On the recommendation of a friend who told me it had been very influential in his life, I have just read The World of Null-A. Now that I’ve finished it, I suspect that he must have been a teenager or younger when he read it. I can see how it might impress a 13-year-old, but as a 52-year-old, I say “meh.”
I’ll pass over the fact that van Vogt imagined that that in the 27th century electronics would still use tubes.
I found his characters poorly drawn, the plot confused, and the conclusion of the story not much of a payoff. (It was only later that I found out that there were sequels. From the synopses I’ve read, they seem even worse.)
One of the things that particularly annoyed me was the whole philosophy of Null-A, or non-Aristotelianism. I have a Liberal Arts degree and have read a fair amount of Aristotle, and I couldn’t make much sense of this supposed philosophy as it was alluded to in the book. It’s described just well enough to make it seem mysteriously interesting and powerful, but not well enough to provide a comprehensive notion of what it really means, or if it’s just a McGuffin of sorts.
(It wasn’t until I had finished reading the book, and looked up van Vogt on Wikipedia, that I found out that he had not made up non-Aristotelianism, General Semantics, or Alfred Korzybski. Was all that well-enough known in the late 1940s that he could have assumed that his readers knew more about it than he outlined in the story?)
In thinking about the book, I recalled how totally impressed I was with Patrick McGoohan’s TV series, The Prisoner, when I was about 13, and how completely cool I thought it was for decades afterward. Now when I watch it, I cringe a little at how trite and silly is, in some respects. (It does still have its good points.)
I suspect that The World of Null-A is something like that: tremendously impressive for a very young person, but not really all that good from a grown-up point of view.
The funny thing is that I don’t feel the same way about Heinlein’s juveniles. I read Have Spacesuit, Will Travel at about 13 or 14, and re-reading it a few years ago I found it much more enjoyable and well-written than The World of Null-A.
But van Vogt is considered one of the masters of the Golden Age. So am I wrong about him? Am I missing something? Not getting it? Or is this just not one of his better works, despite my friend’s opinion?
Humorous aside. The cover of my paperback edition of TWONA has the following promo quote from a review in The New Yorker: “Fine for addicts of science fiction.” That struck me as rather an odd thing to say, so I tracked it down in my DVD set of the complete New Yorker. Here it is in its entirety:
[Emphasis mine.]
I agree.