Science Fiction/Fantasy: It's... quiet out there.

–or is it? Maybe it’s just my imagination, but does the fandom seem as though it’s passing through something of a lull recently? Does it seem strangely calm out there to anyone else all of a sudden?

This weekend I attended Necronomicon, Tampa FL’s annual SF/fantasy/horror convention. There was plenty going on, as always; panels and movies and gaming and costume contests, and everybody seemed to be having a good time, myself included.

And yet… something seemed different this time around, but I couldn’t quite figure out what it was until the Masquerade. As in previous years, there was a remarkably varied spectrum of talent on display; many costumes were entirely original creations, while others depicted various characters from books, films, video games and such. Generally speaking, the popularity of a current book, film or TV series is roughly reflected by the number of costumes paying homage to it. At least that’s how it’s always seemed to work in the past.

This year, though, out of 40 or so contestants, no work of science fiction or fantasy, past or present, was depicted by more than one contestant-- with two exceptions that I can recall: the anime series Hellsing inspired two Alucards, and the children’s costume category featured two Hermiones and one Harry Potter. (Note to Harry: someday you’ll understand why your attempt to mime riding a broomstick inspired so much laughter from the audience.) Of course, all three kids were introduced with the exact same music, that annoying whirly twinkly passage that begins all the movie trailers. I suppose it’s intended to suggest wonder and magicalness, but to me it sounds more like the cue for a flashback sequence on General Hospital. Not John Williams’ finest work, in my opinion… but I digress. Anyhoo…

The new **Battlestar Galactica ** had one entry. Joss Whedon’s entire career was represented by one green-faced demon in a zoot suit-- who, I must say, did a dynamite job of lip-synching “Mack the Knife.” Lord of the Rings? Nothing. The Babylon 5 franchise? Nothing.

And the titans are finally dead. After decades of overshadowing the competition by sheer numbers, the dueling colossi have both suddenly gone whimpering into an embarrassed oblivion. There was not a single **Star Trek ** character in the masquerade, and the single representative of the **Star Wars ** franchise was a 9-year old kid wearing a nylon cloak over his street clothes while halfheartedly waving a telescoping plastic light sword.

I should add that this absence extended even to the convention panels and the hall costumes, although it didn’t really register until after the masquerade made it apparent. There were no wandering Starfleet officers; there were no stormtroopers. I spent the better part of a weekend at a science fiction convention, and I did not see a single Klingon.

For whatever reason, there seemed to be a relative absence of obsessive devotion to any one franchise this year. Honestly, I can’t say that I missed it much. It was interesting to attend panels on creative writing that didn’t eventually turn into passionately partisan debates on the literary merits of J.K. Rowling, or horror panels which didn’t automatically assume **The X-Files ** as a starting point.

Am I wrong about this, or has anyone else noticed a weird lack of monomania in the air lately? Is it because the Serenity movie is finally out in theaters, or because the Alien finally fought Predator, or what? And how long can we expect it to last?

That’s good news.

The fantasy world needs a good fracturing now and again. For a couple of years, it seemed that so many books were read as either a response to or an antidote to either Tolkein or Rowling. Now things are settling back down and people aren’t being so damned obnoxious.

Sorry. That’s probably off-topic. I read lots and lots of book reviews.

Well, all of the big series in SF/F are over. Star Trek has ended its run, Star Wars has finished, there are no more Lord of the Rings films. You mention Babylon 5, but it’s been gone for close to a decade now. Farscape is gone as well.

What’s left? Of the series that are out right now none of them really have a distinctive “style” for the costumers to lock onto. Battlestar Galactica pretty much looks like current military style; the various Stargates are current military style. Firefly/Serenity owe more to westerns than SF garb. Basically they’re all too “ordinary” for the hard-core costume crowd. You’re basically left with Harry Potter, and there is only so much you can do there.

I’m sure the costumers are still coming up with creative costumes, but I don’t think they are getting much inspiration from the current crop of SF/F series.

Comic-Con this July was kinda drab, too, IIRC. Must be something in the air. We need the launch of another high profile franchise, but what? Serenity tanked. Harry is getting older and darker. The Stormtroopers have finally moved out of Mom’s basement. Is there anything on the radar that looks promising?

