writers (There’s no Best of Heinlein" or “Best of Asimov”, but they did cover Raymond Z. Gallun, Catherine L. Moore, tanley G. Weinbaum, and others)

I am surprised at the lack of inclusion of Frank Herbert’s Dune, and LeGuin’s The Dispossessed. Easily as good as Left Hand of Darkness, it is perhaps the quintessential sf utopia/dystopia novel.

MR

Maeglin – check the list. Somebody else already included “Dune”, and I listed both the le Guin works.

Good to have the confirmation, though.

Right you are. So many mentioned one LeGuin without the other, so I just felt the urge…

But those are rather mainstream. As far as fantasy, whose corpus I know a bit better, I would add the works of Lord Dunsany to the list. Del Rey has started to publish this grandfather of speculative fiction’s works again, much to my pleasure. I would add The King of Elfland’s Daughter and The Charwoman’s Shadow to the list without hesitation.

MR

Maybe I didn’t emphasize this when I started the thread, but the dozen books I listed were not MEANT to be a complete list. Good lord, how could they be!

There’s some great suggestions here, but let me repeat that I’m looking not just for good sci-fi writing, but work that is canonical to the field. So let’s pretend we’re planning to teach a course in sci-fi literature for someone who’s never read any. So we have to be discriminating, and not make a list with a thousand books on it. The student should come away having an understanding of the history and development of the genre, an idea of its thematic scope (i.e. sociological themes, psychological themes, humorous writing, etc.), the common tropes (space travel, time travel, the socially dangerous technological development, apocalyptic events, utopic societies, the evil mad scientist, the scientist as victim of his own experiments, etc.) and a taste of the most famous authors. To put it another way, if you couldn’t stand up in front of a class and explain for an hour what’s important about the book, it should be left out. So being a good yarn isn’t enough, it has to have offspring - stylistically, thematically, philosophically, etc.

Short stories were mentioned, and it’s true that a lot of the best sf is short stories, at least to my experience. But just to keep things structured, let’s do short stories next semester; we’ll do novels this time. Similarly, movies and shows like Star Wars and even more, Star Trek, have been enormously influential on the scifi of the last thirty years; nevertheless, I suggest we keep to novels so we can keep some kind of focus in our picks. Finally, bookstores lump sci-fi in with fantasy works because the readership tends to be similar; nevertheless, works that are not clearly one or the other are pretty rare to my experience (though they do exist). I’m looking for actual Sci-Fi right now. We’ll do fantasy next semester, too - in fact that might make an interesting spin-off thread.

As for the notion that there can be no canon for sf, balderdash! There’s a canon for English literature itself - is sf broader than that? Shakespeare is in the canon, Jackie Collins is not; I think we can be similarly discerning with sf authors and their works. To claim otherwise is the sort of nonsense (although seen from the other side) that results in the standard English canon containing so few science fiction works because sf is considered “merely” genre writing. When sf fans suggest that the work is somehow privileged from the same standards of criticism that apply to every other area of writing, they just exacerbate the problem.

Getting to specifics:
I know from reading them, or by reputation, that the following suggestions are good additions to the canon list.

Ursula LeGuin-
The Left Hand of Darkness
[A Wizard of Earthsea is excellent, but not SF. Similarly with Zelazny’s Amber series, great as they were, and obviously again for Lord of The Rings. I haven’t read Dragonriders of Pern, but that, too, sounds more like fantasy to me than sf, no?]

Philip Jose Farmer-
Riverworld
[I haven’t read this one either, but it is often referred to as a seminal work in sf.]

William Gibson-
Neuromancer

Arthur C. Clarke-
2001: A Space Odyssey
[Other works of his were mentioned, but not this one! It is obviously the defining novel of his career, even if some other books had powerful things to recommend them and may have been better in some ways]

Robert Heinlein-
Time Enough For Love (Lazarus Long)
The Moon Is A Harsh Mistress
Stranger in A Strange Land
[I found this book irritating and dated. Heinlein has many better books to his credit; however this is, IMO, the most broadly influential of his novels by far.]

Ray Bradbury-
The Martian Chronicles
Farenheit 451

Edgar Rice Burroughs-
Princess of Mars
[Okay, it’s hokey. But it epitomizes a type of pulp sci-fi that was once definitive of the genre.]

Daniel Keyes-
Flowers For Algernon

Larry Niven-
Ringworld

I can hardly believe I almost overlooked one of the absolute best, deepest, most influential science fiction works of all time:
Mary Shelley-
Frankenstein

I would also add
Stanislaw Lem-
The Cyberiad

There are many authors who have been extremely prominent at the forefront of the sf genre, but either their best works are short stories (easier to get published, I think), anthologies, or no particular novel stands out as their masterpiece. We can vote on which novel to include for these guys; some suggestions have already been made. Harlan Ellison
Frederick Pohl
Gene Wolfe
L.Sprague DeCamp
Samuel Delaney
John Varley
H.Beam Piper

Or maybe we should just save these guys for short stories next semester. I have 25 novels on my list already!

Let me add:

The Weapon Shops of Isher by A. E. Van Vogt
Farewell to the Master by Harry Bates
Re-birth (aka The Chrysalids) is pretty good, also.

And, for humor value, stories by Lewis Padgett (a pseudonym of Henry Kuttner). “The Proud Robot,” “Time Locker,” and “The Twonky,” to name a few.

I agree that there are short story trasures to be found, especially from the '30s to the early '50s. I have at least 30 anthologies on my shelf of SF works. I can’t pass up antiquarian bookstores without checking out the older SF stuff.

And I agree that Adventures in Time and Space is probably the best anthology out there representing the period I spoke of.

goes down the list of books writing down most of the titles and authors then groans looking at the list she has How am I ever going to read all these books? I’ve read only the Dragonrider’s Of Pern that were mentioned the rest I haven’t seen yet… my reading list keeps getting longer and longer no matter how fast I read the books. shakes her head and goes to cut the list down

Ok, somebody’s probably going to shoot me for this, but I’ve always thought of Shelley’s Frankenstein as the root of sci-fi, and it’s depressing how many sci-fi/fantasy readers have never gotten around to it. It would definitely be the first in my core curriculum.

Seems most of my bookshelf has been covered already. I would like to mention two or three authors who seem to have been overlooked.

Jack Vance: The Dying Earth, and the Lyonessee series (although the latter is fantasy, and the former pretty darn close)

H. P. Lovecraft: At the Mountains of Madness and/or The Shadow Out of Time (impinging on the Horror sub-genre, but sf all the same)

James Tiptree, Jr.: Up the Walls of the World is probably her best work

Did anyone mention Chalker’s Midnight at the Well of Souls? The rest of the Wellworld stories seem hardly worth the paper they are printed upon, and he had only just begun his "We Transformed Her Body and she LEARNED TO LIKE IT schtick.