Narnia, perhaps? The human Narnia costumes are pretty much just standard British schoolkid or standard fantasy, but then there’s all the beasts. Reepicheep, anyone? Puddleglum? Mr. Tumnus? Or maybe Trufflehunter?

Very true-- although if I recall correctly, that didn’t prevent lots of people from creating costumes based on the movie Aliens, which more or less pioneered the “looks like current military style” future soldier. (In fact, there was a li’l Colonial Marine in the children’s category at Necro this year, complete with gyrostabilized M56 smart gun. Never has so much firepower looked so adorable.) I also distinctly remember a period between **The X-Files ** and Men in Black when a conservatively cut suit, dark glasses, and a prop such as a laminated photo ID or briefcase was considered a perfectly acceptable convention costume.

On the other hand, I’m willing to concede that my memory may be faulty. It hasn’t really been a whole decade since B5, has it? I could have sworn that Sci-Fi was still cranking out movies four or five years ago. Egad, the time goes by.

Chronos: Ya know, I would have bet dollars to doughnuts that somebody would have gotten in ahead of the game with a Narnia-themed costume this year, what with the movie coming out over the holidays and all. But no, nary a one. I’m surprised that someone didn’t at least take a stab at a Mr. Tumnus costume; based on the trailers, it seems like you could come up with a fair approximation with an old hobbit wig, a scarf, and some furry legs. Heck, someone could have just worn their Tom Baker’s Fourth Doctor costume, only without the clothes…

…on second thought, maybe it’s just as well they didn’t.

Speaking of furry legs, there was at least one costume category that seemed to be on the rise: there were three ‘mascot’-style outfits present this year. Yes, the mascots outnumbered the Klingons and stormtroopers combined! This seemed to induce a state of free-floating anxiety among the cosplayers in particular, for some reason. I overheard more than one snide remark from the blue-haired, cardboard sword-toting, schoolgirl uniform-wearing clique about the alarming proliferation of furries at the convention. I sense a bitter territorial conflict may be looming on the horizon.

Bob Asprin is writing Myth books again.

:slight_smile:

That’s something to be jazzed about, certainly! On the other hand, this is the first I’ve heard about it, which sort of speaks to my original point: while I’d venture to say that most fans of fantasy fiction (especially humorous fantasy) are familiar with Robert Asprin, a new addition to the Myth series probably isn’t going to attract much attention outside the light fantasy book market, let alone the public consciousness at large. Terry Pratchett is another example; he’s been pounding out Discworld novels since time out of mind, and it’s a very well-regarded series that inspires a great deal of fan loyalty-- but only among a certain fraction of the total fantasy/sci-fi crowd. Partly this may be due to the tendency of cross-genre fiction to self-limit its potential audience; even if you enjoy humor, you likely won’t appreciate Asprin or Pratchett if you don’t also like fantasy, and vice-versa.

(Whatever its other shortcomings, I think this is likely the main reason why the **Hitchhiker’s Guide ** movie dropped out of sight as quickly as it did: it wasn’t just a blend of SF and comedy, but British SF and comedy. Here in the US at least, the core audience for this mixture is a subgenre within a subgenre, inside an enigma, wrapped in a multicolored scarf. Douglas Adams was the best that SF comedy had to offer, yet outside the fandom practically nobody knew who he was. Thanks to the film industry’s publicity machine, the general public may have recognized his name for maybe two or three weeks; if you mentioned his other works in a conversation with non-SF fans today, I’d bet that you’d get the same blank looks as before.)

In past years, it seems like there was always at least one aspect of fandom that stood clearly above the rest, some particular focus that even people who weren’t fans were aware of, that fans of other genres couldn’t seem to escape exposure to; some all-encompassing Big Thing that served to define the zeitgeist of the SF/fantasy community at that moment, for better or worse. Right now, there doesn’t seem to be any one Big Thing in evidence. The Harry Potter franchise is the closest thing to a contender at the moment, and it seems to be running more or less on autopilot by now. Yes, everyone has read the newest book by now; yes, everyone will see the movie, which will be exactly the same as the book except there will be less of it. I think the most attention paid toward the newest film here in **Cafe Society ** so far was a thread debating whether a female Quidditch player in a production photo had an unacceptably prominent cameltoe. And I would have thought that The Lion, the Witch and the Wardrobe would have worked up more steam by now, but it seems not.

Even if there’s no new Big Thing on the horizon, in the past at least the two Old-School Classic Big Things were always present to some degree. Now, at last, they are no more. These two competing franchises have been at least heavy background noise at every SF/fantasy convention I’ve ever attended in my life, and now the silence is deafening. Suddenly no one seems to care in the slightest whether the Borg Collective could conquer the Old Republic if they assimilated Batman first. I’m not saying that this state of affairs is a bad thing by any means, but it is downright eerie.

Link?

They may not count as “Old-School Classic Big Things,” but it seems worth pointing out that the current two top fantasy book series (arguably) both released new installments this fall - Robert Jordan’s Wheel of Time and George RR Martin’s Song of Ice and Fire.

Why do we want a Next Big Thing? This is just another example of the blockbuster/bestseller phenomenon. It’s not at all clear that constantly having a Next Big Thing is good for the science fiction/fantasy field. Many people in the field claim that what this does is destroy the mid-list. The mid-list is the standard term for the books (and maybe also the TV shows and the movies) that sell well for years without being bestsellers/blockbusters. A very common claim of science fiction and fantasy professionals for the past twenty or thirty years is that this constant demand by publishers and producers for bestsellers/blockbusters has meant that the mid-list writers get no publicity and eventually quit getting published because the publishers think modest success is insufficient or else they give up writing because they can’t make a living.

Chronos!! We’re talking a schoolgirl here!

Okay, okay… I want to see it too… :wink:

Maybe you are… But the only Quidditch game in Goblet of Fire is the World Cup game at the beginning. I’m talking about a professional athlete.

[sub]but I must admit, Katie Bell has some great legs[/sub]

FWIW, at Dragoncon they had the Fighting 501st, an entire battalion of Star Wars stormtroopers, and eight Slavegirl Leias. Lotta goth and anime inspired costumes too.

Here’s a link to a Dragoncon fansite.. Some of the pics may not be work-safe, but you’ll have thumbnails that can help with that.

You can find ALL the fan photosites by going here and following the links. Some fansites will DEFINITELY contain photos that are not worksafe, but most should be OK. Mostly.

Well…here’s the thread I was talking about, although I hope you two weren’t expecting that a definitive consensus on the topic was arrived at. Sadly, the ongoing debate regarding the deleterious effects of Quidditch Groin may never be resolved fully in our time. Still, research continues, and perhaps someday our children will inherit a world untroubled by the tragedy of Quidditch Groin. Please, give generously to the Quidditch Groin Foundation.

Interestingly, the thread in question garnered 54 replies; by contrast, the two threads posted in Cafe Society this year with the words “goblet” and “fire” in their titles earned 30 and 31 replies respectively. This seems to suggest that threads about the Harry Potter movies see roughly 40% more participation if they focus specifically on the characters’ gentitalia. However, this is not an interpretation that I would care to defend (or even think about, really).

Absolutely, and I didn’t mean to suggest otherwise; it’s just that from at least the 1970’s to the present, it seems like the blockbuster effect has always been in evidence to some degree. Not that I expect the current mildly relaxed state of affairs to last; no doubt some other soul-engulfing phenomenon will come along out of nowhere and galvanize everyone’s attention, willing or no. And maybe that’s a good and necessary thing to an extent, in order to draw in fresh interest and support; I don’t have the experience of a non-blockbuster-informed creative field on which to base a comparison, so I’m not sure. But it does seem that when a given property becomes too loudly successful, it’s sometimes frustratingly difficult to hear anything else.

Just as a clarification - the character in question is in fact one of the competitors in the Tri-Wizard Cup, not a professional athlete. But at least she’s meant to be over the age of consent, thanks to Dumbledore’s Age Line.